Beatriz Guido

Beatriz Guido

Total Credits at Criticker: 8 (Writer)

Find more information about Beatriz Guido at The Internet Movie Database

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Titles you haven't rated - Writer (8)

    La Casa del ángel
    Ana, an adolescent who grew up in a sheltered and repressive environment, loses her innocence as she discovers the world outside.
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    Setenta veces siete
    Cora is a Mexican prostitute with typically inconsiderate johns. She is troubled by a hole in the ceiling. The hole triggers flashbacks regarding how she got to where she is; she hooked up with a gringo and got involved in digging a well. A horse thief given up for dead gives them a hand. (imdb)
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    La chica del lunes
    A married couple uproot their entire family and move to Puerto Rico where the familial tree promptly dies in the face of relentless poverty and depression in this down-beat drama, the directorial debut of Argentine filmmaker Torre-Nilsson. (allmovie.com)
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    Boquitas Pintadas
    Based on the acclaimed novel by Manuel Puig, the film tells the story of several characters who meet as youngsters in a provincial town of Buenos Aires. All the women have some sort of relationship with Juan Carlos Etchpare, who's secretly dying from tuberculosis.
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    La Maffia
    A thinly disguised account of the story of the Galiffi mafia family of Rosario, Argentina, their decadent loves and brutal crimes. (imdb)
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    La mano en la trampa
    Having finished her studies in a boarding school, Laura (Elsa Daniel) returns to the gloomy house where she lives with her mother and aunt. She knows that hidden in the attic lives a being the family is ashamed of. With the help of her boyfriend (Leonardo Favio) they end up finding out who dwells in the attic and what's the secret everyone is hiding. (Filmaffinity)
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    Piel de verano
    A shallow young woman reluctantly agrees to spend a few days with a young man she dislikes, who is dying. (imdb)
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    El Hombre del Subsuelo
    Based on the homonymous novel by Fiódor Dostoevsky, this story framed in the social and political conflicts of Argentina in the 1930s penetrates the loneliness of a disturbed man. Diego Carmona is forced to confront himself and his environment when due to a testamentary clause he has to share his inherited house with the butler. Isolation and madness appear as an expression of defense against an adverse environment. (FILMAFFINITY)
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