The Terrorizers
The Terrorizers
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The Terrorizers

The Terrorizers

1986
Drama, Mystery
1h 49m
A doctor sells out his friend to get a promotion. The doctor's wife (Cora Miao) is not happy. She has an affair with an old boyfriend, and later she leaves her husband because she thinks her husband is having an affair. This marital strife ruins the doctor's promotion. (talkingmoviezzz.com)

The Terrorizers

1986
Drama, Mystery
1h 49m
Your probable score
Avg Percentile 72.41% from 383 total ratings

Ratings & Reviews

(387)
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Rated 28 Jan 2015
100
98th
Dense, elliptical and challenging, but also quite profound and moving. To me, it's basically a film about that feeling of living in a city and being sure that the city is doomed to swallow you alive. Edward Yang's eye for composition and sense of space and pacing are unrivaled.
Rated 26 Aug 2011
73
45th
The interwoven plot threads slowly reveal themselves in pieces, culminating in a finale that pulls everything together and yet opens up new mysteries. The themes of alienation and disconnectedness give you something to chew on. However, I really can only appreciate this on an intellectual level. Like a lot of Antonioni, it only left me cold. Only one scene had any kind of emotional resonance with me. I don't mind a film that makes you think, but there has to be something else to hook me in.
Rated 26 Aug 2016
85
94th
There is such a sharp command of tone and intention, I'm convinced Yang is a genius who never got his proper due.
Rated 26 Nov 2013
100
99th
Such unity of form. Such subtle economy of ideas. Such mastery of imagery. A flawless film. An awe-inspiring film.
Rated 30 Aug 2023
79
58th
Edward Yang makes beautiful movies about murder and windows
Rated 05 Aug 2017
75
85th
(Viewed on 01/07/13): The Terrorizers is reminiscent of early Haneke, although it predates his glaciation trilogy by years. As others have noted, there is a strong Antonioni influence, especially in the photographer character and its construction of space. Compared to Yi Yi, it's an unremittingly bleak portrait of modern urban living that lacks humanity and warm, but that's entirely the point. The interlocking narrative is impressively edited, and it ends on a disconcertingly ambiguous note.
Rated 01 Apr 2016
65
44th
A story on modern middle-high class: nobody wants to be mediocre.
Rated 17 Sep 2024
89
91st
I had to do a *lot* of reading after finishing this one - it’s certainly the most complex and subtle Yang film I’ve seen so far - but once I was done I think I decided it’s kind of a masterpiece?? The dissatisfaction of all the characters, the way it causes them to lash out in tiny seemingly-meaningless ways, and the way those small acts reverberate throughout the lives of others, is startling. Plus Yang’s usual superb imagery and framing. Wowee.
Rated 16 May 2023
88
92nd
People as physics, as particles bumping into each other. They don't know who they are or where they are until they are observed, until they violently collide with another.
Rated 12 Dec 2022
80
77th
This feels like one that will seep into my subconscious for a while
Rated 06 Aug 2021
80
70th
8???????????????????????
Rated 10 Apr 2021
94
95th
Yang shows a knack for all aspects of cinematic storytelling: subtle performances in service of its tightly-devised script, masterful use of light, space, framing, and sound. I’m a sucker for scenes with no dialogue and music - just hypnotic room tone and foley sound - that manage to pack in something complex and essential to the narrative/mood but nearly impossible to put into words. I see parallels to Lynne Ramsay’s work in the photographic framing. Fantastic images, sound, and ending.
Rated 21 Nov 2018
3
36th
A very strong ending elevates it. Some of the editing and storytelling techniques are amazing. One of grimmest-funniest ending scenes
Rated 04 Feb 2017
3
38th
An elliptical approach to the interlocking narrative later popularized by Tarantino et al. The manners in which the characters' lives coincide is rarely easy to understand, and we're left with mysterious glimpses of unresolved plots that only hint at a unifying, satisfying conclusion. It's certainly unique, though it lacks some of the warmth and humanity that's made me such a fan of Yang's other films.
Rated 27 May 2014
79
65th
Edward Yang wants me to string together my attention even though there isn't an obvious thread of thought running through most of the movie. I enjoy concentrating to enhance my understanding of a movie, but here I have to do all the work to understand a very subtle and quiet piece. Very Edward Yang, but not really my cup of tea.

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