Bruno Safadi

Bruno Safadi

Total Credits at Criticker: 7 (Director), 6 (Writer)

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Find more information about Bruno Safadi at The Internet Movie Database

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Titles you haven't rated - Director (7) | Writer (6)

    Meu Nome é Dindi
    The movie shows the passing of time in the life of a young woman, called Dindi. Owner of a greengrocer (which is almost going under bankruptcy) in Rio de Janeiro, Dindi struggles to survive, while she's been persecuted by a moneylender and a mysterious old man.
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    O Uivo da Gaita
    A young couple, Pedro and Antônia, have their relationship weakening after meeting Luana. Romance, seduction, fear and anguish from the future are established in this story of liquid love. (imdb)
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    Love Film Festival
    An actor and a screenwriter meet at a short film festival and struggle to keep up their affair as films, festivals and other partners hamper their burgeoning romance. (imdb)
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    Éden
    Eden' is a contemporary drama that is set in the suburbs of Rio de Janeiro. It tells the story of a woman who loses her husband whilst she is pregnant and is given shelter by a charismatic Pastor in his Evangelical church. As the story develops, the Pastor attempts to convert her to his faith and involve her in his campaigns. Leandra Leal and Joao Miguel both star in 'Eden'. (lbbonline.com)
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    O Fim de uma Era
    A dreamy making-of about the two other episodes and also a cinematographic essay (in picture, text, sound and music) about cinema and filmmaking and, above all, about love. 'What is this thing called love? This funny thing called love? Just who can solve its mystery? Why should it make a fool of me?' So goes the short, poetic synopsis provided by the filmmakers Bruno Safadi and Ricardo Pretti for this third part of their trilogy Operation Sonia Silk.
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    Sofá
    Joana D'Arc, a former public school teacher in Rio de Janeiro, tries to recover her home, lost to the City Hall. The trajectory is shared by the pirate fisherman Pharaó, from Guanabara Bay.
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    Belair
    Julio Bressane, through fragments, memories and interviews, traces the history of the production company: belair, that create in the 70s , along with Helena Ignez and Rogerio Sganzerla for fight conformism of the military regime.
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