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Violence at High Noon
Violence at High Noon
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Violence at High Noon

Violence at High Noon

1966
Drama
1h 39m
A sensationalistic and surreal love triangle develops between a serial rapist, his schoolteacher wife, and one of his past victims.

Violence at High Noon

1966
Drama
1h 39m
Your probable score
Avg Percentile 64.89% from 109 total ratings

Ratings & Reviews

(112)
Compact view
Compact view
Rated 16 Jul 2021
90
87th
Violência ao Meio-dia estreava há 55 anos no Japão. Sou amplamente a favor da leitura de que as mulheres de Oshima representam politicamente o Japão, aqui especificamente a protagonista é o Japão do pós-guerra com seus 20 anos assombrada pelo patriarcado militarizado reacionário reverbera nas democracias do mundo e ainda reluz em certo aspecto no Japão dos anos 60, por mais que flertar com ele induza a um suicídio moral que sempre dá errado, segue-se em frente. Box Versátil Nuberu Ba
Rated 07 Jul 2020
60
32nd
Another day, another Oshima examination of the intersection of class and sexual desire, this time with a murderer and commentary on the urban/rural divide buried in so many cinematic tricks even the French left bank would struggle to keep up.
Rated 13 Mar 2020
35
15th
More skilful shots than in PLEASURES OF THE FLESH.
Rated 07 Nov 2018
77
79th
Possibly my favorite from the Oshima eclipse set. Not the greatest film but it was a great watch.
Rated 01 Mar 2013
89
94th
Nouvelle Vogue flair and an endearingly fractured narrative make this an engrossing experience.
Rated 09 Feb 2011
5
69th
It's brilliant on a technical level, but the flashy, dizzying style doesn't really seem appropriate and even serves to undermine the film's emotional impact. Then again, the story and themes are so flimsy that it wouldn't have much impact regardless. Interesting but surprisingly unmoving.
Rated 11 Aug 2010
88
88th
Hands-down my favorite Japanese new wave film so far, even Yoshishige's cinematography can't compare to how amazing this looks. Easily my favorite b&w cinematography ever, and the nonlinear editing is closer to the level of Roeg's than even Resnais could hope for. Actually, this entire film aesthetically makes basically every nouvelle vague film look primitive by comparison. Without the style the film would probably be nothing, but so what?
Rated 24 Jul 2010
74
50th
An exploration of people bound together by violence, failure, lonelieness and despair. I found the film's cinematic aspects more intriguing than its thematic aspects. Oshima's compositions can be striking, and the frame is often blown out with glaring sunlight. There's an unusually large number of cuts, and at points certain shots and pans get looped, flipped, or reversed, a kind of schizophrenic turmoil of camera movement. Definitely an interesting piece of work.
Rated 27 Dec 2009
84
85th
The editing is psychotic.

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