Ying Cheung
Total Credits at Criticker: 12 (Actor), 2 (Director)
Find more information about Ying Cheung at The Internet Movie Database
Titles you haven't rated - Actor (12) | Director (2)
The film's plot revolves around a martial artist's quest to catch a mysterious thief who robs his wealthy victims and then blinds them with embroidering needles. His trail leads to a mysterious clan of female martial artists known for their embroidery. (IMDB Comments)
The plot centers on a martial arts tournament where the stoic Purple Robe Duke competes annually with the nefarious Fire Demon God, who always loses. This time, the Purple Robe Duke is poisoned from an attack by the Samurai Killer beforehand, forcing him into a state of secluded meditation in an underwater chamber to slow the poison's effects. His chief student Bai Baoyu sets out to retrieve an antidote, but must outwit and outfight forces intent on stopping him. (kungfucinema.com)
A wandering musician is too charming to get married, until he comes across the Queen of Snow Kingdom (Law Yim-Hing). They fall in love at first sight and waste no time to get married, but soon Cheung finds that he has to fight for his personal freedom under the power of the Queen. The plot becomes even more interesting with great comedians Tam Lan-Hing and Leung Sing-Po as the supporting cast. Their true love and innocence is in contrast to the souring relationship between Cheung and Law. (hkcinemagic.com)
Ah Ngor, a maid servant, is made pregnant by her master Chan Ying-kit. She has no choice but to entrust her son Tin-sun to the care of the head of hospital... (imdb)
In the 18th century, Emperor Chien Lung made a journey into Southern China.
This sequel to Mr. Funny-bone finds him, and his delightful sidekick "Big Potato", opening an Old-fashioned healing clinic.
The two lead roles (Liang Tien & Chang Ying) are in competition (never really explained why), teaching people lessons (including each other), but when the going gets tough, they join forces.
Abortion, birth control, and unwed cohabitation are social issues rarely associated with 1970s Hong Kong cinema. Cohabitation not only faces them head-on but does so with insight, compassion, and sex!