Júlia Amorim

Monstro Caraíba is my view of Brazilian protohistory, a blanket of bits of legends of ancient America... the cinema that interests people is the cinema of discovery, of the retina's decentralization. The key to the film is the discovery of a new, original bone structure of America. The discovery I get my information from legends of a series of dinosaur bones which I encountered and then put together in the film. (J. Bressane).

Four dangerous assassins escape from a prison and are hunted relentlessly. They invade a hotel, killing and raping women, and then running away. At the same time, Patrícia, a young millionaire, decides to join the Integration Project that her faculty develops in the interior. The small airplane on which she travels suffers a crash, falling exactly in the region where the fugitives are.