Svetlana Baskova
Total Credits at Criticker: 6 (Director), 2 (Writer)
Find more information about Svetlana Baskova at The Internet Movie Database
Titles you haven't rated - Director (6) | Writer (2)
All the joys of death in the dirtiest film of the millennium. It is about that "how awful it is to live in a cage, how awful it is to eat the nasty food, and the green elephant calf feels worse than anybody else". Closeness and claustrophobia, a blind love within the woe of the isolation cell deaf walls (an endless source of eternal pleasures), an appeal from the marginal constellations, a recipe for heroism and escape from reality... (CINE FANTOM)
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Real-life class clash between older soviet-bred steel workers and New Russia's business owners. Independent union of workers' of iron casting facility tries to stop wage cutting amid global financial crisis. Hot-shot 90's style plant owner conspire with corrupted officials to stop it at any cost.
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A manic insane doctor escapes over the hospital wall and spends most of the movie either ranting and weeping in a hospital or running, babbling about his true love Olga or his surgery practice. (The Worldwide Celluloid Massacre)
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A constantly vomiting and ranting manager, an abused employee and the lowly, mentally challenged janitors work in a bar. There's constant drinking, self-abuse with a vodka bottle in a scene that looks real, a virgin bride is bloodily deflowered on a bar table, a weeping customer finds happiness in drink and strip-dancing, the employee strip-dances and covers himself in filth, and is then dressed up in the virgin's dress and molested. (The Worldwide Celluloid Massacre)
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The Soviet Russia of old is an immobile head without a body that appears in various locations, clashing with the morals and sentiments of a modern rich man. This man seeks advise from the head but finds that it is annoyingly unresponsive or unhelpful as it sends him on various missions and tests. At times he uses violence or oral rape to get what he wants until he grows too exasperated. (The Worldwide Celluloid Massacre)
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The film is about the complicated and even paradoxical relationships in the world of academic music. The character of Aleksandr Maslaev represents the Maestro, a kind of modern Mozart, wallowing in corruption, plagiarism, and envy. Once a talented composer, he's totally lost his gift and cynically buys new music from young composers, then plays it under his own name. Yet, the Maestro does not close this chain, for everyone pays his debts... (Letterboxd)
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