Yoyo

fg부천건마(오피쓰) Opss〔07〕컴 부천휴게텔 부천오피⌋부천안마☨부천정보 fg부천건마(오피쓰) Opss〔07〕컴 부천휴게텔 부천오피⌋부천안마☨부천정보 fg부천건마(오피쓰) Opss〔07〕컴 부천휴게텔 부천오피⌋부천안마☨부천정보 fg부천건마(오피쓰) Opss〔07〕컴 부천휴게텔 부천오피⌋부천안마☨부천정보 fg부천건마(오피쓰) Opss〔07〕컴 부천휴게텔 부천오피⌋부천안마☨부천정보 fg부천건마(오피쓰) Opss〔07〕컴 부천휴게텔 부천오피⌋부천안마☨부천정보 fg부천건마(오피쓰) Opss〔07〕컴 부천휴게텔 부천오피⌋부천안마☨부천정보 fg부천건마(오피쓰) Opss〔07〕컴 부천휴게텔 부천오피⌋부천안마☨부천정보

critically but affectionately traces cinema history alongside french history, with gentle ribs toward chaplin, keaton, sjostrom, fellini, welles, lubitsch, ophuls etc, and funny gimmicks like the depression being signalled by the transition from silent to voiceover. tenderness and wisdom here amidst the silliness, but also a real penchant for absurd visual gags which had lewis anointing etaix a "genius" and casting him in THE DAY THE CLOWN CRIED (lol @ robart's review, iconogassed be slacking).

Begins like a masterpiece, ends like a subpar film.

Em honra de Claudine Auger (1941 - 2019). Além de se o perfeito instrumento como resumo das artes do ator no século XX, também perpassa o mesmo período como alegoria histórica da Europa, tudo isso com tintas engraçadamente charmosas. BlurayRip no MakingOff.

Not a single laugh, or even a chuckle. Every "joke" seems to be either a setup with no punchline or a punchline with no setup. The film has no flow, sometimes lingering forever on a scene, sometimes only popping in for a joke, but none of it hits. The characters are uninteresting, and so is the story. It's a tedious bore, but at least it's not grating in any way. It's not bad looking either, though nothing special.

the gags are a bit hit or miss, but overall it was very enjoyable. Just not quite as good as Étaix other movies, The Suitor and Le grand amour

YOYO gets a YEAHYEAH

watched: 2013, 2016

Carrièrre probably contributed some of this film's more abstract and intellectual aspects like the hilarious send-up of the introduction of television. Some very sweet nods to the circus life.