Rose Lowder

Rose Lowder

Total Credits at Criticker: 5 (Director), 1 (Writer)

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Titles you haven't rated - Director (5) | Writer (1)

    Bouquets 1-10
    Bouquets 1-10 (1995) - Short Film
    "Bouquets 1-10" consists of ten one-minute films covering a variety of subjects. The procedure entails using the film strip as a canvas with the freedom to film frames on any part of the strip in any order, running the film through the camera as many times as needed. Each bouquet of flowers is also a bouquet of frames, mingling the plants to be found in a given place with activities that happen to be there at the time. (cfmdc.org)
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    Quiproquo
    Quiproquo (1992) - Short Film
    Situated in an environment where nature and the development of technical processes based on social and industrial technology meet, the film attempts a visual dialogue with (and critique of) mainstream society's concerns. (explore.bfi.org.uk)
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    Impromptu
    Impromptu (1989) - Short Film
    The title of "Impromptu" reflects both its creating process and the trait of life taking an unexpected course. This film intertwines time and space by being filmed frame on frame, in surprising locations, during a surprising time... but exactly this was the idea of the creator: contingency and visual improvisation. (letterboxd)
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    Roulement, rouerie, aubage
    This reel consists of three short films, two in black and white and one in color, that treat of a water wheel on the Sorgue. The essence of the work rests on a series of cross-references that are set up between the operational mechanisms of the filmed object and the recorded characteristics foregrounded by the choice of film stocks and filming circumstances. The title reflects the process involved. Roulement = rotation, rouerie = wiliness, aubage = paddle wheel unit. (themoviedb)
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    Les Tournesols
    Les Tournesols (1982) - Short Film
    The film presents a field of sunflowers. The focus is adjusted frame by frame in succession according to a series of patterns on particular plants situated in different parts of the field. The diverse configurations placed on separate frames of the film strip appear, when projected successively, simultaneously on the screen. Thus, filmed one after another at different focal lengths, the sunflowers combine during projection to form one spatiotemporal image. (letterboxd)
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