Usama Muhammad

Four families live together in an isolated house in the mountains, where conflicts erupt between the generations.

Shot by a reported "1,001 Syrians," according to the filmmakers, Silvered Water, Syria Self-Portrait impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. (en.wikipedia.org)

The Night is set in the village of Quneytra. We are led to the grave of the filmmakers' father, an old Syrian fighter who joined the volunteer armies in Palestine in the Great Revolt of 1936. Trying to exorcise feelings of shame and humiliation that have long accompanied the image of his father and the village occupied by Israelis during the war of 1967, Malas tries to restore his father's history and give him a more honorable death. (imdb)

In Syria, the villagers live their everyday life, in toil and poverty. Trapped between the hardships of farming, religious and political ideologies, they barely survive. Their children are the only ones that are still full of hope. They imagine their future lives and picture themselves as doctors or engineers. But these are pipe dreams. All they can actually look forward to is farming the land with primitive tools like their parents, getting a menial job in the city or ...