Cesare Barbetti

Stefano, a young journalist, buys a used typewriter and accidentally sees that some text is still readable on the ribbon. He manages to reconstruct the story of a scientist, Paolo Zeder, who in the 1950's discovered that some types of terrain have the power to revive the dead that are buried in them (imdb)

By concentrating on supremely important questions in a cool, apparently artless way, Rossellini's film (made for TV) forces a very dramatic tension. The life of Saint Augustine during the decadence of the Roman Empire becomes the axis for debates on politics and power, morality and conscience: how can a state survive with Christian morals? From this seemingly impossible (and un-filmable) brief, Rossellini achieves moments of devastating clarity. (surrealmoviez)

Instead of offering the rousing attacks and counterattacks of soccer, Pupi Avati's movie focuses on the routine downs and ups of a team manager (Ugo Tognazzi) whose troubles begin when his faltering club is taken over by a younger man with a high-priced hairdo. (mubi)