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2005
Comedy, Drama
1h 49m
A train travels across Italy toward Rome. On board are a family of Albanian refugees, a professor who daydreams conversations with a lost love, three brash Scottish soccer fans en route to a match, and a complaining widow traveling to a memorial service for her late husband, accompanied by a community service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and rudeness, and opportunities for kindness. (IMDB)

Directed by:

Abbas Kiarostami, Ken Loach, Ermanno Olmi

Screenwriter:

Abbas Kiarostami, Ermanno Olmi, Paul Laverty

Starring:

Valeria Bruni Tedeschi, Martin Compston, Blerta Cahani, Sanije Dedja, Carlo Delle Piane, Silvana De Santis

Genres:

Comedy, Drama

Countries:

Iran, Italy, UK

Languages:

English, Italian, German, Persian, Albanian
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2005
Comedy, Drama
1h 49m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 52.77% from 140 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

(140)
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moribunnyMoribunny
Rated 10 Oct 2012
70
75th
Three segments flow into each other, all taking place on board a train (and in terminals). I was slightly disappointed by Olmi's, which in any case was by no means bad, but it was the second and third parts - by Kiarostami and Loach/Laverty respectively - that shone. The film is tinged with tragedy throughout, but I'll cautiously call it a feel-good movie. If you're a fan of any one of the directors (or all three, like I am), I'm sure you'll like it.
Rated 10 Oct 2012
martintellerMartinTeller
Rated 20 Aug 2007
72
41st
Omnibus films are problematic. You get the feeling that the directors aren't trying their best. At least these three have styles that blend well together. Olmi's section was my favorite, with lots of unusual edits and flashbacks, and that "tone poem" feel to it. I liked the resolution to Kiarostami's segment, but it took way too long to tell such a simple story. Loach's was rather obvious and over-optimistic. A good film, but it won't stick with you for long.
Rated 20 Aug 2007
brrrpbrrrp
Rated 19 Feb 2024
65
51st
Probably Kiarostami's segment is best.
Rated 19 Feb 2024
closedmouthclosedmouth
Rated 23 Nov 2014
70
42nd
The first segment is very dull, and very, very Italian, clunky dubbing and all, and Kiarostami's segment is good, but fairly nondescript apart from his trademark off-screen dialogue. I liked Loach's segment the most, even if its already on-the-nose message was made slightly worse by the non-professionals over-reaching their acting abilities. I'm being way too harsh on a movie that I actually enjoyed, but it's definitely less the the sum of its parts.
Rated 23 Nov 2014
glm01glm01
Rated 09 Oct 2013
70
39th
70.000
Rated 09 Oct 2013
ronthedogronthedog
Rated 11 Jun 2011
82
61st
Nice montage or triptych, not sure which is the best description, showing how styles can conflict and blend in different ways. All three sections were well done.
Rated 11 Jun 2011
slantmagSlantMag
Rated 23 Oct 2010
30
78th
"More benign than Three...Extremes and less uneven than Eros, Tickets offers a triptych of slender yet genuine delights." - Fernando F. Croce
Rated 23 Oct 2010
djrossdjross
Rated 06 Jun 2010
70
78th
All three parts are good.
Rated 06 Jun 2010

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