Fontaine La Rue

Mabel has just gotten engaged during a housewarming party of which her mother is the hostess. When an annoying party guest persuades Mabel to dance with him, Mabel hurries through the dance and then goes to look for her fiancé, only to discover him caressing another woman. Her fiancé finds not only Mabel, but also her mother, very displeased, and not inclined to believe his explanation. (imdb)

Pa Droppington sneaks out of the house to go to the theatre. Amid comic capers he is smitten by a dancer. Meanwhile his son is telling Ma that he's in love with a dancer! She is not happy but he takes her to the theatre (for her birthday). She sees hubby and chases him around, he's also chased by another performer. The son calls a clergyman, Pa saves the girl and they marry at the end. (imdb)

The original film featured the then unknown Rudolph Valentino. To cash in on his rise to stardom, it was re-edited to feature more of him. Various shots were repeated several times; long shots were blown up into close-ups and inter-cut with other footage; some scenes were projected on a loop, so that Rudolph Valentino repeated the same motions several times over. (imdb)

The Man Beneath (also known as Østens Søn) is a 1919 American crime drama film directed by William Worthington and produced by Sessue Hayakawa's Haworth Pictures Corporation. (imdb)

A very young Charley Chase is a starving artist. He does not have much luck stealing fruit from a food vendor's cart. He cannot escape from his landlady, who wants the overdue rent. When a pretty girl shows up, Charley and his downstairs neighbor, who is a weightlifter, compete for her affections.

Squire Peachem used the mortgage he holds on the innkeeper's property as a lever to win his daughter, but the daughter cannot see it that way as she loves a young swell, Randolph Roanoke. The squire, with the aid of his trusty but ignorant henchman, Blaa Blaa, seeks to sidetrack Roanoke.

Bankers Mack Swain & Chester Conklin courting each other's wives.

Café ownder Mack Swain goes gaga over a gal.