Heinz Emigholz

Heinz Emigholz

Total Credits at Criticker: 1 (Actor), 8 (Director), 7 (Writer)

Find more information about Heinz Emigholz at The Internet Movie Database

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Titles you haven't rated - Actor (1) | Director (8) | Writer (7)

    Loos Ornamental
    The film shows 27 still-existing buildings and interiors by Austrian architect Adolf Loos (1870-1933) in the chronological order of their construction. Loos was one of the pioneers of European Modernist architecture, and his vehement turn against ornamentation on buildings triggered a controversy in architectural theory. (acfny.org)
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    Schindler\
    Forty buildings designed by Austrian-American architect Rudolph Schindler are shown, in the chronological order that they were built (1921 to 1952), photographed in 2006 in southern California. (tcm.com)
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    Sense of Architecture
    'sense of architecture' presents structures through film narratives. each film shows a building internally, externally and also demonstrates their relationship to their environment. all the films were shot between 2005 and 2006 (designboom.com)
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    Schenec-Tady I
    Schenec-Tady I (1973) - Short Film
    Experimental short. (themoviedb)
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    Years of Construction
    Years of Construction follows the demolition and reconstruction of part of the Kunsthalle Mannheim between 2013 and 2018. (berlinale.de)
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    D\
    Gabriele d'Annunzio moved into his villa in 1921. In 1997, Heinz Emigholz began to film this building and the tale it told of its owner and architect Giancarlo Maroni. (imdb)
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    The Holy Bunch
    Roy, an editor, is dead. His friends - a writer, a translator, a photographer, a draughtsman and an architect - are reading their way through his notebooks trying to reconstruct his life. This leads some of them to Cologne Cathedral and the Sagrada Familia; others to confrontations with their own projections (literally in the case of Carl, the writer, haunted by his creation, Rob).
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    Sullivan\
    A look at 8 commercial banks built by the American architect Louis Sullivan. Banks, "the most abstract site of democracy," become the staging ground for a silent dialogue between Sullivan's design philosophies and the real space his creations inhabit.
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