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Suspiria
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Suspiria

2018
Suspense/Thriller
Fantasy
2h 32m
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up. (imdb)
Directed by:
Luca Guadagnino Luca Guadagnino
Written by:
David Kajganich David Kajganich
Starring:
Chloë Grace Moretz Chloë Grace Moretz Tilda Swinton Tilda Swinton Sylvie Testud Sylvie Testud Angela Winkler Angela Winkler Jessica Harper Jessica Harper Ingrid Caven Ingrid Caven Fabrizia Sacchi Malgorzata Bela Dakota Johnson Dakota Johnson Elena Fokina Mia Goth Mia Goth Alek Wek
More
Franchise:
Suspiria
Genres:
Suspense/Thriller, Fantasy, Horror, Mystery
Countries:
Italy, USA
Languages:
English, French, German
imdb More information at IMDb
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Suspiria

2018
Suspense/Thriller
Fantasy
2h 32m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 56.45% from 1362 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

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paxtonPaxton
Rated 15 Nov 2018
84
80th
I just experienced something. What that thing is and how it effects me is still in question. It did make me rewatch the original the next night so there are definitely reactions. Here's a great review: I don't know my feelings
Rated 15 Nov 2018
billyshearsBillyShears
Rated 16 Jan 2019
75
65th
The original film had my eyes melting from colours I didn’t even know of. Everything in this remake is drab and dull and fetch me another shawl I’m freezing just watching this. Went from stupid Italian nonsense to artsy fart look at how political I can be by having witches laugh at small penises. It’s okay I guess.
Rated 16 Jan 2019
barthalenBarthalen
Rated 21 Oct 2020
84
90th
The first time I heard about people that undergo surgery with inadequate anesthesia who feel every painful thing yet are unable to communicate, ooof. That concept just lodged itself into my brain like some nightmare-tick to stick around forevermore. Ughhh. [shivers] This movie showed me things that gave me that same visceral, horrifying uncomfortableness. So hey, fuck you, movie!
Rated 21 Oct 2020
terrymacterrymac
Rated 30 Apr 2019
73
66th
This foregoes the garish colour scheme and weirdo soundtrack of its source material for something more muted and subtle, although it retains much of its tone and mystery. Some bits just didn't work for me; the political backdrop I found hard to tie into the main plot, and the professor character with the obvious make-up job just felt largely pointless. I liked the style, the acting and the overall mood of the piece, and I feel I'll get more from it on a second viewing. Interesting nonsense.
Rated 30 Apr 2019
beedubBeeDub
Rated 29 Dec 2019
82
51st
Undeniably ambitious, and I give it massive kudos for going in a completely different direction (in both story and style) than the original, but its new plotline and political subtext are muddled and only partially successful. I still prefer the original.
Rated 29 Dec 2019
staryarabbistaryarabbi
Rated 15 Nov 2018
5
3rd
Yeah we got it Luca, the spoiled aesthete you are, and the greedy opportunist, you wanted to make a pseudo-feminist movie with overt psychoanalytical mumbo jumbo. Wtf does this red-neck girl from Ohio have to do with Cold War Berlin and how the fuck is the feminist internecine fight in the dance school connected to the Holocaust? Isn't this after all a superficial story of "oh healing power of creative women" bullshit? Master Argento would laugh at this misery. Fuck you Guadagnino.
Rated 15 Nov 2018
backwardsuitbackwardsuit
Rated 01 Dec 2018
74
63rd
I honestly failed to identify my feelings on this so I'll just say I loved & hated it. I love how Luca carefully employs his grandiose sensual excess to tap into that magical Argento space where emotion rules over all. I hate how he then pollutes this space with equally excessive rationalisation. Pompously elaborates on the original's subtextual themes in often blunt or misguided ways yet I still found myself feeling things. In a way it destroys Suspiria but with love. This is a fool's score.
Rated 01 Dec 2018
twincinematwincinema
Rated 14 Nov 2018
70
52nd
Don't trust my score. I am unsure how to rate this. There's a lot about this film that I am still thinking about a few days later, and I still don't know how I feel about the whole thing. I am the worst critic.
Rated 14 Nov 2018
bofbof
Rated 19 Jan 2019
80
83rd
I'm not sure it makes a lick of sense, but then again, Suspiria was never about making a lick of sense and the remake certainly makes no attempt to do better there. Speaking German will probably spoil some of the tension, but then again it was never about tension either. What it is is a bizarre ballet through a 20th century where the pools of blood and ruined bodies are always just offstage, until the finale brings it all out, then stuffs it back into the drawer for the next generation to find.
Rated 19 Jan 2019
daxvDaxV
Rated 11 Nov 2018
35
22nd
While I do like that a risk was taken here to make something different from the original film I can't say that this direction was the right one to take at all. This is a very slow paced, overlong and messy film. I enjoy some of the acting, the visuals and Thom Yorke's soundtrack (which seems to work FAR better without the context of this film) but I can't say much else left an impression on me. The more "unsettling" moments didn't have much of an impact on me. A missed opportunity for sure.
Rated 11 Nov 2018
feublofeublo
Rated 21 Nov 2018
85
74th
I was loving every bit of this until a few moments during the final act. It's a risky slow burn that concealed more than I could initially absorb. Thom Yorke doesn't disappoint, although I was slightly distracted by his presence at one part. However, this is right in the ballpark for my taste of gruesome, psycho-experimental film. Camera-work that actually reminded me of some favourite Gaspar moments, and I'm on high alert for what Guadagnino has next.
Rated 21 Nov 2018
leemarvinsleemarvins
Rated 17 Dec 2018
65
40th
There is a solid 90 minute art horror film inside this bloated, self-important mess of a film. Guadagnino is an intelligent filmmaker so it's not a complete waste of time, but a horror film that does not create suspenseful mood, but instead lectures you about maternity, RAF and guilt, is not that good. Two great horror set pieces does not a fine film make.
Rated 17 Dec 2018
constantineconstantine
Rated 16 Jan 2019
65
30th
Exciting at the beginning, exhausting towards the end. Starts really great actually. In the first half, I thought it was going to be one of the best 2018 movies for me but it was overlong and script couldn't succeed to carry its heavy context. In my opinion, with Folk dance scene, the movie reached its climax and went downhill after that. Sound, music, cinematography, performances and production design are amazing. However this doesn't change the fact that it has a messy editing and script.
Rated 16 Jan 2019
syntheseizurSyntheseizur
Rated 17 Jan 2019
76
47th
Impossible for me to unpack after a single viewing. It's a movie that calls on 21st century traumas as forcefully as it channels '70s film aesthetics, one which finds ties between gore, atmosphere, and psychological horror, and one which intensely analyzes processes of movement and the body while reaching into the deep recesses of the mind, toward repressed guilt and malice. It's impossibly dense, and it doesn't really seem to make sense, but I also want to work the puzzle in my mind so badly.
Rated 17 Jan 2019
ecitizeneCitizen
Rated 17 Jan 2019
30
18th
I was disgusted with all the spoken German in this movie without subtitles. I mostly enjoyed the performances of Dakota Johnson and Tilda Swinton. Full of supernatural nonsense, annoying music, pointless and confusing iconography, and idiotic and tedious occult garbage. Watching this was an exercise in extreme patience. The plot was bizarre and stupid, the dancing was kooky and boring. It is mostly an unsatisfying disaster.
Rated 17 Jan 2019
kasperlKasperL
Rated 06 Aug 2019
55
39th
The body horror scene is highly disturbing, and the nightmares about halfway into the film are masterful too. But once Guadagnino takes the film beyond the effective pairing of animalistic dance with sinister and unsettling elements, it ultimately goes completely over the top. It must be said that I think witches are incredibly lame (which is probably why I'm not crazy about the original, either), but my biggest complaint about the remake is that it's way, way too self-indulgent and pretentious.
Rated 06 Aug 2019
antidood1antidood1
Rated 19 Nov 2018
40
8th
Suspiria deflates all mystery by immediately telling the audience what's happening, and the rest of the movie is spent crafting far-fetched metaphors instead of building tension. This makes the climax an unsatisfying, masturbatory mess, exciting only because it notifies the audience that the end is near. Thom Yorke's music is out of place, especially in the final scene. This is a self-serious, faux-artsy take on a ridiculous horror film, and I just fail to see what so many others see in it.
Rated 19 Nov 2018
cagedwisdomcagedwisdom
Rated 25 Nov 2018
50
38th
Goes in the opposite direction everywhere the original stood out. The vibrant visuals are now cold, the striking score is now haunting. A straightforward plot which pulled you in with an uncomfortable acceleration now meanders and dwells. Much is added, changed or expanded, presumably attempting to do more - for me it did less. This is clearly higher quality filmmaking but I just didn't feel it, and that final act really falls apart. A serious take on Suspiria probably wasn't a great idea.
Rated 25 Nov 2018
bowfingerbowfinger
Rated 28 Nov 2018
50
42nd
I'm really curious about watching this movie, but somehow, I'm under the impression that if I watch it, I might never get a boner again. So yeah, dm if my suspirion is unfounded. #metoo
Rated 28 Nov 2018
gnalkhereGnalkhere
Rated 14 Jan 2019
85
82nd
Dario, Luca tells me your version stinks! You couldn't smoothe a silk sheet if you had a hot date with a babe....i lost my train of thought
Rated 14 Jan 2019
cinemaasiaCinema_Asia
Rated 06 Feb 2019
75
71st
A somewhat flawed but ambitious film that takes elements of the original and somehow comes up with a different but equally atmospheric take on the plot. The historical subplots of this should have been abbreviated as background elements to the main story. This lack of focus by the director detracts from the overall film. What Suspiria 2018 does get right is the overall weirdness and mood which matches the original. This is actually an underrated film that will hold up on its own in time.
Rated 06 Feb 2019
yiannosYiannos
Rated 13 Apr 2019
48
19th
Like Aronofsky, Guadagino wants to have it both ways, churning out genre fare with 'serious' artistic leanings, but he isn't as talented as Aronofsky. The influence of Black Swan is clearly evident in its mix of dance, horror, feminism and psychoanalysis, but Guadagnino/Kajganich make the fatal mistake of adding allusions to the Holocaust on top of that, resulting in a pretentious muddled mess.The drab color palette isn't a patch on Argento's saturated dreamscape, and Johnson is completely dull.
Rated 13 Apr 2019
alex_watkinsAlex Watkins
Rated 24 Oct 2019
5
91st
Horror in all its most and greatest excesses: ostentatiously chic and European, brutally violent, insanely expressive in its cinematography and editing, and unabashedly goofy and campy to boot. Few films have ever kept me on my toes to such delight.
Rated 24 Oct 2019
nathan_sNathan S
Rated 13 Jan 2020
5
93rd
Its explicit gore and eldritch lore are primordial, but Guadagnino has transmogrified giallo schlock into high-minded text with a litany of thematic baggage: a Holocaust parable, matriarchal primacy, psychosexual awakening. It's a lot to unpack, and perhaps some ideas are less coherent than others, but it's altogether rather extraordinary. What I love most might simply be the parallel of energies. Sensations of physicality: momentum, timing, space, manipulation, contortion. As dance to cinema.
Rated 13 Jan 2020
omgfridgeomgfridge
Rated 13 Nov 2018
5
42nd
The old guy could of been just in the opening sequence and never seen again. His overall presence throughout this horrific tale just made the experience feel so disjointed. Epilogue was awful as was that slow motion snow shot. More nightmare sequence and Thom York score please.
Rated 13 Nov 2018
ytadelYtadel
Rated 17 Nov 2018
5
57th
Atmospherically intoxicating, visually rich and with some electrifying sequences of dance and body horror. It’s also so, so long and so, so slow, with stretches in its first two hours where the pacing makes watching paint dry seem a thrilling alternative.
Rated 17 Nov 2018
auhasarderikauhasarderik
Rated 15 Jan 2019
5
22nd
Messy, disparate emo-art house remake of the giallo "classic". Style overdose.
Rated 15 Jan 2019
glumpy99glumpy_99
Rated 20 Jan 2019
76
51st
If Kubrick directed a hybrid of ROSEMARYS BABY and BLACK SWAN, the result could be this rather puzzling horror film; unnerving and unsettling at times, but plagued by peculiar, undermining artistic decisions: a glacial running time with much devoted to WWII political history, which doesn't mesh with the 'cheap and nasty' but undeniably effective horror pieces (the death by contortion is terrifying). Swinton is outstanding as usual, but the rest of the cast feel little more than pawns.
Rated 20 Jan 2019
adamj1982adamj1982
Rated 25 Jan 2019
50
19th
Pompous and disappointing. Attempts at being a horror, art house and .. something else.. all come up short.
Rated 25 Jan 2019
amerigoamerigo
Rated 28 Sep 2020
84
85th
Everything about the witches themselves is arguably better than Argento's original, which suffered for being overloaded with gore horror schlock. This version really fleshed out the innovative mythology behind Argento's witch trilogy and made it both coherent and deeply intriguing. That said, for some ridiculous reason Kajganich decided to pack in two more movies into Suspiria--one political and one a melodrama--both of which do little but add length and detract from the excellent horror core.
Rated 28 Sep 2020
jschlanskyJSchlansky
Rated 14 Mar 2019
85
86th
I find this a quite respectful way to do a remake. Makes no attempt to duplicate the style of the original but instead takes the story and expands on it, which might seem like a terrible idea since nobody really cares about the story in the original Suspiria. It relies a bit too much on CGI for my liking and it could certainly be shorter but most of this is great. The dream sequences really shine, though they are fleeting.
Rated 14 Mar 2019
zspyryzspyry
Rated 16 Mar 2019
5
20th
Great premise, but it drags on and fails to go anywhere meaningful. The historical backdrop was unnecessary and just contributed to a slow pace that sometimes tested my patience. Some cool visuals and a great soundtrack aside, I wouldn't recommend this.
Rated 16 Mar 2019
dmcrimsonDMCrimson
Rated 20 Mar 2019
83
82nd
It takes a lot of confidence and skill to remake Suspiria, strip out all the surface-level aspects that made the original memorable, then replace it all with better qualities. I wish they trimmed the runtime and made it a touch more accessible, subtitled German dialogue in particular.
Rated 20 Mar 2019
comepeliculacomepelicula
Rated 17 Jul 2019
70
72nd
A very interesting film, the horror and the half told story makes it very engaging and mysterious, but the most notable thing are the choreography and music, very well done and truly frightening in a primal way
Rated 17 Jul 2019
ribcageribcage
Rated 29 Jul 2019
85
85th
does progress slowly 1sthour taking time to ease you into this half-dream.eerie yet mild on horror lulling you into a unforgettable back half.got so caught up during the big turning point the movements of the camera&dance gave such a sense of quiet fear& paranoia that I had the sense that behind this onscreen ritua something was peering back.felt watched, felt exposed. I've never had this type of deep paranoid fear watching a movie & damn i was ecstatic once I got over being creeped the hell out
Rated 29 Jul 2019
picklemanPickle_Man
Rated 23 Oct 2019
70
35th
In the end, it's biggest sin is really the overly-intellectual and explicit tone in a genre that works best on suggestion and implication, rather than self-importantly and heavy-handedly demanding audiences pay attention to subtext. It's a common problem amongst A24-like horror. https://letterboxd.com/pickle_man2135/film/suspiria-2018/
Rated 23 Oct 2019
djrossdjross
Rated 05 Dec 2020
30
12th
This viewer had trouble following the narrative and even more trouble understanding the thematic significance of what was shown: perhaps the disparate elements are "connected", but what do they add up to? Something about maternal power and its relationship to manipulation and violence? Something about the necessity of shame but not for the Holocaust survivor (Primo Levi would beg to differ, I think)? The film's length provided a chance to knit these things together somehow, but I didn't get it.
Rated 05 Dec 2020
sellissellis
Rated 01 Nov 2018
84
72nd
First 2 hours are borderline masterpiece. Everything after that Volk dance piece go A direction, but not THE direction the story should’ve gone. But I can’t ignore the god tier directing, editing, and sound design in stretches. I’ve never seen a horror film like this before.
Rated 01 Nov 2018
groovysoulsGroovy_Souls
Rated 03 Nov 2018
85
82nd
I'm super impressed with this one. Suspiria serves to vastly improve on the original on almost all fronts. While the original still holds up to some extent today, this one adds many interesting layers, as well as almost a full hour of extra story. The acting is more than serviceable at parts, and there are some great flashes of sheer horror. Guadangnino was always someone to watch in the film industry, but now it's set in stone. He's going to be big.
Rated 03 Nov 2018
hofschneiderHofschneider
Rated 05 Nov 2018
90
91st
The Tilda Swinton Trifecta presents: The best and biggest movie of the MeToo era. About motherhood, mortality. About sex, National socialism, the RAF and everything else Freudian. Suspiria is a fucking grad program that teaches with the baseball bat (or better: the hook!). It quotes Adorno and Thom Yorke wrote the music. It's hell and we need it. We need shame, she said! She is right. We didn't listen. And now the youth doesn't know, while the train passes. In fucking Germany!
Rated 05 Nov 2018
cowmanCowman
Rated 21 Nov 2018
55
18th
If at least 60 minutes or more are cut (literally each scene referring to German history and every single scene with the old man) this movie would be the best horror-ish film in recent years. A must-see because of 3 incredible sequences; The first death scene, the ‘volk' dance and of course the epic finale. Really amazing orgy of blood.
Rated 21 Nov 2018
bownBown
Rated 21 Nov 2018
92
95th
One of the most hypnotising and intense movies I’ve ever seen, mixing all-time great horror and dance setpieces with intriguing supernatural politics and intelligent ruminations on motherhood, revolution, and shame, among others. Johnson does a great job in her role but Swinton, as expected, completely runs away with the whole damn thing.
Rated 21 Nov 2018
igormacheteigormachete
Rated 29 Nov 2018
42
6th
I couldn't take it seriously, the movie is just laughable, with all these dances, "deeply meaningful" looks and this marvelous finale. Messy clusterfuck of a movie, Idk, maybe just not my type of a flick, because it sure does has it's moments
Rated 29 Nov 2018
lonewolf2003Lonewolf2003
Rated 21 Dec 2018
65
29th
the biggest love-hate movie since mother! and my own feelings are twisted about it in the same way. I can't hate it wholeheartedly, because it's too well directed for that. For starters this was the first movie in a long time that's so scary and creepy, it made me afraid to go to bed in the dark at night . . But I do also understand the criticism of its haters about it being bloated and pretentious. It touches on a lot of interesting ideas, but doesn't deal with them intelligently.
Rated 21 Dec 2018
rafael_reisRafael Reis
Rated 18 Jan 2019
82
45th
Thought I liked it more than I did. Atmosphere-wise it had a nice build-up until the end, when it was totally ruined by awful SFX. Tries to touch on (too) many subjects and themes while not properly developing any. Aesthetically enchanting, suspenseful and gripping.
Rated 18 Jan 2019
nicktheoNickTheo
Rated 19 Jan 2019
70
40th
Wonderful directing and cinematography make for some incredible atmosphere and the performances are all wonderful across the board.Also incluses some of the most horryfing and disturbing scenes I've seem in a while.All that being said the movie really goes off the rails in the final third for me and I think it wasted some incredible build-up that was done wonderfully throught the film.
Rated 19 Jan 2019
zanginZangin
Rated 27 Jan 2019
80
86th
A radically different film from Argento's classic. Most notably, where the original is colorful and bombastic in presentation, this film is bleak and muted (although still highly stylized). This initially turned me off the film but eventually, I was won over by it's unique vision. Narratively, the film also has larger ambitions than the "style over substance" original - ambitions that are largely met but occasionally missed (unfortunately). Overall, an excellent and discussion-worthy horror film
Rated 27 Jan 2019
wwallce4prezWWallce4prez
Rated 27 Feb 2019
78
66th
Even at two and a half hours there are probably a few too many ideas packed into Suspiria. The imagery and the tone are completely entrancing, but trying to make sense of everything by the film's conclusion is work. Call it female empowerment, abusing one's power, motherhood, national guilt- it will take a watch or two more to sort it out.
Rated 27 Feb 2019
sylviesylvie
Rated 06 Apr 2019
50
25th
Why do films have to revolve around incredibly thin girls? Is it more "poetic"? Does it become feminist immediately when women start to kill? Nah. It is violence, violence exerted on the body image and sexuality of regular people and I find it incredibly sexist. I don't care if you try to market it as feminist because it is not, my dude. The sequences set at the Communist Berlin are a joke with that sad score in the background. Cool choreography though.
Rated 06 Apr 2019
darrenDarren
Rated 21 Jan 2020
70
54th
Never seen the original so I don't need it to compare to that. It's interesting on a lot of cinematic levels but I can't help but feel I didn't actually understand wtf was going on which doesn't happen much for me these days.
Rated 21 Jan 2020
luna6ixLuna6ix
Rated 08 Mar 2020
68
30th
Like the original, there's a lot to be said about the visual style of "Suspiria." But this one shares the same deficiencies too. The horror is sparse, and the movie is generally slow. The interesting thing here, is that this one is far better in the gore category--the reason I watched it in the first place, so why did I rate it lower? It's the god awful interpretive dance scenes. I can't imagine there's a large audience who wants both interpretive dance and disembowelment in the same movie.
Rated 08 Mar 2020
cowfrappecowfrappe
Rated 30 Oct 2018
66
47th
Some fascinating visuals and overall great performances, but the film itself is slow and long and the last act is like a low budget video art project.
Rated 30 Oct 2018
neonmanNeonman
Rated 04 Nov 2018
73
46th
Busy and messy, whose high ambitions invite some prickly problems. Although the horror moments become more diluted, the initial ones are works of terror, intensified by some powerful editing, sound design, and Johnson's anchoring lead. Given the political asides introduced in this remake that cause unneeded bulkiness and apparently don't link well to the main tale, this either needs scenes cut for conciseness or added to clarify aspects here.Still a fun watch, and I'm digging the music right now
Rated 04 Nov 2018
deaddillydeaddilly
Rated 07 Nov 2018
90
93rd
I thought this was just phenomenal. Suspiria 2.0 is an imaginative symphony of evil that continues to wash over its viewers through to its maniacal blood-soaked finale. Recalls both the camera-work and ambiguity of Roeg's "Don't Look Now" but in many ways is superior thanks to Luca Guadagnino; who is clearly a master in the absolute prime of his career.
Rated 07 Nov 2018
foxyrussianFoxyRussian
Rated 02 Sep 2020
89
72nd
Damn what a trippy movie. It just has crazy ideas and just moves forward hoping youre in for the ride and kind of able to follow along. The acting is solid across the board. Tilda Swinton can do anything weird and I'll call it art and perfection. Dakota Johnson is still not great and kind of falters some of this movie's potential by having to carry such a major piece of the story.
Rated 02 Sep 2020
kalmah7Kalmah7
Rated 12 Nov 2018
75
49th
Interesting and I'm glad it got made, but completely inverts the original's less-is-more moviemaking.
Rated 12 Nov 2018
tenhastenhas
Rated 12 Nov 2018
70
47th
Guadagnino is like a magician. He uses plans and sequences as a material for his perfect show. Actually first half is wonderful but second part (especially the 'bloody' mother sequence) is weaker. I like the little plan after the credit. It changes something. Some important thing!
Rated 12 Nov 2018
schnofelschnofel
Rated 16 Nov 2018
86
96th
Here's a movie to make you feel rotten, wow. But since it deals with the Holocaust, maybe it's only appropriate to make you go through hell and distorted bodies, to say: this is the horror and we are forgetting its extent and maliciousness. The relatable protagonist really is the doctor, forever proclaiming his innocence, first losing his love, and through guilt and shame his mind too. And the witches, uncanny beyond reason, live off his and our collective nightmares.
Rated 16 Nov 2018
dunetailsdunetails
Rated 22 Nov 2018
90
90th
This is incredibly well made,I wasn't sure for the first 40 minutes and then the initial dance scene was the turning point where I was all in.Great direction and editing,like a 70s movie with better visual effects. Just a great watch
Rated 22 Nov 2018
brrrpbrrrp
Rated 19 Feb 2024
10
1st
The 150 minute runtime is all but consumed by an apparently intricate series of negotiations with the style/content of its predecessor, more than offering up anything original. It's really a mindlessly politicised, pretentious and boring drama, with flashes of gore/torture that ends in Black Swan. The soundtrack is absurd, and I couldn't help laughing at the actual resemblance between Tilda Swinton (who delivers a performance) and Thom Yorke.
Rated 19 Feb 2024
vandelay1Vandelay1
Rated 22 Jan 2019
70
76th
good movie
Rated 22 Jan 2019
iyisinekiyisinek
Rated 25 Jan 2019
65
24th
Bale, Okul, Almanya, Dansçı Kız, Cadılar (Güzel bir ortam var. Gerilim de var. Ama finali çok uçuk. Dans okuluna kabul edilen Amerikalı kız, yeni kurban olarak seçilmiştir.)
Rated 25 Jan 2019
psimpsim
Rated 28 Jan 2019
85
92nd
This "remake" trades the hyper-stylized lighting of the original for the drab greys of a divided Berlin, and the male-gazey slasher story for something much more geared towards arthouse sensibilities: a film that tackles questions of personal and national guilt and shame, and the transfer of knowledge and power between the generations. Powerful stuff that builds to an insane and disturbing climax.
Rated 28 Jan 2019
nobambanobamba
Rated 02 Feb 2019
30
15th
WTF. Well filmed. I couldn't keep my interest going during the subtitled scenes. Movie also dragged at the end. None of the atmosphere of the original. Fav scene: first dance.
Rated 02 Feb 2019
sproostsproost
Rated 03 Feb 2019
60
44th
It's one in the category of "interesting flops" and despite the low score I would really recommend it. The first hour is enchanting and feverish and the cinematography is something you absolutely have to see. Contrary to most of my peer reviewers on this site here I say that Dakota Johnson was really good, as I think she usually is. I have a great respect for this director but I feel things got a little out of hand here.
Rated 03 Feb 2019
muutanetmuutanet
Rated 09 Feb 2019
69
63rd
Though I liked many scenes in this version of Suspiria the story itself did not form a satisfying entity. The end was bloody but nevertheless it did not give a decent ending. The epilogue was almost meaningless.
Rated 09 Feb 2019
chmulcr0nchmul_cr0n
Rated 11 Feb 2019
77
84th
More horror would have been nice. Tilda Swinton in old guy makeup looks exactly like that, but her performance makes you forget that on a regular basis. Mainly because of Madame Blanc's accent when speaking German.
Rated 11 Feb 2019
natebarriosnatebarrios
Rated 11 Feb 2019
70
58th
weird, but okay, cool
Rated 11 Feb 2019
moribunnyMoribunny
Rated 23 Feb 2019
35
19th
Looks and feels more like Black Swan swallowed Nightmare on Elm Street, than like a reimagining of Dario Argento. Argento's Suspiria had a bit of magic and mystery about it. This one's stale and ho-hum even while over-the-top. And then there's the Holocaust-exploitation... Argento was able to do without that.
Rated 23 Feb 2019
jeffvjeff_v
Rated 25 Feb 2019
69
58th
As if Argento's version were a model of clarity. Satisfyingly batshit, albeit windy.
Rated 25 Feb 2019
sirsassSirSass
Rated 18 Mar 2019
75
82nd
https://i.imgur.com/VYurjcV.mp4 - Walking in on the blood dance murder party.
Rated 18 Mar 2019
thedicemanTheDiceman
Rated 19 Mar 2019
65
73rd
A much better film than the original.
Rated 19 Mar 2019
pixelpocketpixelpocket
Rated 27 Mar 2019
92
94th
Not having seen the original, I didn't know what to expect going into the film. The horror was done just right, leading to a memorable sequence at the end. The choreography was excellent, and the camera work out of this world.
Rated 27 Mar 2019
troothTrooth
Rated 10 May 2019
84
90th
Most remakes like this tend to dumb down the source material, and eschew subtlety in favor of shameless fanservice, but this one does a lot to differentiate itself. It doesn't give an impression of being made by somebody who wants to be just like Argento, or somebody who completely missed the point of the original, and does its own thing in a pretty satisfying way.
Rated 10 May 2019
adam_p_dAdam P-D
Rated 31 May 2019
60
71st
Fantastic build up, terrible let down. The Polanski stylings worked wonders for me but it was ultimately ruined by its arrogance: pretentious elements such as the chapters, casting Tilda Swinton in multiple latexed parts, even the red drop shadow on the subtitles irritated me. The climactic ritual scene also felt like something that had attempted to have been saved in post.
Rated 31 May 2019
thedenizenTheDenizen
Rated 04 Jan 2024
75
74th
Other than the setting of the dance school and the involvement of witches, this doesn't bear much resemblance to Dario Argento's original film. That being said, I mostly liked this seemingly divisive flick and its creepy, interpretive dance version of evil sorcery. There's some real unnerving tension that builds toward the insanity-laced, gruesome finale. Like many films where Tilda Swinton plays a role (or three), she is the best thing about it by a country mile.
Rated 04 Jan 2024
moraesfelipemoraesfelipe
Rated 14 Jul 2019
50
33rd
It dares to look positively at the cult, a kind of an anti-fascist artistic organization, in times of political despair -- immediate post WWII and cold war in divided Berlin --, but this actually feels as on the nose as Guadagnino's both practical and grotesque approach to the original. Sometimes beautiful, often ludicrous, often brutal. It seems and plays really gripping, until it doesn't.
Rated 14 Jul 2019
5z5qjrcfm25Z5qjRCfM2
Rated 09 Oct 2019
30
20th
Aesthetically very good. Camera work, color, set design, makeup, music all top notch. Lacking plot and opportunities for the actors to show their skill. In these respects very much like the original.
Rated 09 Oct 2019
fenixdownfenixdown
Rated 28 Oct 2019
69
33rd
Overlong and not quite as shocking as it thinks it is.
Rated 28 Oct 2019
aflickeringAFlickering
Rated 11 Nov 2019
3
36th
with these body-crumpling dance scenes we've finally got an explanation for thom yorke's 'performance art' in the lotus flower video. also: lol i love loc42's rages
Rated 11 Nov 2019
frankswildfrankswild
Rated 13 Nov 2019
75
63rd
I really wanted to like this more
Rated 13 Nov 2019
andfrendsandfr.ends
Rated 29 Nov 2019
81
32nd
A vehement thriller that continued to excite from the onset until the bloody end – adequately summarized as a 'symphony of evil'. Luca Guadagnino has proven himself a master; and does not falter with this film.
Rated 29 Nov 2019
sgtpeppersgtpepper
Rated 06 Jan 2020
95
0th
Almost perfect. Cinematography is excellent, so as actings (nod to Tilda Swinton). It takes a very good concept in a bad executed story (original suspiria) and creates a whole lore out of it. Soundtrack is may be the thom yorke's best solowork. A must watch.
Rated 06 Jan 2020
zarrinaZarrina
Rated 18 Jan 2020
68
31st
My brain trying to figure out wtf I'm watching in the second half. ?_? ?_? ?_? (?°?°)?? ???
Rated 18 Jan 2020
ottott
Rated 22 Jan 2020
70
57th
reading all these comments about this film not being feminist enough. did some of you think that the original was somewhat a "feminist" movie? what?
Rated 22 Jan 2020
lintonmyroxylintonmyroxy
Rated 19 Apr 2020
88
80th
Whereas the original was a slasher with some witchcraft slapped on at the end, here it is woven throughout. It even draws a connection between dance and witchcraft, while the original just happens to take place in a dance academy. It was interesting to see the different levels of decay immortal bodies go through, like badges demanding fear and respect. I'm usually a huge critic of modern music accompanying supernatural sequences, but Yorke made it work. Dakota Johnson makes me feel things
Rated 19 Apr 2020
cetincelikcetincelik
Rated 01 Nov 2018
85
83rd
Uzun ama soluksuz. Film bittikten sonra kafanızda devam ediyor. Saatler , günler geçse de filmi düşünmeden edemiyorsunuz ki bu çok güzel birşey. O yüzden izledikten 10 gün sonra gelip bi 5 puan daha ekledim puanına :)
Rated 01 Nov 2018
driscarpindriscarpin
Rated 01 Jul 2022
70
44th
Levei 4 anos para assistir isso e não sei se gostei ou não. Rá! É bem indigesto fazer um remake de uma obra-prima e evitar comparação, mas enquanto trouxe temas bem bolados relacionados à história política alemã, não vou mentir que alguns maneirismos estéticos me encheram o saquinho. No Amazon Prime Video.
Rated 01 Jul 2022
peyrinpeyrin
Rated 11 Oct 2020
70
56th
Suspiria (1977) + Suspiria (2018) = Climax (2018)
Rated 11 Oct 2020
doyler29doyler29
Rated 15 Nov 2018
90
87th
The issue with remaking a film like "Suspiria" is that it's a nearly perfectly executed film, so trying to redo it is almost guaranteed to fail. Guadagnino avoids this by taking the basics of the plot and making a completely different kind of film. He replaces Argento's intense color scheme, highly stylized violence and loud, intense score with a more muted, autumnal palette; blunter, grittier violence and a quiet score. I don't think you could hope for a better remake.
Rated 15 Nov 2018
ofterdingenOfterdingen
Rated 16 Nov 2018
76
88th
Absolutely bonkers and all the better for it.
Rated 16 Nov 2018
metismetis
Rated 06 Aug 2021
87
85th
9??????????????????????????????????????????????????…???????????????????????/????????????/??????????????????????have sex???????????????????????????????????????????????????????
Rated 06 Aug 2021
umutheatreumutheatre
Rated 13 Jan 2019
87
86th
Luca Guadagnino, derinlik kattığı karakterleri ile aktrislerine sonsuz güvenerek aldığı ve verdiği her karardan temiz cevaplar almış, sadece bununla da kalmayıp Suspiria '18'i, '77 yapımı filmden çok farklı ve başarılı olmakla birlikte ruhu olan bir esere dönüştürmüş.
Rated 13 Jan 2019
p_u_l_pP u l p
Rated 19 Jan 2019
81
90th
Name a better remake; I will wait.
Rated 19 Jan 2019
medikolaynmedikolayn
Rated 28 Jan 2019
70
53rd
himmmmm (thinks in art)
Rated 28 Jan 2019
letskillrobotsletskillrobots
Rated 31 Jul 2021
34
97th
One time in Sunday school we were given a handout of modern examples of how one would break each of the ten commandments and the "not worshiping other idols one" gave a scenario of friends taking you to a museum to trick you into worshipping old statue of a forgotten god.
Rated 31 Jul 2021
beneBene
Rated 16 Jul 2021
78
73rd
Didn't feel half as smart or profound as it thought it was (the Berlin background felt like it was going somewhere but I couldn't tell you where) and the last act seemed to belong to an entirely different movie, but there's some gold here.
Rated 16 Jul 2021
corbadCorbad
Rated 27 Oct 2022
50
15th
What the original doesn’t have (dance sequences) this does - they are the best and most horrible parts of the film - but what the original does have (visual and sonic atmosphere) this otherwise fails to produce - it’s bland. Colourless and overlong, the body of the film is already dead by the time gore paints the screen in a climax made silly by its explosiveness.
Rated 27 Oct 2022
overratedoverrated
Rated 18 Nov 2019
74
83rd
I much prefer this to the original, and even if you don't, you have to admire the balls to entirely dispense with the famous audiovisual aesthetic of the latter. The old German psychiatrist character was a waste of time though.
Rated 18 Nov 2019
solomonburrrSolomonBurrr
Rated 01 Apr 2020
69
52nd
68.5
Rated 01 Apr 2020

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