Olivier Mosset

Bard's muse, the English fashion model Caroline de Bendern, plays a confused member of an agit-prop cell led by Alain Jouffroy, cast as a professor proselytizing revolution to a near empty classroom. Juliet Berto, who also appears in La Chinoise, is another member of the cadre but offers no sisterly love to de Bendern, who grows increasingly uncertain and fragile in light of all the militancy. (cinemathequeontario.ca)

One of the major revelations to emerge from the resurgence of the Zanzibar films is Bard's FUN AND GAMES FOR EVERYONE, a velveteen, chiaroscuro boogie-woogie chess match of a film, which documents a vernissage for an Olivier Mosset exhibition. The new print practically drips inky blacks and blinding whites as art circle dandies dissolve in and out of view, as if melting into the background and morphing into a Mosset diachromatic tableau. (Andréa Picard,)