Aya Midorikawa

Cult filmmaker Hisayasu Sato achieved a bizarre sort of success with his 1990 film Uma To Onna To Inu, leading him to return to the same tainted well with this warped look at a woman who lives in the middle of nowhere with a horse for a lover. The horse is also her best friend, and they communicate through telepathy as well as engage in intimate acts too unnatural to describe here. Unfortunately for all concerned, some photographers and models show up to upset the idyllic romance. (All Movie Guide)

This twisted softcore film from cult filmmaker Hisayasu Sato deals with a fatal lesbian attraction between a university lab technician and her new assistant. The tech is obsessed with motherhood, so she hires a man to rape and impregnate her young girlfriend. She must then eliminate the hated male when he comes to collect his reward. (Robert Firsching)

Following cosmetic surgery to enhance her breasts, an office worker is raped. The rapist's son, after setting his distinctly Oedipal gaze on his father's busty victim, locates her and they begin an ill-fated sadomasochistic affair that leads to a bloody killing spree.

Kasumi Yuka heads the cast of this silly softcore film from Hisayasu Sato, the usually far more sober cult filmmaker known for grim depictions of alienation and sadism. Yuka plays a cranky harridan who uses her vibrator to administer questionably effective punishment to people who annoy her.

Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai’s “Luminous Woman” and incorporating the setting of “Tomorrow’s Joe” (Ashita no Joe). It stars Aya Mizutorigawa, an idol of the pink film industry at the time.