Portrait of Gina

It's Welles, so it's inherently interesting, at least to a point. It's in the style of a travelogue, and Welles talks...a lot. His technique of recording interview questions separately from the responses grates immediately, beginning with Rossano Brazzi, who only gets to talk about a quarter as much as Welles. Vittorio de Sica fares rather better, and the most interesting interview is with her pen-pal since school days, Anna Gruber. Easy to see why Lollabrigida objected to the final product.