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The Last Duel

The Last Duel

2021
Drama, Action
2h 32m
King Charles VI declares that Knight Jean de Carrouges settle his dispute with his squire by challenging him to a duel. (imdb)

Directed by:

Ridley Scott

Screenwriter:

Matt Damon, Ben Affleck, Nicole Holofcener, Eric Jager

Starring:

Matt Damon, Ben Affleck, Nathaniel Parker, Marton Csokas, Zeljko Ivanek, Oliver Cotton, Harriet Walter, Adam Driver, Ian Pirie, Alex Lawther, Jodie Comer, Bryony Hannah

Genres:

Drama, Action, History

Countries:

UK, USA

Languages:

English, French, Latin, German
imdb IMDb
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The Last Duel

2021
Drama, Action
2h 32m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 61.73% from 1248 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

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leonardisLeonardis
Rated 12 Nov 2021
93
74th
A mismarketed, modern day masterpiece from one of the best filmmakers ever. I loved seeing the different POVs. That was handled expertly from Scott’s end and the three writers as well. The few action scenes are extremely exciting and the title sequence is the very definition of nail-biting. Jodie Comer is excellent and should get an Oscar for this one. I didn’t have any issues with the pacing likes others seemed to. Go see this movie before forming your own opinion about it. It’s great.
Rated 12 Nov 2021
dyannethorneDyanneThorne
Rated 23 Oct 2021
76
78th
You kind of know this isn't going anywhere pleasant when Adam Driver's character is an asshole, even from his own perspective.
Rated 23 Oct 2021
natebarriosnatebarrios
Rated 17 Oct 2021
65
43rd
Blonde Affleck is objectively hilarious
Rated 17 Oct 2021
quintonjaminQuintonjamin
Rated 31 Oct 2021
90
90th
Despite the repetition in the film, each part had enough of something new to keep me intrigued the whole time. Damon and Driver are great, but Comer is really the best part. I think the writing is fantastic in how it shows how our memories can be clouded by our own bias, especially with its different perspectives. My only problems are having to watch the rape scene twice, though that was probably necessary for the third perspective, and that its slower pace leads to a very long run time.
Rated 31 Oct 2021
fredericg54frederic_g54
Rated 24 Oct 2021
7
58th
Not sure what the triptych approach adds to the story since no chapter explores the validity of Marguerite's accusation any differently. As a result, there is little complexity or ambiguity to be found in its timely analysis of gender and power dynamics, but I will admit it's a film which lends itself incredibly easily to discussion and is perhaps the most watchable, not cringe-inducing film Ridley has done since American Gangster.
Rated 24 Oct 2021
hofschneiderHofschneider
Rated 21 Oct 2021
84
79th
A very nice discussion on whose stories get told and how and how that hasn't changed in 800 years. I like how on the nose it is in this context and the reactions online show that people still don't get it. The linkage between the male gaze in history and art works very well in this lean, vital, clear-minded afford by a never bad Ridley Scott. "Well behaved women rarely make history" is the most misunderstood line maybe ever. And we're finally articulating that.
Rated 21 Oct 2021
bowfingerbowfinger
Rated 15 Oct 2021
88
91st
A modern masterpiece by the OG Scott. This is how you bend reality without any camera kung fu and gimmicky mambo jambo talk, take note Nolan.
Rated 15 Oct 2021
frederikaFrederikA
Rated 07 Jul 2022
75
77th
Finally got around to seeing this, unfortunately not in the cinema, as should be mandatory for any new Scott historical drama, but even on the TV, there's no denying that the old man is the master of believable historical Mis-en-scene . As for the actual story, it manages to take a very relevant modern issue and seamlessly create an engaging multifaceted medieval tale, that skewers the idea of chivalry quite elegantly.
Rated 07 Jul 2022
magdabagmagdabag
Rated 12 Dec 2021
93
89th
I'm honestly amazed this movie didn't perform better considering the cast and director, though the marketing wasn't exactly faithful. Jodie Comer is a marvel, and further proves her versatility and skill with every devastating scene. I really liked the storytelling aspects of the same story told from 3 different perspectives. You can tell a lot of thought and care went into how they told this, and I love that. If you can stomach this, definitely give It a watch. I give 9 Adam Drivers out of 10.
Rated 12 Dec 2021
billyshearsBillyShears
Rated 30 Nov 2021
80
77th
Sir MATT DAMON The final chapter from the perspective of Marguerite stripping away all the masculine peacocking is like in the movie MacGruber when it cuts from the fantasy graveyard sex scene to the grim reality. I'm gonna shoot, I'm gonna shoooooooot
Rated 30 Nov 2021
feritdgnferitdgn
Rated 28 Oct 2021
82
90th
The Last Duel was truly incredible. It was irritating, frustrating, and absolutely epic. This terrible tragedy, which is told through three perspectives with a character focus, reaches a near-perfect narrative under the leadership of Ridley Scott. The actor performances are excellent. One of the best movies of the year. (10/28/2021 - Capitol Spectrum Cineplex)
Rated 28 Oct 2021
jschlanskyJSchlansky
Rated 15 Jan 2022
55
34th
Blonde Affleck just doesn't do it for me. Whenever I see him in something it's like watching my dad try to act. And I don't even have a dad.
Rated 15 Jan 2022
kasperlKasperL
Rated 17 Oct 2021
85
94th
Very engaging, and, Scott being Scott, super well-made. Not so much about putting objective truth in question but rather about how we perceive the same events differently. The performances and the titular duel are terrific. One of my favorite movies of the year.
Rated 17 Oct 2021
ofterdingenOfterdingen
Rated 26 Oct 2021
83
96th
A truly magnificent Rashomon-style experience that is brilliantly directed, written and acted. Even if the contemporary elements may seem a little forced now and then.
Rated 26 Oct 2021
seethruskinSeethruskin
Rated 25 Oct 2021
4
51st
Every modern blockbuster should have a horse fucking scene. Marvel would never. The cinema is back
Rated 25 Oct 2021
luordluord
Rated 20 Oct 2021
72
75th
It maintains a semblance of subtlety for most of its screen time, with fewer moments of overindulgence than expected. The exquisite detail and Damon and Comer's performances are hard to argue with.
Rated 20 Oct 2021
dakota99Dakota99
Rated 17 Oct 2021
7
76th
The Last Duel brings a lot to the table to really delve into. It’s story structure is very interesting, and works really well given the arch’s that this film tries to tell. The performances from Damon, Driver, Comer, and Affleck are quite good, and ultimately carry the film being that this is light on lots of big spectacle moments. It’s pacing does hurt this a bit though, as it feels a little too long, but it does need it at the same time. So I feel at a crossroads, yet also satisfied.
Rated 17 Oct 2021
paxtonPaxton
Rated 11 Apr 2023
40
10th
It went like this, but this guy saw it differently and this other guy saw it differently as well. I was done with this before the last duel and I think the movie would've been fine without it. Did it matter who won? Was there a strong contingent of people that were vocally expressing that they thought women had it great in the Middle Ages? Cause this one PROVES 'em wrong. Matt Damon looks haggard and while Adam Driver might be a master, the he's drop dead gorgeous angle is lost on me.
Rated 11 Apr 2023
luna6ixLuna6ix
Rated 29 Apr 2022
65
23rd
Scott likes to think that the cause of this movie festering in the box office is that us damned participation award wielding, avacado toast eating millennials just don't care about learning things. Well, is it that we don't want to be taught, or that you don't have anything here worth hearing? Go ahead and make me another Alien, or Blade Runner, or Black Hawk Down, or Legend, or even 1492, and then I'll be listening.
Rated 29 Apr 2022
overratedoverrated
Rated 14 Apr 2022
87
95th
Having given up on Ridley Scott for 10+ years, he comes out with this fantastic medieval Rashomon-style perspective piece that is not that far off the quality of his early heyday. Driver is great as usual, but it's Damon & Affleck who surprised me as much as Scott - I usually can't see past their real life selves besides a couple of other movies, and here they give excellent performances (easily Affleck's best while dressed up as ridiculously as Zorg in the Fifth Element). Comer is phenomenal.
Rated 14 Apr 2022
wwallce4prezWWallce4prez
Rated 20 Dec 2021
82
80th
We should believe victims. While the elder filmmaker is not known for his particularly deft handling of delicate topics, this film does it in spades. The marketing for this was horrible, as it is essentially over two hours of politicking and 15 minutes of dueling. Don't get me wrong, that duel rocks, but the meat of this is in the stellar performances of the principle cast. A blonde Affleck almost steals the show, but Comer is flat out amazing. This is great.
Rated 20 Dec 2021
ecitizeneCitizen
Rated 15 Dec 2021
75
78th
Excellent period sets and costumes. The story was engaging and somewhat enlightening. There was a slight amount of duplication with the story told from different perspectives. The action was intense and the drama was engaging. Matt Damon and Adam Driver were good. I also enjoyed seeing the beautiful Jodie Comer and Ben Affleck. Overall, it was fun and worthwhile.
Rated 15 Dec 2021
corbadCorbad
Rated 14 Dec 2021
85
89th
A masterful final chapter subverts and fulfills its awkwardly paced predecessors with appreciable depth and breadth. Jodie Comer is subtly magnificent, everyone else is unsure about whether to put on an English accent or not. While the grandness of the climactic duel sort of contradicts the point, it is spectacular - and it is the title, after all. Quite good.
Rated 14 Dec 2021
kuroelKuroel
Rated 18 Oct 2021
76
88th
Illustrates wonderfully how the human memory works on a biased fallacy. Our own subjective truth is never quite the whole truth despite our firm and honest belief in our own impeccability. Last third is a grotesque reminder how twisted our perception of reality can become when shrouded by selfish motives and disregard of the truths of others.
Rated 18 Oct 2021
nobambanobamba
Rated 21 Nov 2022
80
88th
Living back then sucked. It's almost melodramatic the way the stories are presented with mirrored mentors, men, and their common bond through Comer. While the duel was well done, I was far more interested in the first 2/3 of the film when we're introduced to the characters and to the world. I went into this blind so I didn't know about the different POVs and was wondering why there were gaps in the first act. Fav scenes: nobody else caring every time Damon swore fealty or got knighted.
Rated 21 Nov 2022
jlfmJLFM
Rated 15 Jan 2022
63
32nd
The screenplay and direction are merely functional, failing to illuminate anything that isn’t already obvious about misogyny in the 14th century (and its modern day parallels) over the course of its gratuitous 2.5 hour runtime. Granted, the titular duel is pretty riveting with more tension, surprise, and dynamic variation than the rest of the film in its entirety. For those ten minutes, The Last Duel roars to life. The rest is handsomely perfunctory.
Rated 15 Jan 2022
mattorama12mattorama12
Rated 09 Jan 2022
85
94th
A really precise script brought to life by terrific performances, direction, and editing. I loved the subtleness of some of the differences in the perspectives. A little dialogue that was too on the nose or overly anachronistic. But damn, as a character study and just as an examination of gender attitudes, this is superb. Edit: I had to go back and bump up my rating as I've been thinking about it constantly since I saw it a week ago.
Rated 09 Jan 2022
bownBown
Rated 15 Dec 2021
84
71st
Really excellent and underappreciated flick. The script/structure are fantastic and the acting, man…..Damon is SUCH a little pissant and Driver is SUCH a turd and Affleck is SUCH an asshole and they all rule, while Comer quietly dominates as the film’s bruised heart. The duel itself is real fuckin cool too. Scott’s best in, man…..an extremely long time!
Rated 15 Dec 2021
luthar15luthar15
Rated 14 Dec 2021
25
50th
amazedemonamazedemon
Rated 06 Dec 2021
64
51st
The truth of The Last Duel isn't historically concrete, so the film employs a difference of perspectives to mixed effect. In Damon's act the world is bleak & he himself is a martyr. Driver's POV presents himself as benevolent & deserving. Comer's portrayal is quieter, pairing her seemingly good nature with an undertone of vengeful wiles. Affleck & Damon's mother are the real villains. Very good performances, but a slow and repetitive film that views the events through an incongruent modern lens.
Rated 06 Dec 2021
schnofelschnofel
Rated 03 Dec 2021
36
21st
Scott seems like the most humorless blowhard director on steady autopilot until a real live black stallion tries to mount a mare, at which point this dour procedural turns into high comedy. I suspected before that he doesn’t seem much involved in this film or its sexual politics, his mind maybe on Gucci or his past or his wine. Or maybe that was my mind doing these things. In any case, who did what to whom with these Sirs and Miladys is murky, unpleasant and until the duel without intrigue.
Rated 03 Dec 2021
obdurateObdurate
Rated 02 Dec 2021
60
23rd
There are a few revelations in each of the 3 different POVs but they stretch themselves thin as a whole. We essentially know the truth of the event from the first one, and the writers made sure to point out what the truth is just in case. A lack of meat on the bone. Mediocre plotting, a long runtime does not make a film epic... you have to earn it. It sucks because there are genuinely great moments sprinkled in here and good acting all around. The actual duel was tense and awesome.
Rated 02 Dec 2021
neonmanNeonman
Rated 25 Nov 2021
36
1st
It's incredible the amount of talent being wasted in this incompetent film. It takes Rashomon, strips it of its essential various differing perspectives, yet still maintains Marguerite's chapter is "The truth", despite each chapter showing the events the same. So we get to see the same boring, dull, offensively stupid story three times over -- fucking hooray. Also features cinematography too drab and ugly for its own good and some laughably terrible writing and acting for this time period.
Rated 25 Nov 2021
obtiosovobtiosov
Rated 21 Oct 2021
92
92nd
Ben Affleck returns as a Targaryen after Bennifer reunion 2021
Rated 21 Oct 2021
malcymMalcym
Rated 18 Oct 2021
6
55th
It took me a while to tune into its wavelength. Some of the dialogue is cheesy, the acting hammy - Matt and Ben are shameless, but Alex Lawther’s camp king deserves note here too. The hair and makeup teams had a field day and the action is brutal. But ultimately I enjoyed this, for all its excessive overlength. A ripping yarn, not to be taken seriously, but engagingly told - three times, in fact. I was the only person in my screening and, alas, it seems that this is tanking at the box office
Rated 18 Oct 2021
evranaevrana
Rated 20 Oct 2024
72
53rd
I like how it is structured, a bit like Rashamon but with much more underlying currents; not only the different perceptions but how people read the emotions of others differently. The acting is excellent, both Damon and Driver really exude the tension between their characters. It is something I would say not really my cup of tea, but it is done so well that I enjoyed it, Scott has still good films in him.
Rated 20 Oct 2024
p_u_l_pP u l p
Rated 26 Oct 2022
49
38th
There is a blonde Ben Affleck, and there is a Matt Damon with a mullet... should I explain more?
Rated 26 Oct 2022
karakandKarakand
Rated 20 Mar 2022
50
74th
If you watched Revenge of the Nerds in the last 15 years and found it unsettling, this movie is a good palate cleanser for it; the broad narrative arc is a jock kicking the stuffing out of a nerd.
Rated 20 Mar 2022
borasevilmisborasevilmis
Rated 10 Mar 2022
79
77th
Matt Damon ve Ben Affleck başta olmak üzere bütün yazar ekibi ustaca bir iş çıkararak harika bir anlatım tarzıyla ve Ridley Scott'ın uzun zaman sonraki en iyi yönetmenliği The Last Duel'in gayet güzel bir film olmasını sağlıyor.
Rated 10 Mar 2022
emeraldguardEmeraldGuard
Rated 02 Mar 2022
40
10th
Modern American degenerate trash. The duel at the end took it up a notch though.
Rated 02 Mar 2022
imomercetinImOmerCetin
Rated 03 Feb 2022
87
95th
The way that the film narrated is excellent and careful. It really brings out social issues in a very pure and powerful way. Technically, it's a well-executed, stunning job. Hats off. P.S.: It's a shame it wasn't nominated for an Oscar in any category!
Rated 03 Feb 2022
ytadelYtadel
Rated 20 Jan 2022
7
84th
Lmao I love this medieval shit. Ridley Scott headin toward ninety still chuggin along
Rated 20 Jan 2022
vandelay1Vandelay1
Rated 08 Jan 2022
64
67th
good movie
Rated 08 Jan 2022
yoshinarutoYoshinaruto
Rated 08 Jan 2022
75
83rd
Not sure why Ridley Scott thought Millennials didn’t like this, it’s not really all that slow, and the only thing that’ll deter anyone is how unlikable the characters are, which is common for movies set in this age. The direction is good, action (while brief) is excellent, and the performances are great, with Comer being a standout. The only thing for me is two of the perspectives are very similar in one scene. Yes, one is worse, but it’s not exactly a revelation about the character. Great.
Rated 08 Jan 2022
duderDuder
Rated 28 Dec 2021
70
76th
Scott is still on form. The style picked and the hectic editing does not take much away from the movie. It takes a bit of time to settle but once it does, it is a joy to watch. Scott is great at setting the tone and showing the nuances in the stories. Amazing acting helps and a good story is told.
Rated 28 Dec 2021
lumenlumen
Rated 13 Dec 2021
8
85th
I was shaking throughout the entirety of the titular duel. However, I didn't like how "The truth" hangs an extra second when introducing Marguerite's chapter: up to this point the movie lets the viewer decide where the truth lies, but I guess Affleck and Damon couldn't keep their leftism in their metaphorical pants, lest anyone doubt how feminist they are or take away the wrong message. Coincidentally, I agree that it was "The truth" but still, why are Hollywood actors such cowards?
Rated 13 Dec 2021
christofchristof
Rated 08 Dec 2021
75
37th
Having a stab at the lamentably revisionist #MeToo ...and the Holy Grail (this is not an attempt at historic reconstruction, but modern themes explored badly whilst dressing-up and the pretensions of attempting a pastiche of Rashomon). Missed a trick by not having Weinstein duel it out with Affleck, but it's not far off. (Ridley, read any feminist film theory recently? thought not...)
Rated 08 Dec 2021
aaautinAAAutin
Rated 07 Dec 2021
63
77th
(BASHOMON)
Rated 07 Dec 2021
gwynbleiddgwynbleidd
Rated 01 Dec 2021
72
51st
Besides good acting, especially the outstanding performance by Jodie Comer, the movie was too repetitive for me and its pacing too slow. Also, difficult to watch at times.
Rated 01 Dec 2021
thedicemanTheDiceman
Rated 30 Nov 2021
55
49th
Great film, well-made but unfortunate casting of Driver/Affleck and Damon who just don't fit.
Rated 30 Nov 2021
revan007Revan007
Rated 17 Nov 2021
69
21st
Superbly acted, elaborate costumes, & gorgeously filmed, the Last Duel has all the makings of a medieval epic. But a repetitive retelling of events that often adds little for the first two chapters comes off more clunky than clever. Worse yet, the movie lose coherency in the 3rd chapter. This is especially sad for a movie that has some very poignant scenes in respect to some difficult subjects. Sadly, it's hard to ignore the blatant & egregious vilification of the historical figure of Carrouges.
Rated 17 Nov 2021
bunyasBunyas
Rated 03 Nov 2021
73
70th
Tagline: "Women’s testimony is fundemental!"
Rated 03 Nov 2021
darrenDarren
Rated 30 Oct 2021
75
65th
The sound design is very well done. The sounds of armour and swords crashing. The sounds of unwanted flesh. The way the music cues and shot compositions change thru everyone’s story to change the power dynamics. A final battle scene that truly means nothing even if we are supposed to view it as the high point of the film. I liked him blessing the baby in the crowd.
Rated 30 Oct 2021
montycircusMontyCircus
Rated 21 Oct 2021
60
69th
Move over Kurosawa, Ridley Scott just made "Rashomon" watchable!
Rated 21 Oct 2021
chmulcr0nchmul_cr0n
Rated 28 Nov 2024
63
36th
Harry Gregson-Williams does a good Vangelis. The movie suffers a little from trying to hammer home its point too much, in an oddly anachronistic way. Unnecessarily so. Especially if it comes at the cost of her character's integrity (which it sadly does at the end). And especially not coming from a movie that has her call out hypocrisy while at the same time exploiting her struggle for suspense. So that what the guys do is more exciting for us. So we can have our little death. :>
Rated 28 Nov 2024
theescapistTheEscapist
Rated 17 Nov 2024
73
65th
Competently made with some interesting parts. A good historical action drama film. It probably is longer than it needed to be though and I feel some characters were a bit too over-the-top or simplistic. However, that is a minor quibble, as a lot of other things are well fleshed out.
Rated 17 Nov 2024
jpfergusonJPFerguson
Rated 22 Aug 2024
45
21st
The same mostly uninteresting story told three times. But, the last duel itself is suitably tense and barbaric, you just have to sit through 2 hours of mediocrity to get to it. The real star is Matt Damon's mullet. If you only watch one film about duelling by Ridley Scott, make it 'The Duellists' (a genuine masterpiece).
Rated 22 Aug 2024
perliuxperliux
Rated 29 May 2024
94
0th
It is a very well produced film with magnificent actors, and I like the way it brings the three different points of view, because it has a very deep message. It also shows the power of patriarchy and the patriarchal pact since these times. must watch!
Rated 29 May 2024
medikolaynmedikolayn
Rated 01 Apr 2024
67
45th
diş macunu epifiz bezini kireçlendirir = tecavüz sonucu hamile kalınmaz İt iS ScİeNcE
Rated 01 Apr 2024
ceekay19Ceekay19
Rated 27 Mar 2024
70
54th
Nicole de Carrouges: "The truth does not matter."
Rated 27 Mar 2024
shockularSHOCKULAR
Rated 23 Jan 2024
81
77th
A very fine film. Comer is especially great in her role. The Rashomon style telling is interesting, though I couldn't help but feel more could have been done with this. Driver's memory of the central event should have probably been more favorable toward him playing by the film's rules, as he seemed to legitimately believe himself innocent. I can understand the desire not to confuse the piece into a question of "who is lying?", though, and this might have ultimately been the right choice.
Rated 23 Jan 2024
flakeflake
Rated 18 Jan 2024
80
87th
I enjoyed the great setting and the interestingly presented story from many perspectives but I did not enjoy seeing many scenes repeat themselves and especially the critical scenes that is not fun to watch keep being repeated. Sometimes less is more and I think the director messed up here a bit. It could have been 9/10.
Rated 18 Jan 2024
panomadgreekpanomadgreek
Rated 07 Jan 2024
68
34th
All felt a bit forced and unsubtle. Probably because it was trying to be about #metoo but was made by men and the main characters and stars were all men and all the women only ever talked about men and men things.
Rated 07 Jan 2024
angrypierreangrypierre
Rated 17 Sep 2023
73
57th
There's a good kernel in here of how old the terrible treatment of rape survivors is, and there are some pretty extraordinary action scenes. However, the three different points of view show only very subtle differences in their accounts of what happened, and perhaps most tellingly the central rape is functionally identical. It makes Le Gris' actions seem pretty delusional. Also there are several quite jarring edits that feel like they may have been rushed to keep the running time down.
Rated 17 Sep 2023
hadleyreisHadleyreis
Rated 01 Jul 2023
81
79th
Bloody French
Rated 01 Jul 2023
panzerwolfpanzerwolf
Rated 24 Jun 2023
80
85th
To see the plot unfold with three different sides to the story is interesting and I felt like the transitions were done well. Not too much repetition, but enough to place us back in the right timeline. The casting was a bit of a mixed bag for me. Jodie Comer really carries this movie while Matt Damon and especially Ben Affleck sometimes took me right out of the story. That last titular duel was one of the most intense things I've seen in a movie in a good while.
Rated 24 Jun 2023
doyler29doyler29
Rated 11 May 2023
80
68th
It's tempting to label this a medieval #MeToo film, although they clearly didn't have hashtags in medieval times and even if they did, no social media to enjoy them with. I think calling it that is a little pat since it ultimately has a lot less interesting things to say in that regard. It's a pretty damning depiction of women's roles in 14th century French society, but that doesn't really feel like news.
Rated 11 May 2023
sammetalSamMetal
Rated 21 Apr 2023
50
38th
Essentially an overlong remake of Rashomon. Looks great and the acting is good but feels lackluster. Partly to blame with false expectations, was expecting a historical epic
Rated 21 Apr 2023
khamulKhamul
Rated 30 Mar 2023
67
26th
I feel this three points of view structure works better on paper than on film. It's not without its merits on screen either, but it just becomes too repetitive to watch, especially with characters as unlikable as this doing the same things over and over again. It is still technically competent medieval epic, and I'd give it a standard 70 if it weren't for the fact that pretty much all of the drama builds around rape. It just feels unpleasant to watch it. The duel itself is very good.
Rated 30 Mar 2023
scuffedScuffed
Rated 15 Mar 2023
80
86th
Unique storytelling structure, good performances, and attention to detail with setting.
Rated 15 Mar 2023
aalperraaaalperraa
Rated 31 Dec 2022
80
71st
10,02.2022, Umraniye, Istanbul
Rated 31 Dec 2022
eric_janeric-jan
Rated 12 Nov 2022
70
54th
Damn... such a slow-paced movie. Really don't know if all the 3 stories were really necessary, most of all if only 1 is the real story... but OK, it is somewhat original because of it. It's a very current topic, rape. I am convinced now that we really didn't make a lot of progress since the 14th century :/
Rated 12 Nov 2022
pistolpetePistolPete
Rated 05 Oct 2022
82
88th
Very good. Difficult scenes to watch, but masterfully portrayed. Excellent performances abound. 8.2.
Rated 05 Oct 2022
morphinapgmorphinapg
Rated 13 Aug 2022
89
87th
Fantastic performances, and I especially love how the story and performances change very subtly between each perspective. This movie really understands how the same events can be perceived so differently from different perspectives, and allows you to understand those differences while still not being confused about what actually happened. I think it is incredibly well done, and the final duel is great. Great to see Ben Affleck and Matt Damon writing together again too.
Rated 13 Aug 2022
matthagenmatthagen
Rated 16 Jul 2022
62
76th
I'm mixed on the repetitive storytelling structure, things drag through the second act, and I would have preferred more ambiguity. But it's wickedly and unexpectedly uncomfortable and snarky. Its themes resonate anywhere at anytime. Good performances all around, a powerful conclusion, and plenty of quotables to go around. "A rape cannot cause a pregnancy, this is just science."
Rated 16 Jul 2022
fra_paolofra paolo
Rated 13 Jul 2022
90
92nd
Everybody talks about RASHOMON, but Sir Ridley actually made THE DUELLISTS, you know. (PS - this does a really good job of describing Mediæval attitudes without actually justifying them.)
Rated 13 Jul 2022
n1k0o8N1k0o8
Rated 07 Jul 2022
72
68th
While the concept of different point of view is nice, I hoped for a better contrast between them. The finesse between différents scenes just for the sake of the finesse is not a good idea. Great end battle though
Rated 07 Jul 2022
sybaritesybarite
Rated 28 Apr 2022
55
41st
Fine. What's really disappointing is that the whole movie is just a thin allegory for an eye-rollingly bland take on contemporary politics. The shots of the rabid crowd at the end make me wonder if Scott originally imagined a more interesting film. If he did, he chickened out. The worst offense is the intertitle for Marguerite's section ... it just makes the whole movie stupid, because there's nothing to think about or wonder at. We know what happened, and that's that.
Rated 28 Apr 2022
ottott
Rated 23 Apr 2022
40
20th
i got nice lanthimos vibes in the beginning but the rashomon-gag was a drag and the duel was a lagging nag
Rated 23 Apr 2022
guillaumeGuillaume
Rated 06 Apr 2022
70
37th
This film would have been so much more effective with proper casting.Matt Damon and,to a lesser extent,Adam Driver are just not fit for these roles.Surprisingly,Ben Affleck was quite comfortable in his role.The multiple perspectives in the engaging narrative are a powerful tool implemented quite successfully,but eventually made completely obsolete in mere seconds by revealing that the woman's perspective is the actual truth.This manages to ruin the whole with typical Hollywood PC preaching (-10)
Rated 06 Apr 2022
moraesfelipemoraesfelipe
Rated 03 Apr 2022
55
43rd
It amazes how I end up NEARLY liking a Ridley Scott film everytime since I don't know when. Pretty bloated and redundant as usual, but the cast is pretty good. Anyway, as engaging as dramatically inert.
Rated 03 Apr 2022
war_machineWar Machine
Rated 24 Mar 2022
50
8th
Paris1386blondeBlol+1370MsavedAlife+77Atriedtocollectthemoney+1380marriedbutdowryfucked+capagain/makewifekissA+85+paris86+saysAraped+showsAside+heputthemovesonher+inlovewithher+shesaidnobutwantedit+herside+unsatisfied-notgettingpreg+realrape+dunnoifhersideshowedthembangfirstlol+needpleasureforpreglolandrapecantpreg-shepreg:P+Mwins-stilldenying-knifemouth+Mdiedincrusades-sheneverremarried
Rated 24 Mar 2022
spennyspenny
Rated 15 Mar 2022
85
60th
Definitely worth another watch.
Rated 15 Mar 2022
ericamblerericambler
Rated 27 Feb 2022
75
61st
The RASHOMON-lite structure is more of a gimmick than anything, but Scott knows his way around a historical epic.
Rated 27 Feb 2022
vgnpwrzvgnpwrz
Rated 23 Feb 2022
41
27th
I like the characters. I like the actors. I like the setting. I like the plot. I like the costumes. Buuut… [SPOILERS] How the hell are you going to make an alternate perspective movie when there’s no damn difference in the perspectives! The result is a long-winded, repetitive, boring movie. It’s masturbation. And the lousy lame ending is the cherry on top… C-
Rated 23 Feb 2022
punqPUNQ
Rated 20 Feb 2022
70
96th
With the heavy and trodding pace it took a while before I got into the mood of it. Wasn't until it went full Rashômon I really started loving the thing. From a already dark start, it just kept getting uglier and uglier, and it was a rather delightful seeing aging Hollywood heartthrobs in this kind of scenario.
Rated 20 Feb 2022
mrblacktronMrBlackTron
Rated 13 Feb 2022
89
84th
Tamamen özgün şekilde Üç baş karakterin bakış açılarıyla kendini tekrar ederek tempoyu düşürmesine rağmen uygulama çok başarılı. Tam anlamıyla başyapıt. Zaten malum oyuncu kadrosunu ve Ridley Scott görünce beklenti yükseliyor. Hikayenin gerçeklerden alıntı yapılması, işlenişi, ortam, dekor ve kostümler vb... herşeyiyle birinci sınıf. Son zamanların en iyilerinden. 14. yüzyıl Fransa'sında geçen hikayenin hala günümüzde geçerliliğini koruyan mesajlar vermesi ise filme daha da çok şey katıyor.
Rated 13 Feb 2022
ricRic
Rated 12 Feb 2022
85
82nd
Quite fascinating
Rated 12 Feb 2022
eskimoseskimos
Rated 11 Feb 2022
86
92nd
olağanüstü
Rated 11 Feb 2022
capodelnullacapodelnulla
Rated 27 Jan 2022
70
57th
enjoyable film all around. brilliant direction, great cinematography, a solid script, excellent performances... started watching it expecting camp pleasure but stayed for unexpectedly decent storytelling. it's not surprising to see ridley scott still has it but here his temperament in his recent films coincides so well with the script's balance of seriousness/blandness/pop-tendencies. and kudos to ben affleck for being the complete opposite of brad pitt in his approach to casting himself.
Rated 27 Jan 2022
cstewart64CStewart64
Rated 24 Jan 2022
15
82nd
W4E1P2S2V2M1A1R2. Very good story, well told, with some good battle scenes to lure the men who need to see this movie into the theater. I see some complaining of how close the 3 perspectives are, rendering it boring, but that's what impressed me the most. The accents struck me as terrible, though I may have missed something about how they figured into the narrative, given that the actors are all playing somewhat against type too, which may be part of the point.
Rated 24 Jan 2022
abunchofcatsABUNCHOFCATS
Rated 16 Jan 2022
91
89th
I thought I was over Ridley Scott historical epics, I was wrong. A great cast supporting an amazing attention to detail in Scott's medieval world building. Fantastic exploration of misogyny and toxic masculinity.
Rated 16 Jan 2022
mike365365mike365365
Rated 16 Jan 2022
74
82nd
Long, but well done.
Rated 16 Jan 2022
onyedionyedi
Rated 14 Jan 2022
73
58th
Although all chapters are practically the same, Ridley Scott never ceases to amaze us, at this age. Incredibly well done, as always. I like Matt Damon and Ben Affleck’s scripts, I like this one too but I think the movie would be much better if the truth wasn’t decided by the script. For example, if Le Gris’ part reflected his claims. That being said, the script is still very good.
Rated 14 Jan 2022
yawgmothYawgmoth
Rated 13 Jan 2022
8
64th
Loved the Rashomon-style storytelling. Some of the dialogue was a little... off to me. Solid acting from the whole cast with a standout performance by Jodie Comer. Someone to keep an eye on.
Rated 13 Jan 2022
burkayadaligburkayadalig
Rated 10 Jan 2022
83
72nd
editing could be better but having 3 different perspectives is a fresh take in a historical movie
Rated 10 Jan 2022
stuie299stuie299
Rated 07 Jan 2022
80
60th
Jean de Carrouges is Matt Damon with a mullet, and it doesn't help matters that both Adam Driver and Jodie Comer act circles around him (and I'm usually a Damon fan). Scott as usual had great direction and immaculate set design/costumes. The three different perspectives made for an interesting take, but at the cost of some story and world building. There are some tough themes and scenes, but ultimately it's worth watching. Though if you don't like violence and gore you might need to reconsider.
Rated 07 Jan 2022
mspraguemsprague
Rated 30 Dec 2021
85
91st
Brutality from all angles.
Rated 30 Dec 2021
moribunnyMoribunny
Rated 19 Dec 2021
25
12th
A bore. I think it wants to be relevant, and to contribute to the conversation, but it isn't and it doesn't. It marginalizes the very rape victim it purports to champion, and its gesture toward "Rashomon" is empty and pitiful. Flimsy though the film may be, Adam Driver still manages to be out of his depth.
Rated 19 Dec 2021
glumpy99glumpy_99
Rated 18 Dec 2021
77
54th
A directorial triumph for Scott: beautifully filmed, with a vivid sense of time and place, and aided by the performers; kudos to Damon for taking the most unlikable character in every iteration (at least Driver is a superficially dashing lead) and to Comer, who plays the greatest range. If the three chapter format doesn't work (the first two parts are basically interchangeable, with the third an often heavy handed attempt to bring "closure" from a modern perspective) it's still mostly enjoyable.
Rated 18 Dec 2021

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