Taketoshi Watari

Alisa's father tells her that "there is nothing beyond the sea" in an attempt to keep his fully grown daughter captive in his island home to feed his incestuous desires. One day day, she just starts swimming and ends up in a city in Japan meeting different people while her father searches for her.

A young scientist named Eiji decides to follow in his father's footsteps to help humanity by developing a drug that converts pain into pleasure. To test it out, he secretly adds his drug to a contraceptive that his mother has been performing clinical trials on with three young women at a local clinic.

A new drug that turns the feeling of pain into pleasure could change medical science forever, but a shrewd young man who's mother is on the research team decides to take the mad experimentation into his own hands.

A young man who films random couples having sex to sell the tapes to perverts discovers a somnambulist schoolgirl who allows older men to have sex with her, after which she gouges out their eyes with a knife.

This viciously sadistic tale of an orgy of rape and violence in a Japanese high school, scripted by co-star Taketoshi Watari, pushes the brutality envelope a bit far even for Sato, without any of the redeeming characterizations or social observations seen in his usual work. Hiromi Kurita, Megumi Hayase, and Yoko Aimoto are along for the distasteful ride. (Robert Firsching)

The plot line concerns a television newswoman who attempts to boost ratings for her sagging midday news show by creating a plot to get her sister raped live on the air. Graphic and mean-spirited, the film nonetheless shows how effective the "rub their nose in it" school of satire can often be.