The Committee

This experimental, existential piece opens with an intriguing scene in which a man's head is removed and reattached, yet the subsequent 45 minutes are, on the whole, excruciatingly dull. It's simply too abstract, and not in any kind of vaguely interesting way. The Arthur Brown performance halfway through livens it up a little but the early Pink Floyd soundtrack isn't anything special.

Bizarre and overly-stylised. A typical ambitious endeavour of a young filmmaker, one might say. Some clever story writing, but it feels lost among the pretentious dialogue filled with obscure symbolism and prolonged philosophising that frankly went way above my head. The experimental Pink Floyd soundtrack is there for die hard fans to tick a box saying they've seen the film/listened to the score and has no other significant merits. Arthur Brown's cameo is thoroughly entertaining and mesmerising.