Leila Cravo

Monstro Caraíba is my view of Brazilian protohistory, a blanket of bits of legends of ancient America... the cinema that interests people is the cinema of discovery, of the retina's decentralization. The key to the film is the discovery of a new, original bone structure of America. The discovery I get my information from legends of a series of dinosaur bones which I encountered and then put together in the film. (J. Bressane).

Womanizing dentist takes his wife for a vacation in Petrópolis, Brazil. In their hotel, a woman dressed in white visits the room of a different man each night, causing trouble. (imdb)

Escaped from a traveling circus interior, Trombada e Marreco go through the most different situationss. From town to town, they make their living with outdoor spectacles. Wandering the world, father and son seek the path of São Paulo, where they believe they can live with dignity in their dying art. The old man is an improviser ventriloquist, the boy a clown.

Girl gets pregnant and blackmails the four possible fathers.