Rafael García Travesi

The vampire women in Mexico have awakened from their sleep, commanded by their master, The Evil One, to find him a bride. They choose as their target the beautiful daughter of a local professor. To rescue his daughter, the professor calls El Santo (Samson in some US versions), a silver-masked wrestler for justice. (imdb)

The masked wrestler battles Martians intent on taking over the Earth. (imdb)

El Santo becomes locked into a deadly battle that transcends time itself after incurring the wrath of an axe-wielding maniac known only as The Black Hood in this adventure starring Mexico's favorite lucha-libre avenger. (All Movie Guide)

A mad scientist is waking up the undead and the monsters to conquer the world. In this movie Santo fights The Vampire,the She Vampire,the Mummy,the Cyclops,the Werewolf,the Evil Scientist, a Midget, a Walking Giant Brain, the Living Dead and a Frankestein that drives.

This Santo film is loaded with well-choreographed fight scenes both in and out of the ring, and is one of the most action-packed films in the series. The plot revolves around a phony swami and his unlikely gang of wrestler/thugs who concoct a phony seance to defraud a beautiful young woman out of her inheritance. (imdb)

Santo must battle an evil witch and the demons and evil spirits she brings up from Hell. (imdb)

The film begins with footage cobbled together from the Japanese film INVASION OF ASTRO MONSTER (aka MONSTER ZERO) and a couple of other fantasy films. A mysterious power broadcasting from the hidden ruins of lost Atlantis is threatening the world with an atomic attack from space. (imdb)

Turning in a solid performance, Blue Demon shoulders the burden of stardom in this one- although longtime friendly rival El Santo manages to pop up here, as well. Blue proves more than a match for "the powers of Satan," and, being (as noted) a credible enough performer, keeps things interesting both in the ring and out. Of all the luchadores, it seems to me, Blue Demon was perhaps the most interesting (next to Santo himself). (imdb)

The film opens with the recovery of the body of the Strangler (Roberto Canedo), who had died at the hands of the police, at the conclusion of the first film. The disfigured killer is taken to the city morgue for what turns out to be a brief lay-over. Reading of the killer's death in the newspaper, Tor (Gerardo Zepeda), the Strangler's assistant, heads for the morgue to recover his master's body. The Strangler, it seems, isn't actually dead... (imdb)

The story of a woman who is warned by all the spirits at every séance to stop interfering, but who nevertheless is eager to help her son overcome some difficulties. (imdb)

A mysterious killer has been strangling women in a variety theater, and the police decide to bring Santo into the investigation. Santo suspects the killer is hiding undercover as one of the theater employees and must discover his true identity before more women are murdered.

The action opens in the past with an ancestor of El Santo, who also fights against evil. In so doing, he goes up against rich but unsavory Baron Brakola, who's interested in a local girl, Rebecca. When she refuses him, the Baron is incensed. The girl's family calls in Santo's ancestor to prevent tragedy, but Brakola turns the girl into a vampire. The best the silver-garbed hero can o is drive a steak through her heart, releasing her spirit. (imdb)

Making very good use of a creepy score and some genuinely atmospheric cinematography, THE WORLD OF THE DEAD turns out to be one of the better Santo movies. Our hero gets the lion's share of time on screen, and is, in fact, aided and abetted by longtime friendly rival Blue Demon. Blue, it turns out, has been resurrected by a witch to help dispense her own particular brand of justice to the Santo of today, whose ancestor brought about her untimely demise. (imdb)

Actually a sequel to OPERATION 67, the film again places Santo as a combination wrestler and agent for Interpol. In TREASURE, he continues his partnership with fellow agent Jorge Rubio (Jorge Rivero). (imdb)

In a radical departure from fighting werewolves, vampires, mummies and re-animated Nazis from Atlantis, Santo teams up with studly Jorge Rivera and becomes a wrasslin' James Bond on a mission to bust up an international counterfeiting ring controlled by a female MR. BIG. For the rabid Santo fan, this film has all the expected elements: arena matches, the mandatory musical number (almost all his films have one), exotic cars, babes and plenty of wrasslin' around with bad guys. (imdb)

The Santo film Profanadores de Tumbas could easily hold its own against the anarchic absurdity of classics like Un Chien Andalou and L'Age D'or. It is accompanied and complimented by the jagged editing, disjointed narrative flow and weird, minimalist sets that are typical of the four micro budget features Santo did for producer Luis Enrique Vergara in the mid sixties. (toddstadtman.com)

A young Mexican boy witnesses a man having steamy sex with his mother, giving him an Oedipal Complex.

The plot has something to do with the scientist trying to take over the world with his super powered army of little people. He's amped them up with one of his gadgets and even the smallest of them can take on one of the biggest wrestlers, which is good because his opposition is an army made up of wrestlers including Mil Mascaras and the Blue Demon. (unseenfilms.blogspot.com)

The building of a railroad under tough conditions from searing heat to freezing cold in the Sonora desert provokes clashes of passion and struggles between the engineers and the workers at the campsite. The workers also contend with sudden dust storms that are called the 'black wind'.

The mummy of a luchador vanquished by an ancestor of El Santo comes back to life to exact his revenge.

A research scientist (Ricardo Montalbán) is sent by his pharmaceutical company into the jungles around Veracruz to find a wonder drug but instead comes upon a strange young woman (Ariadne Welter). He falls in love but her father wants him dead. (UCLA Film & Television Archive)

Herrera (Armendariz) and Gómez (Fernandez) are on opposite sides in the Revolution; when the two men return home, one finds that his mistress, La Bandida (Maria Félix) is involved with someone else, and the other that is soon to be a widower. The saga then continues as both men go after La Bandida. A tale set during the Mexican Revolution starring some of Mexico's most famous, old-time actors. (imdb)

A woman who is about to die calls the town’s priest and hands him a scapulary, saying that she knows of its great powers. Anybody who does not believe in them will end up dead.