The Dark Backward
The Dark Backward
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The Dark Backward

The Dark Backward

1991
Comedy
1h 41m
A man pursues stand-up comedy encouraged by his fellow garbage man. Though his friend, who accompanies him on accordion, continues to tell him how great he is, he actually stinks (imdb)

The Dark Backward

1991
Comedy
1h 41m
Your probable score
Avg Percentile 39.25% from 71 total ratings

Ratings & Reviews

(73)
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Rated 12 Sep 2019
66
52nd
Brought to mind John Waters trying to adapt Kafka's The Metamorphosis with Neil Hamburger as the lead. A wild watch for sure but ultimately a disappointing one. It was accurately described to me as a waking nightmare. Bill Paxton is off the rails in a way that makes his True Lies bit look as stoic as Gregory Peck. Recommended to fans of Freaked and almost no one else.
Rated 30 Nov 2021
60
34th
Aggressively repulsive, someone trying to explain John Water's Joker. Bill Paxton is at peak unhinged stick around for him. This cast is stacked with people who owed someone a favour.
Rated 17 Apr 2010
40
31st
Delightfully grimy.
Rated 07 Feb 2024
88
36th
Though one of the strangest movies i've ever seen, it definitely has some redeeming qualities and is entertaining at times. Bill Paxton and Judd Nelson do give 100%.
Rated 19 Jan 2016
1
0th
Easily the worst movie I've ever watched all the way through. An unpleasant and pointless slog with nothing to say, and no way to say it interestingly. Aggressively irritating.
Rated 20 Jul 2010
70
29th
Just so wonderfully gross.
Rated 28 Feb 2009
50
36th
"...just too off-putting."
Rated 07 Feb 2008
10
0th
Of all the movies that have made me feel sick to my stomach, this is one of them.
Rated 14 Aug 2007
37
4th
I loved this movie in college, and I'm not proud of that. I suppose it appealed to my edgy, nihilistic side. Half Tim Burton, half John Waters, with just a touch of Repo Man meets How to Get Ahead in Advertising... and all horrible. It's a "zany" study of incessant unpleasantness, serving only to repulse and annoy the viewer. I do have to grudgingly admire Rifkin's steadfast commitment to the aesthetic, but that doesn't mean I have to enjoy it.

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