Nosratallah Karimi

Nosratallah Karimi

Total Credits at Criticker: 7 (Actor), 3 (Director), 3 (Writer)

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Find more information about Nosratallah Karimi at The Internet Movie Database

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Titles you haven't rated - Actor (7) | Director (3) | Writer (3)

    Iran: A Cinematographic Revolution
    Changes in Iranian cinema starting 20th century till early 21st
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    Hasan siah
    Hassan falls in love with a young girl named Fati. Fati loves a young man named Mehdi. Hassan plans to be the winner in this love triangle. However things do not work out as planned.
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    The Triple Bed
    Pooran doesn't get pregnant so Mahmood marries a widow in the hope of becoming a father. Unpredicted things happen when the three of them have to live in the same house. (imdb)
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    The Carriage Driver
    A carriage driver who managed to become a taxi driver is in love with his sister-in-law. They were in love when they were young, but both married other people. Now that they are both widowed, they want to realize their dream and get married. The son of the sister-in-law is opposed to this marriage on principle, but he himself is in love with the carriage driver's daughter. The uncle and his nephew are going to challenge each other. (imdb)
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    Khane-kharab
    Norooz's family convince him to sell the old house in order to build a new modern house, but building of the apartment takes long and he runs out of money. Norooz continues the building by himself but strange things happen that drive him crazy. (imdb)
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    Nose, Iranian Style
    In 20 years, nose jobs in Iran have gone from 10,000 per year to 60,000 or 70,000. This film asks why. Oskouei talks to high school students, women, men, doctors, nurses, clerics, actors, scholars, and a filmmaker about why they think Iran is the "nose job capital of the world." - Written by jhailey (IMDb comments) (imdb)
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    Dandan-e-mar
    Reza, the veteran worker of a print house whose sight is adversely affected because of his job, loses his mother. Finding the gloom reigning over the home beyond bearing, he departs to overcome his sorrows. He ends up at a hostel where he shares his room with a southern guy called Ahmad who has a group of orphan war-stricken children under his wing. (Ramin S. Khanjani)
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