Amanda Kramer
Total Credits at Criticker: 9 (Director), 9 (Writer)
Find more information about Amanda Kramer at The Internet Movie Database
Titles you haven't rated - Director (9) | Writer (9)
Eight teenage girls become trapped in an endless birthday party after a massive (imaginary?) earthquake. The girls' sanity and psyches dissolve as they run out of food and water. Eventually, they regress to their baser instincts, exploiting each other's fears and insecurities (imdb)
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Siblings Sunny and Julian live a hermetically sealed existence, one defined by codes and games that only they understand. This strange bliss is upturned by the arrival of David, Sunny's new boyfriend who bares an uncanny resemblance to Julian. A threatening connection between David and a television self-help hypnotist summons suspicion in Julian, and fears of conspiracy.
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Bark (2016) - Short Film
BARK is a portrait of a seemingly simple argument between two teenage girls that curdles into a surreal, psychological struggle.
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Sissy St. Claire graces the small screen for her first ever television special, an evening full of music and laughter, glamour and entertainment. But Sissy's live event quickly begins to curdle into a psychedelic nightmare.
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Intervene (2018) - Short Film
INTERVENE is a surreal, hypnogogic parable about an unstable young man whose family feeds his madness by staging religious visions.
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Requests (2017) - Short Film
In a nightclub, reminiscent of a 1980s photo-novel, a band is playing requests. The texts play with pop cliché's about life and true love. Until a dissatisfied customer can't take it anymore and reveals the universal truth.
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Sin Ultra (2019) - Short Film
The deadpan employees of an industrial environment that perpetually manufactures dead women are momentarily perturbed when a corpse suddenly springs into a dance. Sublime surrealism courtesy of LADYWORLD’s Amanda Kramer.
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Newlyweds Suse and Arthur become the dangerous obsession of a greaser gang that awakens a sleeping quandary into the couple's sexual identity. (imdb)
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A cinephile collage, both historical and philosophical, of films on artificial intelligence, cyberspace and virtual reality, from 1981 to 2001: cinema as a way and an instrument to cope with humanity’s euphoria, anxiety, fear and obsession with technology.
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