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The Stepford Wives
The Stepford Wives
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The Stepford Wives

The Stepford Wives

1975
Sci-fi, Suspense/Thriller
1h 55m
Joanna Eberhart has come to the quaint little town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents. (imdb)

The Stepford Wives

1975
Sci-fi, Suspense/Thriller
1h 55m
Your probable score
Avg Percentile 52.52% from 686 total ratings

Ratings & Reviews

(689)
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Rated 31 May 2021
50
8th
The domestic life melodrama isn't compelling, which makes the sci-fi plot (already spoiled in the poster) boring. Also, it isn't well made: the music mocks the suspense, the editing uses 70's sitcom transitions, and the photography--including an out of focus shot signaling a knockout--is almost a parody. Rosemary's Baby is a stronger adaptation of the same author's work just via Polanski's continual tension. The only redeemable aspect is Jordan Peele later ripping off entire scenes for Get Out.
Rated 05 Dec 2013
80
86th
Creepy 70s sci-fi flick with some actual substance. The film comments on the problem of chauvanism by satirizing it. We're aligned effectively with the female main character, as her fears about losing what makes her an individual grow and she starts to question her own sanity in the weird town of Stepford where the sci-fi/horror genre stable of being taken over, literally, by something unknown or monstrous becomes a very real threat. It's a neat idea, and the execution is terrific.
Rated 02 Feb 2010
80
79th
Superb chiller and one of the few films to successfully advocate feminism without succumbing to shrill hyperbole or bifurcation. Also, it is one of a few handful of films to effectively use the horror genre as a vehicle for satire. None of this would matter, though, if the end result wasn't as exciting and watchable as it is. As it stands, what we have here is a finely acted, sensitively directed 70ies treasure that comes highly recommended.
Rated 31 Dec 2018
70
49th
One of those films that has become ingrained in our culture as allegory. Fair share of 70s camp but it's a creepy and enjoyable watch. Fun fact: two of the women in this movie played Ginger Grant from Gilligan's Island. Tina Louise played the role in the initial television series and Judith Baldwin took over the role in the made-for-television movies a decade later.
Rated 27 Nov 2015
15
14th
A great example of the slow build failing. 90% = freaking boring. Too much disjointed chitchat and unimportant characters. If you want me to watch a 1hr55min film at least do something, or can women only gab and later freeze up then panic when faced with (cue scary music) A Man? Plus people don't just turn into raving sexists. The husband went from jerk, to slightly more jerky, to total freaking psycho. The premise was practically gift wrapped with bow and everything and they still botched it.
Rated 30 Aug 2012
65
46th
This film appears to have ingrained itself into pop culture to the extent that I pretty much knew what was going to happen all the way through. Despite this, I found this very watchable, and quite enjoyable. Ross and Prentiss play well off one another, and the feeling that the men are up to something sinister creates an effective undercurrent. While it doesn't take itself too seriously, it is well handled, and it becomes quite chilling towards the end. Worth a look if it pops up on TV.
Rated 29 Oct 2011
87
87th
While knowing the twist takes away some of the mystery it alternately amps up the horror of the situation. The 70s sensibility of both the characters and the visual style work really well at heightening the artificiality. Great performances too.
Rated 11 Mar 2011
80
80th
Amongst the best of those old school horror movies, that can unnerve as well as carry a satirical message, without showing the latter down anyones throat. Too bad, then, that it advocates silly feminism. Women that think! Ha! I find the meer thought offensive! Kidding.
Rated 29 Mar 2017
20
13th
After 10 minutes I was bored to tears. If your film is so boring that 10 minutes of nothing is painful to watch then you're doing something wrong. The problem is knowing the plot twist removes any reason to suffer through the longueurs
Rated 26 Jul 2014
92
36th
Sadly a film that I enjoy the remake better than the original.
Rated 17 Sep 2013
35
56th
The premise is so deeply disturbing that I can't believe the remake somehow managed to turn it into a comedy. (3.5/5)
Rated 03 Jul 2013
42
16th
a boring man moves his wife & kids to a boring town full of other boring men who are turning their wives into boring automatons (because that's what men do. Am I right Sisters or am I right?) and....oh sorry,am I boring you?
Rated 26 Jun 2011
80
68th
Katharine Ross is a Hippie Nature Goddess. Oh, the movie? Yeah it's good too.
Rated 24 Oct 2010
30
78th
"Critical of the suburban milieu as a petri dish where regressive sexist fantasies are cultivated." - Ed Gonzalez
Rated 25 Sep 2010
65
45th
Effectively creepy.
Rated 02 Sep 2010
65
32nd
Sorry, I prefer the remake. The original is unfocused (comedy? horror? sci-fi? drama? feminist rant? social satire? boob fest?) and suffers from taking itself too seriously with material that is just too silly to work well. Could've been scary, or at least suspenseful, but wasn't.
Rated 21 Jul 2008
80
81st
This is a good movie, especially when you compare it to the stupid remake.
Rated 19 Aug 2007
65
26th
I had a huge crush on Katherine Ross after seeing this movie. Otherwise, kinda mediocre.
Rated 14 Aug 2007
90
90th
Great spooky feminist thriller that will keep you up nights long after you watch it. (If you're not that scared you'll still be thinking about it.)
Rated 04 Jul 2024
2
22nd
As suspense, it belabours every step of buildup and reveal with tedious repetition. As social commentary, its frankly banal point that selfish, sexist men prefer robot servants to thinking, feeling partners should have been a starting point, not the single thing the movie went for. And as horror, being murdered and replaced with a robot double isn't as terrifying as the actual reality of people being pressured into normative social roles and masks, forced to live on as things they are not.
Rated 04 Jul 2024
35
14th
It's too bad the last 20 minutes or so are pretty good (albeit painfully stupid at a point or two, she should have bashed more faces), because the rest of this fucking sucks.
Rated 18 Jul 2023
66
72nd
Thematically strong though it kind of blends together until the final few minutes which are surprisingly excellent.
Rated 08 Mar 2023
80
73rd
Graceful and stylish. Various touches build and consolidate the mood makes us see through the eyes of the main character. Subtle feminism at its best.
Rated 24 Jul 2021
80
73rd
Creepy 70s suspenseful thriller. Although the feminist overtones could’ve derailed the plot beats I feel it’s saved by Ross’ genuinely good and energetic performance. A deliciously dark ending to boot.
Rated 26 Jun 2021
60
51st
I really like the premise and story but I found the acting to be fairly mediocre and the whole theme was a bit too in your face and obvious for my taste.
Rated 02 Jan 2021
7
77th
An iconic film that still sends a shiver down the spine, especially the final moments. The denouement could have been better handled but this is a satisfying thriller with touches of jet black comedy. Great work by Ross and Prentiss.
Rated 13 Oct 2020
8
76th
Watching Katharine Ross in "The Graduate" or "Butch Cassidy," portraying characters who are mostly objects, you may dismiss her as bland. Here she drives the story forth and you realize what a deeply talented actor she is. And what a story, too: satire so sharp that, despite being very 70's-attuned, could've been written yesterday. Beautifully filmed, genuinely creepy, and awesomely feminist. And why can't Paula Prentiss be in everything??
Rated 13 Feb 2020
78
59th
https://letterboxd.com/ladyspiggott/film/the-stepford-wives/
Rated 07 May 2017
85
89th
Catches you in a hypnotic haze while subtly revealing its politics and finer plot points. As an aside, anyone ever notice that no one in 70's movies ever seems to give a shit about their children?
Rated 31 Oct 2016
70
52nd
***SPOILERS*** Great dialogue throughout, and some brilliantly funny-sad scenes. The men of Stepford seem almost as repressed as the women, and I'm surprised it wasn't revealed in the end that they were robots too.
Rated 21 Apr 2014
69
37th
68.500
Rated 17 Dec 2013
65
65th
Incredibly good and effective as a mystery, for a feminist allegory, at least up until the final act where the inevitable patriarchy card is laid on the table. I sort of wish it could have broken loose from itself and gone somewhere more interesting and scarier. I mean, the feminism is subtly there all along, anyway.
Rated 31 Oct 2013
93
92nd
Superb feminist horror
Rated 29 May 2012
62
64th
Oh the delightful 70's, era of campyness, feminism and bad haircuts. There are plenty of these and many other things that belong to the 70's in this film. I saw remake prior to this, but from what I remember it wasn't nearly as ballsy, entertaining or simply good. I like stories of Ira Levin.
Rated 17 Mar 2012
78
84th
Shocking!
Rated 19 Aug 2010
90
66th
Filled with lots of social angst, this couldn't have come out at a better time. Socially and sexually provacative--this is an amazingly terrifying movie! Highly recommended!
Rated 02 May 2010
85
69th
A pretty good satire with a hint of paranoia and suspense. Somewhat of a suburban Rosemary's Baby in its cruelty towards the female protagonist. Paula Prentiss stands out.
Rated 08 Mar 2010
70
64th
Rather flat as a satire (even for its time), but still effective as a suspense story, and Paula Prentiss is a hoot. The tone is well-balanced between comedy and horror. I only wish it were as subversive as I had heard.
Rated 22 Oct 2009
90
88th
What a turn on
Rated 21 Mar 2009
30
61st
"...contains a number of timeless scenes that are the essence of women's fears about the patriarchal society in which they live."
Rated 14 Aug 2007
87
63rd
Much better than the second time around and pretty faithful to the book. A gut wrenching climax.
Rated 14 Aug 2007
70
61st
Would you believe this was a horror story originally. More than a little surprised at how much better the remake is
Rated 01 Apr 2007
90
86th
Damn near classic which introduced a new expression into the language. You can totally see this kind of thing coming to fruition, too -- look at this: http://www.realdoll.com/

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