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The Horse's Mouth
The Horse's Mouth
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The Horse's Mouth

The Horse's Mouth

1958
Comedy
1h 37m
A somewhat vulgar but dedicated painter searches for the perfect realization of his artistic vision, much to the chagrin of others. (imdb)

The Horse's Mouth

1958
Comedy
1h 37m
Your probable score
Avg Percentile 54.72% from 120 total ratings

Ratings & Reviews

(121)
Compact view
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Rated 04 Oct 2011
3
38th
An amusing examination of the artist's spirit. Guinness is the obvious highlight as the rough-around-the-edges Jimson, but it's well-rounded enough. Those paintings were pretty sweet.
Rated 23 Sep 2022
60
62nd
Amusing, worth a watch for Alec.
Rated 14 Jan 2015
7
67th
Not anywhere near as vulgar and barrier-smashing as it might think it is, but there's a kind of rapture to Alec Guinness' performance that makes it all worthwhile. He channels the "Artist as destroyer" shtick in entertaining fashion. Plus, it's nice when a fictional character's art is actually pretty decent (in this case, thanks are due entirely to John Bratby).
Rated 06 Sep 2011
4
74th
Another wonderful performance courtesy of Alec Guinness. Gulley is amusingly gruff and scruffy, yet the film walks a fine line between vulgar humor and tender characterization. Ronald Neame's direction is light and unpretentious, and the film features a few really striking paintings done by John Bratby. It seems to me a criminally overlooked little gem of classic British comedy.
Rated 12 Mar 2010
85
78th
Although given a considerably more upbeat ending than the novel upon which it is based (part of an accomplished triptych of novels by Joyce Cary, adapted by Guinness himself), this otherwise faithful adaptation is boisterous, undignified, and thoroughly delightful.
Rated 16 Feb 2009
5
81st
Another impressive role from Guinness (he's got some writing chops, too). Outside of his character the film doesn't have much depth, but it doesn't feel lacking in anything either.
Rated 19 Dec 2006
82
73rd
Very funny and enjoyable study of the renegade artist spirit. Alec Guinness is wonderful as always, though the gruff voice he employs takes some getting used to. The same Prokofiev piece used in Love and Death is featured here to great effect. The film does tend to wallow in self-importance, but it's tolerable (except for Nosey's outburst at the very end, which really goes overboard).

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