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The Killer
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The Killer

2023
1h 58m
In the heart of a world shrouded in darkness, an enigmatic assassin known only as "The Killer" meticulously executes his assignments, leaving no trace of his deadly presence. His life is one of precision, solitude, and detachment, his mind a fortress impenetrable to emotions. However, when a carefully orchestrated hit goes awry, The Killer's carefully constructed world begins to crumble.
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The Killer

2023
1h 58m
Your probable score
Avg Percentile 48.1% from 973 total ratings

Ratings & Reviews

(973)
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Rated 11 Nov 2023
35
19th
The Soderbergh comparisons I've seen are more apt than the Melville, at least judging by result. The script is pretty terrible, and surrounds a killer-for-hire whose masturbatory V.O. monologs about pedantic professionalism are the oldest cliche in the book; the character breaks the mold only in his blatant incompetence and stupidity, of which the writers themselves seem uncannily incognizant. Fincher peppers the soundtrack with The Smiths' entire discography, but even that fails to save this.
Rated 10 Nov 2023
52
61st
🚨 New straight man movie dropped 🚨
Rated 30 Oct 2023
79
56th
Feels more like a Soderbergh film than a Fincher film, which is fine by me. I appreciate the minutiae of planning on display. Honestly, I thought it could've taken its time more (akin to something like The American). Fantastic sound design and score. Solid overall.
Rated 11 Nov 2023
70
31st
Certainly a taught character study, but ultimately there doesn't feel like anything is accomplished by the end. The story pads itself with so much time spent in the Killer's mind that it rarely sees anything of substance actually play out. You see all the build up but there's barely any payoff. Fassbender does make every scene watchable mainly due to his ability to perfectly convey a keen sense of control and grit, but what it all adds up to feels somewhat boring.
Rated 11 Mar 2024
70
65th
He's like the Patrick Bateman of killers. wait
Rated 18 Oct 2023
81
68th
For reasons that my therapist says are "painfully obvious" I'm a sucker for films about a detached loner who follows a personal code. This one ranks alongside Le Samouraï, Ghost Dog, and Drive. As a David Fincher film, it's closer to Panic Room than Se7en. But he still gets in acerbic humor and his best filmed action scene yet. It loses points for a cliche character motivation and the constant Smiths songs. But it'll make fanboys debate if the lead could take John Wick in a fight. Recommended.
Rated 11 Nov 2023
74
76th
When money and responsibility flow in a way that partitions culpability, who has to get their hands dirty, who knows what, and who makes the decisions, all the loose ends are going to be part of the "many". Assassins need a union so they can develop some class consciousness.
Rated 11 Nov 2023
60
71st
(LE SMITHSOURAI)
Rated 12 Nov 2023
71
62nd
In a lot of ways, this is an immaculate film. Fincher finches, Fassbender bends every fass in sight, and it's exactly what you'd expect only with Morrissey whining all over it for some reason. Tense, immersive and with some really thrilling action sequences. But it's definitely style over substance, the sort of movie an AI would make if you plugged it with Fight Club, Mank and Zodiac and told it to make John Wick. Just another revenge thriller through a good - really good - filter.
Rated 13 Nov 2023
40
26th
On the gap between aiming for perfect (mechanical) discipline and the reality of having to adjust (improvise) to inevitable imperfection, the twist being that those who live in a truly machine-like way are the ones who really embody “the system” at its top, not just its employees, and that the latter have a chance against the former precisely insofar as they are capable of such creative “adjustments”. Mildly amusing, but hardly funny, and while it is slick, there’s not much to hold onto here.
Rated 27 Nov 2023
50
44th
I finished watching this 4 minutes ago and I've already forgotten it.
Rated 06 Oct 2023
86
80th
Vintage Fincher on one hand - violent darkly funny thriller - but less grimy and generally cooler and cleaner, while still being incredibly tense and beautifully-photographed. A great study of a sociopath’s code unravelling - and Fassbender feels born to play this role - but also some interesting subtext on the gig economy???
Rated 18 Nov 2023
64
45th
Really well directed and performed by Fassbender, but the script here is just really lacking. [Mild spoilers] It seems it was just trying to subvert expectations by leading you to believe constantly that he was going to waver in his methods and show some compassion for one of his would-be victims, but then pulling the rug each time. When the climax is just the exact same move, it just left me feeling like this was an experiment in anti-storytelling that wasn't really successful.
Rated 12 Dec 2023
75
56th
To me this is what a David Fincher comedy looks like. A perfectionist professional assassin extolls the virtues of his philosophy and then in the course of the events of the film proceeds to break each one of his values. Also he goes from one fuck up kill to another. He only succeeds when he stops killing. That's irony for you.
Rated 18 Dec 2023
65
58th
Well, it's Fincher doing a Soderberg: A small genre exercise seemingly done over a week where he didn't have anything else to do. It's not bad, though the dialogue and VO in particular is a bit wonky, but considering the director, you'd kinda hope for a bit more. Nice to see Fassbender again though. Feels like it's been a while.
Rated 17 Nov 2023
64
61st
It's a deliberately paced character study of a meticulous hitman. Stuff goes wrong, and his oft narrated motto "anticipate, don't improvise" becomes funny. A lot of it is very slow, but at least we get to appreciate the photography.
Rated 17 Nov 2023
73
75th
Strange but mysterious. Utterly terrifying at times with a autistic feeling throughout. By the end the message was unclear. Honestly dont know what i think of this film. If it even conveys a meaning other then the emotionless evil of some people who stop at nothing to get what they want
Rated 30 Oct 2023
7
57th
(2nd viewing) Many directors these days are labeled as perfectionists but few are as precise and methodical as Fincher. It should come as no surprise that characters that embody those traits have taken center stage in his most of his films. I'd say his most straightforward work in recent years, not as laden with mystery and intrigue as his previous films, but a perfectly watchable and swiftly paced thriller that blends direction, style and a perfectly cast Fassbender into a satisfying whole.
Rated 02 Nov 2023
70
65th
My favorite Fincher movie since 'The Social Network' but it pales in comparison with his earlier masterpieces. It's all about his direction so the neat tagline ("Execution is everything.") is also a pretty spot-on review.
Rated 11 Nov 2023
50
34th
Worst voiceover in 2023. But it sure looks deadly.
Rated 11 Nov 2023
4
74th
A worthy entry into the lineage of lean and diligent hitman tales (This Gun for Hire, Blast of Silence, Le Samourai, Woo's The Killer). The pretenses of faith and justice are vacancies, a belief in no higher governing forces than his own agency, codified with verbose narration into tenets that form his own philosophy of cold anti-nihilism. Plan, action, reaction. This system is repeatedly challenged with wrenches unaccounted for, until finally reaffirmed with a choice. Original, no, but refined.
Rated 11 Nov 2023
6
59th
Visually stunning. Pretty boring story wise. Maybe too much inner monologue.
Rated 11 Nov 2023
70
41st
Soundtrack is impeccable. Fassbender is a believable unempathetic killer. There's nothing I outright hate about this, but I'm dissapointed, as a whole. Its attempts at being cerebral fall short because the arrival of the film and the production itself feels unceremonious. There are a few great moments, and the directing is fine (but is still Fincher at his most unimpressive), but there's a lack of anything meaningful to grab onto. No real intrigue as it goes through the motions.
Rated 12 Nov 2023
70
54th
Now we're talking! Fassbender is back :). Seriously awesome buildup in this movie. Loved the chapters, the endless patience, the easy to follow story, the thoughts of "the Killer", his constant repetition of his code. Great action scenes and aside from the aforementioned endless patience, the pace is actually pretty fast, many cities and countries are visited. It does end on a kind of boring note. I guess it was more about the road and not about the destination.
Rated 18 Nov 2023
30
5th
2% matrix 4% john wick 4% american psycho 90% horseshit "lets buy rights for an album by the smiths, and put it everywhere in the film!"
Rated 20 Nov 2023
80
78th
Quite linear and predictable, but it features a meticulously constructed visual narrative that greatly elevates the film.
Rated 22 Nov 2023
70
63rd
Mature Fincher is clinical, cold, essential. Hitchcockian. "The Killer" is a genre movie (a thriller/ hitman movie) with all the clichés of its genre; but the screenplay has some variations on the theme (like the irony of him making mistakes, being human) and the execution is rock solid, able to always keep up the suspense. Fassbender is perfect for the role. Probably a minor work from Fincher, but he has done worse, especially early in his carrier. Enjoyable if you control your expectations.
Rated 24 Nov 2023
75
81st
Slow and methodical like its protagonist, fincher does a movie like this in his sleep. Which might have the downside that most people will watch it in theirs.
Rated 29 Nov 2023
49
46th
Netflix-era Fincher sucks, sorry. Or at least after he gave up on Mindhunter. I should love this Fassbender-Fincher cold assassin shit but I don't - not even a scene with Tilda Swinton - and no I don't think this is an incisive satire of the gig economy.
Rated 13 Feb 2024
60
39th
This is an assassin thriller directed as if it were American Psycho. Fassbender's charisma and Fincher's sleek style make it watchable, but there's no sense of stakes in the story. There's no sense that he couldn't just run, that he's in continuing danger. And they even let his girlfriend go. John Wick had his dog. What is he taking revenge for? His futon?
Rated 07 Dec 2023
70
64th
A quiet (?) study of a killer's life and trade. Fassbender is fantastic, as always, and I love all of the side players too. Maybe I was a little disappointed there wasn't "more" to this movie but I did enjoy every minute of it.
Rated 13 Dec 2023
6
95th
Too many people think they’re The Killer when they’re actually that douchebag millionaire in a subpop shirt. Weak and sheltered in a facade propped up by this technocratic hell. Sushi, a vintage t shirt or an assassination at your finger tips. Dulls the senses. Maybe we can all reach the beach one day. And when I’m lying in my bed I think about life and I think about death And neither one particularly appeals to me
Rated 15 Dec 2023
56
28th
Could've done without that soundtrack full of Smiths songs
Rated 18 Nov 2023
95
91st
Fassbender is truly sublime in this movie and proves monologues can be just as effective as dialogue. He obviously carries the movie directly on his shoulders while the visual style and aesthetic help build the tension around his character. As the pieces fall where they should for the titular killer, we are treated to a magnificent array of well choreographed fight sequences and payoff. A very well told story.
Rated 02 Dec 2023
5
88th
David Fincher's masterclass. The guy is timeless.
Rated 02 Dec 2023
72
75th
Fassbender is great. Fincher is great. The story is alright. The endless monologue is... Not great.
Rated 04 Nov 2023
81
78th
While the script for this is pretty straightforward - a hit gone wrong leads to consequences for everyone involved - the expert direction and the magnetic lead performance by Fassbender are worth the price of admission (aka your Netflix subscription).
Rated 11 Nov 2023
50
43rd
Clinical and dull.
Rated 29 Oct 2023
75
80th
Fincher directs the shit out of a pretty standard script with his usual methodic, metallic, unemotional -- but highly relatable, because Smiths fan -- flair, repeating set-pieces coming together to form a story about a killer about to retire after committing a mistake, having now to cut loose ends before finally spending his money with his loved one in Santo Domingo. It's all about Fassbender's ascetic, detail-crazy professional matching Fincher's unique skills to tell this kind of pulpy story.
Rated 30 Oct 2023
80
68th
I would not say that this is David Fincher's best film, but it's the most David Fincher film he has made. In a lengthy, slow prologue to the action, we meet Fassbender and hear his entire philosophy of life in voice over ... how he justifies his work and the methodical way he pursues it. He then breaks all his own rules to protect Charlotte and basically pay back the people who crossed him.
Rated 05 Nov 2023
67
71st
Quite stylish and Fassbender is charismatic but nothing new. Mediocre by Fincher standards, particularly compared to Mindhunter. Better on a rewatch
Rated 11 Nov 2023
80
12th
Kiralık katil bir işinde başarısız oluyor ve cezalandırılıyor, onu cezalandiranlardan intikam alıyor ama büyük balığı sağ bırakıyor ve hayatına devam ediyor .
Rated 11 Nov 2023
60
49th
This didn’t do as much as I was hoping it would. Wasn’t necessarily bad, but I didn’t really find the spy/hitman sequences for the most part that interesting. The guy constantly saying the same stuff over and over in his head got a little irritating, and by the end I didn’t feel much. The guy’s plans not working as expected I wasn’t sure if there was supposed to be some sort of irony to that? Nothing really emotional by the end just left feeling cold. One of Fincher’s weakest movies easily.
Rated 09 Nov 2023
80
72nd
Easily the most fun I've had in a cinema this year, it is a shame that most people will watch this on a laptop. I'd like to imagine Fincher decided to make this after being bored out of his mind watching the John Wick sequels.
Rated 10 Nov 2023
84
90th
Excellent. Those w aversion to deliberate pacing and meticulous attention to detail may zone in and out, but I really enjoyed this. Fassbender is superb. Sound design is expectedly top tier. Strong 8.4. Not Fincher's best, and perhaps his most straightforward foray, but the pulpy richness is a treat.
Rated 10 Nov 2023
84
82nd
So, I liked this a bit more just a moment ago, but then I realized how great this could have been as a big budget tv show. Anyway, it is an excellent movie, and I can't think of a single issue I have with it. However, it is also among the most straightforward Fincher movies. It is excellent at what it does, but it's difficult to rate it in the same category with his more ambitious films.
Rated 10 Apr 2024
60
46th
Weirdly cinematic fight scene with a random roided up Floridian. +5 for that. But -5 for Amazon product placement.
Rated 10 Nov 2023
80
16th
Some nice filming is the only positive aspect I could find within this movie and its dull plot. The setup was good, even nice; the slow buildup of an alleged meticulous assassin that inevitably makes a mistake. After that however, it went straight downhill - fast.
Rated 10 Nov 2023
7
44th
nothing particularly original. feels longer than it is. fine
Rated 11 Nov 2023
77
58th
The Killer is a more restrained take on the hitman movie. It’s not John Wick. And I’m not really sure if it’s Oscar material either. But for fans of crime dramas, who don’t mind the thin plot and lack of action, it’s a pretty good option. It’s probably not going to be remembered among Fincher’s best, but it’s still far better than maybe ninety percent of Netflix original movies.
Rated 11 Nov 2023
94
93rd
My ★★★★½ review of The Killer on Letterboxd https://boxd.it/58Ygg7
Rated 11 Nov 2023
85
92nd
Painstakingly punctilious moviemaking by Fincher, in parallel with the methods of the Killer and it is a very attractive proposition to watch these pro's on top of their game. The irony of the incessant self-talk voice over was not lost on me as his seemingly water tight system begins to unravel. The sound design (that works in tandem with the great music!) was unbelievably good - every sound, even footsteps, sounds satisfying, not to mention the fighting scene that is one of the best i've seen
Rated 11 Nov 2023
60
28th
A fun watch to relax and pass the time. However, the plot and characters reach a new level of genericness, coming from Fincher, that's disappointing. Tilda Swinton's character was the most uninspired version of Tilda playing Tilda.
Rated 11 Nov 2023
69
36th
Not bad but very disappointing for a Fincher. Some have called it a black comedy, and I can kind of see that from the ridiculous voiceovers, but it's not funny enough to really work on that level and the narrative elements have been done a zillion times. It's stylish, as you'd expect from Fincher, but it's all just kind of underwhelming and relatively generic. There are some good touches and scenes, but a very minor Fincher at best. I think leaning a bit more into comedy would have been better.
Rated 12 Nov 2023
60
26th
The Killer: "A hundred and forty million human beings are born every year, give or take. Worldwide population is approximately 7.8 billion. Every second, 1.8 people die. While 4.2 are born into that very, same, second. Nothing I've ever done will make any dent in these metrics."
Rated 26 Mar 2024
60
25th
Dowhatthouwiltshallbethewholeofthelaw+ifeellikeheshouldnthavemissedthatdumblylol+endeduplosingmyattentionalotlol
Rated 12 Nov 2023
66
14th
Missed the mark as much as the main character did - just enough to be wildly significant.
Rated 12 Nov 2023
71
35th
Opinión personal: 7 Actores: 9 Guión: 6 Fotografía: 7 BSO: 6.5 Otros:6.5 Iluminación:- FX:- Director:7.5 Humor:- Vestuario/caracterización:- Metraje:5.5 Total: 71
Rated 12 Nov 2023
78
81st
An icy look into the twisted and sociopathic mind of the cold-blooded angel of death. The Killer portrays a dark, cruel, rotten and dirty world with the songs of The Smiths. It's obvious that this film isn't for everyone, but it was a great experience for me. Michael Fassbender is fantastic and David Fincher is back!
Rated 12 Nov 2023
75
45th
With The Killer David Fincher set off to make a very stylized movie, and in that regard it's extremely successful. His vision is clearly fulfilled. I'm just not sure I'm all that into what he was trying to do here. Fassbender is great in the lead role, but IMO the screenplay is just too minimalist. I get that the main point is to show off all of the anonymity involved in being a hitman, but in doing so it doesn't necessarily make for the most entertaining film.
Rated 12 Nov 2023
45
16th
mank was that bad and disappointing for fincher huh?
Rated 22 Mar 2024
72
8th
Wils
Rated 13 Nov 2023
78
42nd
The Killer in the movie is supposed to be a loser, right? That’s why he was listening to the Smiths the whole time? I bet this movie would’ve been a lot more enjoyable without the unrelenting internal monologues
Rated 13 Nov 2023
79
84th
You got finched!
Rated 14 Nov 2023
70
57th
it lacks a bit of a sense of urgency in the scenes, but it still is a fincher shot and acted movie... also in this, floridian man has no regards for his own furniture
Rated 15 Nov 2023
80
90th
+visual +audio
Rated 15 Nov 2023
75
47th
It's solid. The visual direction is great and Fassbender is pitch perfect as the cold blooded killer disenfranchised with his employer. The gratuitous shots of corporate branding throughout serve as a potent metaphor for alienation but the narrative sputters towards the end. I expected more, but it's a fine film
Rated 15 Nov 2023
61
29th
I understand that Fincher wants us to feel the boredom of a killer’s life but he overdoes it. It’s like living in John Wick’s meaningless world minus the fun! Quite disappointed.
Rated 20 Mar 2024
69
48th
It would be a good character study, if this was an interesting character. Fassbender tries but the "killer is aloof from society and has a monotone voice over" is just not new. It's another in the 'Netflix film you can do the ironing to' bucket.
Rated 16 Nov 2023
74
64th
2023'de #IzlediğimFilmler ; 189. The Killer (2023) David Fincher'ın işçiliğin her saniyesine işlediği , her an diken üstünde olduğunuz başarılı bir gerilim. En iyi filmi mi değil, ama Fincher imzası yeterli. 7/10
Rated 18 Nov 2023
65
59th
It is Fincher, so how bad could it be? Definitely not his best though. Fassbender is good, all the performances are good, it is really well directed but I couldn’t find depth in the screenplay, and it did drag at times.
Rated 18 Nov 2023
70
41st
It makes me sad that Fincher now makes ugly, anonymous digital slop, but my guilty pleasure is this exact kind of cold, emotionless efficiency, and nobody does it better than him. It looks like a TV show (the opening credits scream “episode four season two”), it’s written by a fourteen-year-old (please cut 90% of the VO), and the product placement is gross, but it’s edited and scored in such a way to give me goosebumps. (Say what you will, but if you call this boring you might have brain worms)
Rated 18 Nov 2023
61
61st
Pretty cliché, too much Smiths but Reznor and Ross did a good job with the soundtrack.
Rated 19 Nov 2023
70
71st
Fincher’s direction, Fassbender’s performance, and the score by Reznor and Ross are all highlights just as expected. I really enjoyed the opening scene as well as the brawl during the second act. I am a bit perplexed by what it was going for, as the pacing was pretty “off”, and the climax felt like it was just subverting expectations in the dullest way possible. Its good, just like all of Fincher’s work, but not his best.
Rated 15 Mar 2024
60
20th
There's nothing special about this movie. Characters are flat and dull. It has nothing to say. That being said, it's still engaging and fun. But the ending was boring and left a LOT to be desired.
Rated 19 Nov 2023
6
40th
Problematic as the impeccable, entertaining style clashes with the awful moralistic voiceover [this guy surely preaches for someone who doesn't give a f*ck]. Dead -and dumb- behind its pretty eyes.
Rated 19 Nov 2023
61
74th
Stunning on a technical level, the meticulous details are well handled, and the brawl in Florida is fantastic. The overall plot just doesn't do anything new, and the sparse characterization doesn't help in that regard. Good, not great.
Rated 19 Nov 2023
59
48th
Despite the lame inner monologue (and lame “coolness”) it’s at least constantly entertaining.
Rated 20 Nov 2023
15
7th
I thought the score was by Nine Inch Nails, not Morrissey. Would be mildly watchable if not for the absolutely retarded premise that the sickest assassin known to David Fincher misses the easiest snipe ever, then goes on a John Wick level revenge spree against administrators in honor of his beat up girlfriend while constantly inner monologuing "empathy is weakness.". At least AKW had Seven in him once. Netflix movies are cancer.
Rated 03 Mar 2024
79
82nd
Michael Fassbender showed what he can do. I liked the slow pace and the culmination of the story was one of the best fighting scenes I have ever seen. Just marvellous. Poor doggie. The end was problematic though.
Rated 25 Nov 2023
36
15th
It's a story as generic as its title. No reason to care about anything that's happening.
Rated 26 Nov 2023
80
75th
The film opens with the protagonist's fifteen-minute monologue that tells you everything about his meticulous nature, but tells you nothing about his emotional mindset. No, Fincher leaves that to Smiths. Just scatters snippets of lyrics like little clues. If I was in this film, you'd only hear the faint sounds of "keep rollin', rollin', rollin', rollin', what?" Oh man, he's so mysterious!
Rated 27 Nov 2023
82
69th
Was a little slowly paced but I did not mind that. The basic plot did bother me, but still enjoyable as a stylish hitman movie.
Rated 30 Nov 2023
75
51st
Such a smooth and slick film, there's nothing to grab onto. There may be very little to ruminate on such a surface-level film, but I find there to be something admirable about how direct it is, with its video-game-esque plotline and no-nonsense pacing. This wouldn't have worked if the 'execution' wasn't everything, but the very Fincher-ey direction and screenplay really commanded my attention -- having an opening scene about boredom not being boring at all is a good indication of things to come.
Rated 02 Dec 2023
57
59th
Cool idea to characterize the lead as completely unsympathetic but the ham-fisted fedora tipping dialog got increasingly groanworthy with how much it repeats itself trying to sell us that "WHOA! This guy is COOL and CALLOUS!" I think it'd be cooler if they went harder on the idea of him actually being kind of incompetent and fucking up all the time to make a joke out of his self-monologuing, but the conceit here is we're supposed to think this assassin is terrifying when he comes off as a joke.
Rated 03 Dec 2023
55
34th
David Fincher'dan katil ve cinayet filmi. Seven, Fight Club yada The Social Network bekliyorsanız hayal kırıklığı yaşarsınız. Son görevinde hata yapan 1 suikastçinin, eşinin öldürmeye çalışanlara karşı intikamını izliyoruz. Sinemada izleseydim çok sıkılırdım. Fakat bölük pörçük dizi gibi izleyince hoşuma gitti. David Fincher konu bulamıyor. Dövüş sahnesi güzeldi. Filmin sonunda, hadi acıdım sana. Beni ben yapan içimdeki sesleri susturamazsın.
Rated 08 Dec 2023
20
3rd
Too slowly driven and very weak plot
Rated 08 Dec 2023
67
31st
Not that good, not that bad. Got real bored by all those "The Smiths" songs. Only recommend if you've reached the end of your watch-list.
Rated 09 Dec 2023
44
20th
I'm still obsessed w/ my movie idea where the murderer in a David Fincher movie is David Fincher. This ain't it. (See the joke works on multiple levels because that isn't the plot to this movie but also this movie 'ain't it'in the sense that its not good and very bland.)
Rated 11 Dec 2023
75
54th
I’d compare it to a blend of Kill Bill and Tinker, Tailor, Soldier, Spy. For me, that means I enjoyed it overall, although it was a bit hard to follow at times.
Rated 11 Dec 2023
40
7th
Was soll das heißen, "niemand möchte etwas mit deutschen Touristen zu tun haben"? Als Yogi brauchst du doch sowieso keine Liege am Strand und außerdem habe ich sie zuerst gesehen!
Rated 12 Dec 2023
3
62nd
It's good, but, gives kind of a funny feeling since the protagonist is a genuine bad guy without any redeeming qualities - but he's neurotic and likes The Smiths. Wow. What a mensch! It's pretty though, definitely has the Fincher shine, and it's good to see an action movie that isn't primarily computer generated. Though I can't help but feel like I've seen this movie before... Oh yeah. Haywire.
Rated 23 Dec 2023
78
45th
Much narrower in scope than the usual Fincher fare: I appreciated the witty satirical yoga and Smiths soundtrack details, but in the end I was left with not a lot.
Rated 26 Dec 2023
76
74th
A very captivating Fassbender leads through a slow paced but well crafted revenge story. The story is barely there but this is more about style than substance.
Rated 29 Dec 2023
68
51st
its alright,..the perspective of life itself of an killer who is on his own revenge ..
Rated 27 Jan 2024
40
13th
Bored characters are soooo boring. Swinton's 8ish minutes on screen were the best.
Rated 31 Dec 2023
80
62nd
A lesser Fincher conceptually, but carried out with the usual finesse and technical skill. Terrific atmosphere, strong performances, and some striking imagery. Could have been elevated with more interesting narration and story.
Rated 06 Jan 2024
78
78th
The only thing better than movies about people who are great at their jobs are movies about people who are not.
Rated 10 Jan 2024
70
28th
An excellent script made too quickly to matter as much as it could. It has interesting things to say—about labor, capitalism, and loneliness—but says them in a way that didn't work for me. I keep forgetting I even saw this movie.
Rated 19 Jan 2024
71
90th
Brilliant deferent Work in genre!!! Spectacular Directing as expected!!!

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