Vítor Correia

In 1970, a man is tortured and murdered by the regime's secret police. Now nearly 40 years later, his friend, who had also been tortured, recognizes the man he deems responsible for the murder of his friend.

Diana lives with his father, Gabriel, and Magdalene, the stepmother. One day she discovers that the latter maintains a relationship with another man and this is when she decides to intervene, approaching the lover of Magdalene.

A school inspector travels to the baron's fiefdom to write a report on a heathen teacher. Having arrived, he is invited to stay with the baron, who makes predictions about women, horses and politics while the mysterious Idalina serves food and drink. The inspector becomes inextricably entangled in the baron's world. (International Film Festival Rotterdam)

The year is 1908. A middle-aged man finds out that his brother has died and he sets out to avenge his death, and also to round up his scattered flock of sheep. (kviff.com)

Espada, a second hand private detective, tries to find a way out of the city whilst continuing his extortion schemes. However, in a society dominated by the construction mafia, corrupt policemen, and femmes fatales, the stakes for such endeavor may be too high. (mubi.com)

Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.