The Browning Version

There's no shortage of horrible movies about teachers who use offbeat and heartwarming techniques to instill a passion for learning. But it's rare to see a story about the opposite: the stoic, demanding, condescending taskmaster who no one likes. And rarer still is a story that can make you feel sympathy for such a man. The entire cast is good, but it's Redgrave who really shines, expertly displaying the heart behind a heartless man. A nearly flawless film.

I'm sure we've all had some teachers who clearly knew their stuff but failed to excite. Andrew Crocker-Harris is that teacher archetype taken to its extreme. He's got a prime specimen of that particularly uniquely British demeanor: measured, emotionless, erudite, condescending. This is not so much a story of a teacher as it's a story of a man who has been left dead on the inside by a joyless marriage. The heartbreaking thing is that he's as painfully aware of it as anyone else.

A really moving picture about the student-teacher relationship. What makes it unique is that it doesn't focus on some upbeat inspirational story but rather on a retiring teacher trying to put his life in perspective. Wonderfully acted and builds up very well to the climax.

An interesting and touching look at a retiring teacher. Redgrave delivers a restrained and powerful performance as an ornery failure - a refreshing portrayal in comparison to the loads of recent "young, idealistic and inspiring" teacher dramas. This really gets to the heart of the reflections and anxieties of a teacher, or anyone who's past their prime, and the possibility of redemption.

Deeply moving and devastating, the film reveals its hand slowly. Once everyone's standpoints are established, it's hard to believe that any good will come to Crocker-Harris, which only makes the ending more poignant.

Brilliant in its restraint and economy. There's not a wasted line of dialogue, nor any unnecessary stylistic flourishes or camera movements. It's as tightly written a script as I've come across. Its stage origins are clear, but it distinguishes itself with expert compositions and use of lighting. And the cast is uniformly superb, with Redgrave as the obvious standout. If there are any notable flaws with this film, I have yet to think of them.

A classic and must see for film fans.

Blew me away. Both the script and Redgrave's performance are sublime.

Sensitively filmed and acted film maintains a delicate balancing act, remaining true to its theatrical roots without ever being stagey -- full credit to Asquith's smooth direction, and a gut-puncher of a performance from Redgrave, bringing life and humanity to the cold and condescending Crocker-Harris (what an incredible break-down scene). Heightened by a flawless supporting cast; Kent as the even icier wife, beloved colleague Patrick and Smith's sympathetic student are all especially fine.

It really does a good job of making the kind of teacher that is usually the villain in a bad 80s comedy into a sympathetic human being. It's one of the better character studies that I've seen.

While it’s true that the protagonist is the only character who is truly fleshed out, and that his cuckolding wife is a caricature, Redgrave’s performance and the quality of his dialogue are enough to make this ultimately quite a moving film about a man wrestling with his faults and his shame. For myself, I’m very fond of the Tony Harrison Version.

Crocker-Harris is the meanest, coldest and at the same time most sympathetic old geezer since Nikolai Stepanovich from Chekhov's "A Boring Story". The tragedy consists in that right about the time of his retirement, he begins to see the error of his ways. Browning is an exceptionally moving, emotional film that nevertheless consistently avoids sentimentality.

Though kind of a somber film, the writing and performances are of the highest level. A private school Latin teacher reflects on his career.

A heartfelt story on self-reflection coming alive brilliantly through Michael Redgrave's subdued delivery. Such a minor story too which Anthony Asquith makes into this truly beautiful, at the same time pitiful, portrait of a man down. A film so nuanced that I'm sure will make new revelations on each viewing.

I think it's apt to say-There's no experience quite like The Browning Version. It snares you in it's narrative trap, little by little you become immersed in, what on the surface, looks to be this entirely droll affair. The trap being that this film in no way is an exploration of artistically generalising the same formulaic plots of the time, but instead, an expression of the psychological..humans living their lifes and their truly relatable slice of life quandary's. And I absolutely adore that

Nunca te Amei estreava há 70 anos em Londres. https://letterboxd.com/ladyspiggott/film/the-browning-version/

I'm a big fan of a character study and this is one of the best.

Economically tragic

This really is a one man film with Redgrave as Crocker-Harris putting on a wonderful performance. I felt for him before the film even started to tell me to feel for him. That being said, the film doesn't feel as mature as it tries to be. Some of the characters feel too much like characters, and the climax of the film is too much like, well, the climax to a film. Something a bit more quiet would have been much more powerful.

Watching this film the week of the #Brexit referendum proved a good choice. I can't help but hope the entire leadership of both campaigns will sit down and watch it and then get back to us when they do their post-mortems on their conduct these past weeks. As for the film, it is an economical drama that all teachers can profit from viewing.

A more sentimental alternative to Death of a Salesman that navigates daringly between two perspectives of the teacher. Redgrave elegantly portraits his condescending and tender sides, but the way to his emotional transformation is also full of narrative pawns, knocked over one by one.

86.500

Well-acted and the end result nearly saved it, but ultimately found it dry and underwhelming. Would not watch again.

You'll learn to love this loser