Jean-Claude Bernardet

A countryman kills his father and heads for the big city. On his way, he meets the most bizarre and allegorical types: a robber, a drag queen who thinks he's Carmen Miranda, a black king, a fallen black angel, a priest, two whores, a pregnant cowboy, among others

Life and work of Luiz Sérgio Person. The film reconstitute the filmmaker's history by the point of view of his daughter, Marina Person.

The story of the University of Brasília, since it was only a project in Darcy Ribeiro's head until the fateful events in August 1968 when its campus was invaded by the police, during the military dictatorship, thus putting an end to its independence. (imdb)

Director of a fake documentary about the fear in contemporary society puts people in touch with their own phobias. Mixing actors and non-actors, a director sadist seeks true that according to the precept that guides the film, could only come from a phobic object in front of your fear.

The story revolves around a group of squatters who assaults a film crew during the carnival, and with the equipment stolen, decides to make a film on slum.

Loosely based on Edgar Allan Poe's story of the same name, Marcelo Gomes and Cao Guimaraes, two of the most interesting filmmakers working in Brazil today, have crafted an elegant, parsimonious, and formally impeccable story of Juvenal, a lonely train driver in Belo Horizonte, and his encounter with Margo, a station controller.

Helena is an actress who notices the effects of time on her face and Jean-Claude, a dancer who devotes herself to buoy, the dance of death. He feels trapped in the longevity logic that the pharmaceutical industry imposes and decides to plan a conscious suicide. Live, for him, must be a desire and not an obligation. Jean invites Helena to make the suicide with him.

Jorge Bodanzky uses his effective memories from the period he attended the University of Brasília to show us a whole panel the youth of the 60s, with their dreams and expectations, crises and interrupted projects.