Terminal

Nice to see Mike Myers getting some work

Decent yet unspectacular neo-noir flick starring Margot Robbie as a murderous femme fatale who destroys pretty much everyone she comes into contact with. The script is nothing special, telegraphing it's twists, unnecessarily explaining itself and relying heavily on quotations from Alice in Wonderland. However, for a movie that takes place entirely at night, it's got one of the brightest color palettes I've ever seen. Stylish but ultimately artificial and unsatisfying fare.

Mostly a vehicle for Robbie to play Harley Quinn again without playing Quinn. Her performance is endlessly entertaining and crazy. But it also has a style that is both incredibly colourful and dank; it can be a little off-putting at times but mostly works. I predicted one of the twists, and the rest of it has been done, but I found this to be a good time. I got lost in it. It doesn't strive to be more than what it is, and it succeeded in being a fun retro-noir.

Has some cool neon visuals but just feels like it is trying too hard to be edgy, provocative and complex without much base to stand on.

Before you get mad at me because of the point I gave, let me explain something. I know the plot is bad, script is worse than that. But this is the most shiny movie I've ever seen and there's not even a single sunlight. Also Margot Robbie is even brighter than the movie itself. Casting is also daring. You know what I mean. I didn't compare this movie in its genre, I gave all points for visuals and courage.

The highlight is Margot Robbie, who was mesmerizing while playing the sassy and naughty temptress. The story is twisted into ridiculousness. Many of the plot points seemed almost random and some were predictable. The atmosphere was very dark with a lot of style over substance. Almost entirely unconvincing. Still it was worth watching the surreal events unfold and the pretty Margot Robbie strut her stuff. Mostly forgettable.

Tragically, I survived throughout.

Has the right ingredients, but isn't nearly als cool or clever as it thinks it is. Especially with twists like these, which are always too obvious, too boring or too silly. And highly unoriginal. The cinematography wasn't that convincing either. :/

not so good

Terminal is a pulpy noir thriller that has a preposterous plot, philosophical conversations, a lot of references to Alice in Wonderland, and stylish visuals from which it's nearly impossible to look away. Sometimes, a movie that looks this good and tells a story this outrageous—weird and fascinating, but ultimately laughably silly—is worth checking out. Terminal is one of those films.

MMfine+hardtopayattention+heremembershewasherenglishteacherthatrapedher+andshewasactuallyhelpingkillthepartnershepretendedtolikeaftertheotherone+MMhelpswithbodies-he'sactuallythemastermindphonevoicelikeithought+shehadatwin+MMtheirdad-momhidthemfromhim/sawhimkillsohekilledher+lobotomize

This movie gives you no one to root for or empathize with, an aesthetic that looked dated 15 years ago, and wastes the charms of Robbie and Pegg (and the weirdness of Myers committing to a bit.) There's simply no point to watching this.

It certainly has style—the lighting is quite pretty—but the script comes across like the debut screenplay of a mature twelve year-old and the director fails to salvage anything from it; also, Margot Robbie comically fails to be anything but Australian.

A fun twist-filled assassin mystery. Won't win any awards, but the cast is great and the story is fun.

This film has an original script that has some good moments but others miss the mark. The cast is an interesting mix and it is nice to see Mike Myers in a film again. The whole thing does not quite come together like it should. Overall this film is an interesting experiment but a slight disappointment.

Kill Bill etkileri olan seyredilmesi hoş film. Yoklukta gider.

She's good, better off rewatching brazil, or any other movie with a philosophising hitman.