Hideko Okiyama

The Tokyo engineer Kariya arrives on a primitive tropical island to drill a well to provide water for the sugar mill. He is assisted on the island by Kametaro, from the inbred Futori family. Nekichi Futori is chained in a pit that he has to dig, in order to appease the gods for breaking island customs... (imdb)

Yanagimachi's first feature film is about a young man who makes a map of a neighborhood in which he delivers newspapers. He keeps a dossier on each family, recording their habits and rating how much he dislikes them. One family, for example, gets an X because their dog barks all the time. Another man gets an X because he refuses to pay his bill. (Cinema of the Worlds)

Young factory worker Manabu (Kawarazaki) falls for pretty college girl Ai (Baisho). One day he gives her a book of poetry by Goethe. A few days later he finds his older brother with the book. That sets off his suspicions about Ai, which ultimately affects his family.

In the film, Musashi (Kinnosuke Nakamura), hoping to extend his knowledge of the techniques of personal combat, visits the home of Baiken Shishido (Rentaro Mikuni), a bandit who has developed a highly unorthodox way of fighting with ball and chain in one hand and a small very sharp scythe in the other. Musashi first comes upon Baiken's wife (Hideko Okiyama), also adept in her husband's methods, training her baby not to fear the whirling iron ball or the cries of an advancing warrior. (nytimes.com)

A 1969 Japanese drama

A man is trying to flee from his past, and he ends up in an underworld filled with strange characters. He finds a job skewering meat in a dirty old room in a shabby old house filled with prostitutes, gangsters and a weird old tattoo master. He clearly doesn't fit in to this new world, and the inhabitants of it immediately despise him.