Filligan wrote:The techniques a film take doesn't always have to hurt it, as some people think for some dumbfounding reason. I mean, the movie is called (500) Days of Summer, that's... the little quirk it took to take you through the narrative as we switch between days, weeks, months. Why is this something bad? It's not.
No, what's bad is how the movie uses the little flipper to let me know when everything is, as if I couldn't figure out what's happening otherwise. That just shows an extreme lack of faith in the audience.
Anyway, it's the quirky indie comedy of the year. We should expect quirks. We should expect hipster stuff. We should expect such a soundtrack and such editing techniques. We've been over this and over this: Little Miss Sunshine, Juno, Happy-Go-Lucky.
1. I have no idea what Happy-Go-Lucky is doing in there. That movie, despite its warm idealism, still features a naturalism that is distinctly different from the stylized aesthetic of the other movies mentioned.
2. Quirky is meaningless as a descriptor of a style. What does it mean? Typically, those movies defined as quirky are marked by the use of irony or extreme understatement, an aesthetic that is flagrantly false and breaks the fourth wall, and/or a knowing use of pop culture references, usually tacky or somewhat esoteric. These traits in of themselves do not make a film worthy, by the way.