Peter S. Andersen

In 1911 the German poet Hugo von Hofmansthal wrote a new version of the medieval morality play Everyman, and this was staged in Danish translation at the Royal Theatre in Copenhagen in 1915. At the time, it was radical example of symbolist abstraction. Its success inspired a film version, Enhver [Everyman], directed by Vilhelm Glückstadt for Filmfabrikken Danmark. The film, however, was set in a modern-day environment.

A Danish crime short about a group of telegram thieves and a member who wants out of the game.

A crooked Danish crime drama from director Vilhelm Glückstadt and Filmfabrikken Danmark.

Gernau, a successful engineer, is married to a younger woman, Anna. Their marriage is fraught with jealousy, with Anna still being wooed by her former sweetheart. When an accident occurs at the inauguration of his life’s work, The Dock, Gernau’s world collapses. He loses his mind and is admitted to a mental hospital. As he gradually returns to his former self, an old obsession stirs: is Anna faithful to him?