Christoph M. Ohrt

In this sequel to "Voll normaaal" Tom Gerhardt and Hilmi Sözer take a vacation on the germans favourite holiday island.

Two friends who are doing civil service flee to the Austrian Alps to escape being forced into the army. While there, one of them rediscovers his past and they realise that it's going to be more fun than they thought. (imdb)

Christoph, cop and self-confident macho, has trouble with his fiance. After a long night he wakes up in the arms of Edgar, a good-looking, gay auto-mechanic. His live gets more and more troublesome after his girlfriend throws him out of their apartment and as last resort he moves to Edgar's place. Working together with a new, good-looking, very self-confident, female colleague, but living with a good-looking gay guy makes him pretty uncertain about his sexuality and his role as a cop. (imdb)

After being unfaithful to her one time too much, Fred's wife has him shot dead by a killer. However, Fred manages to persuade Death to make a deal: He'll receive back his life if he frees from their misery three women whose hearts he had broken at lifetime. This task is not easy, but he receives help from wallflower Rita and from his mother who has been dead for five years... (imdb)

After causing a commotion with his last assignment, Falk has been given a desk job, which hardly agrees with his personality, and he ends up accepting an offer from an old friend to buy into a private investigation agency. (imdb)

Jemmy a street orphan becomes is brought to castle to be the bratty princes whipping boy and be punished in his place. One day the prince decides to run away and brings Jemmy with him only to be kidnapped by some criminals who think Jemmy is the prince. (imdb)

Signer's Koffer is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. (Peter Liechti)