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Shoplifters

Shoplifters

2018
Drama, Crime
2h 1m
A family of small-time crooks take in a child they find on the street. (imdb)

Directed by:

Hirokazu Koreeda

Screenwriter:

Hirokazu Koreeda

Starring:

Akira Emoto, Kirin Kiki, Chizuru Ikewaki, Sôsuke Ikematsu, Lily Franky, Kengo Kôra, Sakura Ando, Yôko Moriguchi, Mayu Matsuoka, Moemi Katayama, Jyo Kairi, Miyu Sasaki

Genres:

Drama, Crime

AKA:

Manbiki kazoku

Country:

Japan

Language:

Japanese
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Shoplifters

2018
Drama, Crime
2h 1m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 69.59% from 1622 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

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Rated 24 Nov 2018
86
79th
A wonderfully small-scale and true-to-life drama about the joys of chosen family, with a moving undercurrent dealing with the Japanese recession and living in poverty. The performances are phenomenal, even from the kids, while Koreeda is excellent at that slow, intimate Ozu style. Best Palme winner in years.
Rated 24 Nov 2018
sadmanSadman
Rated 12 Nov 2018
85
81st
Koreeda is a lovely filmmaker, capable of making movies that have a humanity to them that few others can even come close to. This movie is perfectly written and acted. It never outright exalts or condems any of its characters, forcing you do the hard work of making up your own mind without ever feeling overly scripted. Only reason it doesn't get a 10 out 10 is that it did not move me as much as I had hoped, which I honestly think is more a fault of the viewer than the viewed.
Rated 12 Nov 2018
kasperlKasperL
Rated 07 Mar 2019
80
86th
My favorite of Koreeda's films so far, I think (probably even better than 'Nobody Knows'). In this well-deserved Palme d'Or winner, from which humanism practically oozes out of every pore, plot and character are, essentially, one and the same, and I liked those gradual reveals a lot. Definitely a good deal more than the themes of the film. Best of all, though, is the uniformly excellent ensemble cast.
Rated 07 Mar 2019
sellissellis
Rated 13 Jan 2019
88
84th
Perfect casting and chemistry between actors. I love the little scenes, so microscopic but larger than life. Hushed but full of emotion. The scene with the fireworks is one of the most beautiful I've ever seen. It deserved the tears I couldn't give it. Some minor qualms - the "interrogation" scenes with the parents felt disjointed from the rhythm and emotion of the rest of the film, at least to me. The final few scenes, however, are exquisitely heartwrenching. Great filmmaking.
Rated 13 Jan 2019
joelwatchesmoviesjoelwatchesmovies
Rated 24 Feb 2019
10
98th
Its subtle beauty grows with time-wonderful camerawork, production design, and acting bring forth excellent scenes of a unique family simply living a simple life, finding comfort amidst hardship. The third act brings with it notes of drama that only serve to heighten the heart of the previous two in retrospect, as cold scenes of law and tradition break up the warmth that came before it and earnest Osamu attempts to pick up the pieces (see the nuanced developments in his relationship with Shota).
Rated 24 Feb 2019
corbadCorbad
Rated 23 Feb 2019
95
99th
An incredibly emotional masterpiece that will stick with me for a long time. Heartbreaking, beautiful, uplifting, and devastating in turn and all at once; a staggeringly moving picture. Sakura Ando gives a particularly powerful performance, but there is not a weak link in the cast. Truly a magnificent film on every level.
Rated 23 Feb 2019
backwardsuitbackwardsuit
Rated 06 Feb 2019
78
75th
Quite moving drama about a family attempting to survive on the fringes of society. This has been compared to Ozu but I saw a lot more Imamura in it. Particularly in how it embraces physicality (as something both profane & transcendental) & examines ambiguous morality & various limits & functions of social structures. Good performances make the narrative feel natural but it could use more focus or bite. Some wonderful stylistic touches sprinkled here & there make it an uneven delight.
Rated 06 Feb 2019
alex_watkinsAlex Watkins
Rated 04 Feb 2019
5
91st
How much of what we think of a person - down to their basic goodness - is inherit in our first impression of them? Or, put another way: how many wrongs would it take for you to overlook someone's rights? Moves along as gently as a breeze, so that when small threats to our characters' precarious existences appear, it feels shockingly intense. The child actors here are truly revelatory.
Rated 04 Feb 2019
darrenDarren
Rated 27 Jan 2019
83
82nd
The second time thru this I picked up on a lot more of the subtle touches Koreeda has going on.There's something about the beach scene when the father is teaching his "son" about women and puberty that is very touching to me on cuz it reminded me of my own fucked up realtionship with my father and his attempts to help me when he could(much like ALL of After the Storm).I haven't shoplifted since I got a steady job and this flick made me miss it. SHOPLIFTERS OF THE WORLD UNITE AND TAKEOVER
Rated 27 Jan 2019
rebeccalexrebeccalex
Rated 16 Jan 2019
85
85th
a beautiful film all together- real and heart-wrenching.
Rated 16 Jan 2019
deaddillydeaddilly
Rated 16 Jan 2019
90
94th
Kore-eda and this wonderfully nuanced cast create a warm, insulated atmosphere that really just hits the nail on the head on what it means to bond as a family. There is an air of danger throughout the film which continually brings the family to their safe haven. A great, melancholic tale of life's fleeting moments and an appreciation of whatever works.
Rated 16 Jan 2019
feublofeublo
Rated 16 Jan 2019
85
74th
Without seeing Koreeda's previous work, there's a certain coziness to this style that really invites you in. The type of film that I yearn for, as it wraps you around in its warmth and slowly delaminates, revealing its true colours. Performances that are subtle, yet blew me away. A beautiful and complete film imo.
Rated 16 Jan 2019
dean_franzDean Franz
Rated 17 Sep 2018
82
81st
Subtly humorous and heartbreaking tale of outcasts who form a family made with genuine compassion and warmth. Ando manages the feat of standing out in an already exceptional ensemble cast. Also, if that scene with the bus doesn't get you, you might be some sort of robot douchebag.
Rated 17 Sep 2018
nobambanobamba
Rated 31 May 2021
70
76th
Heard a lot about this when it first came out, but didn't have a way to watch it at the time. Now in 2021 I see a lot of similarities with Parasite with the themes of a poor family living on the fringes of society. The final parts with child welfare's decisions didn't seem to make sense to me (why would Shota be allowed to see his kidnappers?). Everything was so mellow, though, that I didn't really feel any shock from the ending. Fav scene: they put in a beach episode in the movie.
Rated 31 May 2021
ribcageribcage
Rated 25 Aug 2020
86
87th
I can't process this family's struggle, their humanity, their cheerful loving hopelessness. Equally heart-warming and bleak, I don't exaggerate by saying Shoplifters made my head spin.
Rated 25 Aug 2020
duderDuder
Rated 16 Jan 2020
75
89th
Fuck you! What a great film and what an emotional roller coaster. Don't look up anything about this film before watching and just get your soul crushed. I went from warm emotions to most disturbed I've been in a while in seconds, and that's just a great sign of good script, acting and direction. A really good film.
Rated 16 Jan 2020
fenixdownfenixdown
Rated 03 Dec 2019
84
90th
A truly unique and bittersweet tale, boosted by the casting of perhaps the most innocent looking kid in Japan.
Rated 03 Dec 2019
neurophateneurophate
Rated 01 Nov 2019
80
74th
Fantastic portrait of a family of outsiders.
Rated 01 Nov 2019
peyrinpeyrin
Rated 05 May 2019
85
90th
The intricately designed intimate setting of the small house says it all, I think. The warmth and power of human connection in the face of a cold, merciless society. Not unlike what Kunihiko Ikuhara portrays in his modern works (the very familiar and lived-in home setting and the bonds of an unconventional family in particular). RIP Kirin Kiki, yet another beautiful performance here
Rated 05 May 2019
twincinematwincinema
Rated 03 May 2019
80
75th
A little let down that no one shoplifted anything more than some food and trinkets.
Rated 03 May 2019
zwykzwyk
Rated 10 Mar 2019
81
90th
Koreeda certainly has some of the best children depictions on movies, it's impressive. It's also impressive that this is an original story. Brilliant direction that is truly capable of creating empathy toward the family and each character despite every wrongdoing.
Rated 10 Mar 2019
glumpy99glumpy_99
Rated 24 Feb 2019
61
21st
Slowly paced, meandering 'family' drama may benefit (and be elevated) by a rewatch, but at first glance this feels much ado about much ado - the socio-economic points are valid and interesting, and individual scenes are heartbreaking, especially in retrospect (Granny at the beach the most notable), but it feels like too much time is spent on the first two acts before it finally gets to its point. It seems it's a film more about mood than plot (which I didn't get) - again, one to return to.
Rated 24 Feb 2019
auhasarderikauhasarderik
Rated 20 Feb 2019
9
93rd
Gentle and piercing Koreeda. Exemplary.
Rated 20 Feb 2019
brkgnydnbrkgnydn
Rated 30 Jan 2019
80
72nd
23.01.2019 // Kadıköy Sineması
Rated 30 Jan 2019
kavuKavu
Rated 28 Jan 2019
84
83rd
Beautiful, lifelike, meandering. Superb acting and directing. Pretty decent story as well.
Rated 28 Jan 2019
actionbergActionberg
Rated 27 Jan 2019
85
84th
Like the dramas of Edward Yang, every possible ounce of poetry and emotion is drawn out of a captivating array of characters. Sakura Ando has the standout performance as a makeshift mother compelled to make some sense of the family's bizarre circumstances.
Rated 27 Jan 2019
psimpsim
Rated 10 Jan 2019
85
92nd
A moving look at a makeshift family on the fringes of modern Japanese society. The film intelligently deals with the questions of whether there is any inherent value in biological families and whether genuine connections can be formed and maintained on a foundation of dishonesty.
Rated 10 Jan 2019
lonewolf2003Lonewolf2003
Rated 13 Dec 2018
85
92nd
Koreeda's best since Still Walking has him doing again what he does best; making sweet subtle humane dramas featuring endearing kids. The label of modern day Ozu, although he hates the comparison himself, seems apt. That the movies, especially after a late twist, keeps the motivations of the characters ambiguous lifts it up from being just a simple poor but goodhearted people fable.
Rated 13 Dec 2018
fredericg54frederic_g54
Rated 13 Dec 2018
7
58th
Koreeda is a patient director, amply taking his time to lay the groundwork for what's essentially a low-key exploration into the notion of 'family' and how the term goes beyond blood ties and familial kinship. Much like LFLS, it didn't exactly rock me to the core, but it contains enough tender and honest moments to warrant a mild recommendation.
Rated 13 Dec 2018
cowfrappecowfrappe
Rated 17 Nov 2018
74
71st
Slow but meticulous, this is a finely made, surprisingly wrenching family drama.
Rated 17 Nov 2018
djrossdjross
Rated 07 Aug 2018
55
53rd
Seems to be about the chasm between how the "system" (in the broadest sense, not just the legal or governmental system) understands people's lives and their actual existence, and about how the effect of this chasm is to produce profound loneliness and desperation, which is what in turn the system cannot comprehend or take into account. Not Koreeda's subtlest film, and far from his best, but still has something to say and contains some fine moments.
Rated 07 Aug 2018
kenmeistersKenMeisters
Rated 08 Jul 2018
88
97th
A small "family" trying to live life as best as possible. With quiet observations and charming anecdotes, Kore-eda asks the question what makes a family a family. Is it blood? Or might it just be a place to stay with people who love and take care of you, even though they might not be the people you always want them to be?
Rated 08 Jul 2018
ippeiIppei
Rated 27 Jun 2018
80
87th
This is Kore-eda at his finest. His ability to draw great performances from his cast, particularly his child actors, is something to behold and is key to making this human drama work. Certainly one of his better films, his deliberate and lingering direction emphases the bond that is shared by "family" no matter the circumstances they are in or how they came about it. You know it's a great film when you just want it to keep going as it meets its inevitable end.
Rated 27 Jun 2018
schnofelschnofel
Rated 15 May 2018
69
71st
Kore-eda, who in his gentle sentimentality likes to compare himself more to Naruse than Ozu, is still as reliable as the latter: luminous compositions, intimate observation, a quietly shattering ending. This family unit of grifters spends their days working low-paid jobs, stealing, gambling. Their untidy home is a haven, and by all rights shouldn't exist in this harmony for long. It takes two hours to get to that sad truth because Kore-eda likes the moments of bonding to have a lasting impact.
Rated 15 May 2018
slaterman2slaterman2
Rated 23 Oct 2024
80
64th
Starts as an interesting slow-burn. Turns just slow in the middle. But ends on a very high note.
Rated 23 Oct 2024
panzerwolfpanzerwolf
Rated 18 Jan 2024
90
96th
A movie with such beautiful images and uplifting moments, yet with the undercurrent of profound sadness and the fear of loss constantly haunting you in the background. What makes a family, really? What is acceptable for survival or for taking care of others? Can lies be necessary or are we always better off with the truth? A lot of questions were raised by this movie. Can't get over how gorgeous it looked and the acting was just so great from both adults and children all around.
Rated 18 Jan 2024
tj_monsterTJ monster
Rated 07 Jan 2024
74
76th
A film about outcasts. Rights which are wrong and wrongs which are right. A tale of life for some with no happy ending
Rated 07 Jan 2024
feraudFeraud
Rated 13 Apr 2023
36
26th
This movie didn't go anywhere. And it never intended to. Weak and forgettable on both sides of the aisle.
Rated 13 Apr 2023
mandymandy
Rated 17 Feb 2023
8
92nd
Such a slow moving beautiful gem of a film-people and events slowly reveal themselves with never any hint of judgement-dubious morality abounds but the moments of pure humanity are gorgeous.
Rated 17 Feb 2023
pinballpinball
Rated 16 Dec 2022
95
67th
Her türlü yokluğa rağmen sevgi vardı.
Rated 16 Dec 2022
mjoc0723mjoc0723
Rated 11 Mar 2022
20
10th
Incredibly boring crap.
Rated 11 Mar 2022
lightshadowlightshadow
Rated 23 Dec 2021
90
79th
aile draması diye adlandırabileceğim, diyaloglardan çok görsel öğelerle size duyguları aktaracak, koreli bir ailenin evine misafir olacağınız ve geliri düşük fırsat avcısı bu ailenin toplumla etkileşimini özümseyeceğiniz bir film. kavramsal olarak yargılayacağınız düşünceleri kendine özgü içerisinde konular ile ele alındığında hak vereceğinizi, yere yakın ,ıslak kalmış hayatlarda da sıcaklığın olabildiğini göreceksiniz. Cannes film festival ödülünü almış vu sıcak aile dramı Son dönemde izlediğim
Rated 23 Dec 2021
ceekay19Ceekay19
Rated 24 Aug 2021
80
81st
Nobuyo Shibata: "But then, maybe it's stronger when you choose them yourself."
Rated 24 Aug 2021
metismetis
Rated 06 Aug 2021
96
97th
??????????????"?"?????????????????"?"??????????????????????????????????????????/???????????????????????????????????Yuri????????????????????Yuri?????"?????'??????? [...]
Rated 06 Aug 2021
jschlanskyJSchlansky
Rated 15 Jul 2021
83
83rd
A sweet story of found family. It's a little bit light on conflict for much of the runtime but it's heavy on life. Between this, Parasite, and Kajilionaire, the grifter family archetype is making a real comeback in recent years. This is of the laid-back, understated, and occasionally adorable variety.
Rated 15 Jul 2021
mike365365mike365365
Rated 16 Jun 2021
72
77th
Certainly not predictable.
Rated 16 Jun 2021
yotsugiYotsugi
Rated 14 May 2021
100
90th
An amazing meditation on what it means to be family.
Rated 14 May 2021
anahitaAnahita
Rated 09 Mar 2021
85
90th
A saddening story in the end, but happy and nice before the end. full of pure human emotions and dreams and desires and crime of course.
Rated 09 Mar 2021
pratchett3Pratchett3
Rated 28 Feb 2021
7
50th
like parasite mixed with some sentimental ozu stuff, but parasite did everything markedly better imo. this had some very powerful scenes, but it didn't really start getting good until toward the very end, and it felt like it took a bit long to get there.
Rated 28 Feb 2021
calexicoCalexico
Rated 24 Jan 2021
80
66th
Bittersweet
Rated 24 Jan 2021
caspiancaspian
Rated 28 Dec 2020
84
68th
Great charactersiation that toys with the concept of family
Rated 28 Dec 2020
stuie299stuie299
Rated 19 Oct 2020
85
76th
I'm going to give this movie all the credit in the world for being really well made. Very emotionally resonant, with some moments of outstanding cinematography. All of the actors give good performances. However, on a purely preferential level I have a harder time getting into more meandering less plot oriented movies like this, so it will probably never be something I love. But if you're at all interested in this movie check it out. I can't stress enough how absurdly high the quality is.
Rated 19 Oct 2020
decanusellisDecanusEllis
Rated 16 Aug 2020
69
18th
Bit cold
Rated 16 Aug 2020
eatbeanseatbeans
Rated 11 Jul 2020
10
96th
It's a very sweet movie about a down and out family, doing the best they can in a poor situation.
Rated 11 Jul 2020
matthagenmatthagen
Rated 06 Jul 2020
45
29th
A tedious, meandering little film, that also contains mystery and earned heartbreak. There is ultimately just not enough here to recommend it.
Rated 06 Jul 2020
jpfergusonJPFerguson
Rated 09 May 2020
75
83rd
A touching story with effective performances, particularly from the child actors, and directed with discipline and refined purpose by Koreeda. The type of story that would likely go untold (in Japan) without the likes of Koreeda.
Rated 09 May 2020
michaelman99MichaelMan99
Rated 10 Feb 2020
100
98th
By far one of the best films of 2018 and probably one of the best of the entire decade
Rated 10 Feb 2020
lethiaslethias
Rated 02 Jan 2020
90
89th
Crooks with heart. A wonderfully told tale that is in essence (and society's eyes) rather dark and cruel, but also very real (but also very fictional mind you). The synergies between (great) actors can be felt at all times and the movie unfolds itself in such elegant matter that's a joy to see it happen with your own eyes. I call this one a masterpiece because there is satisfaction on so many levels and that afterglow of lightness after the film is finished with you.
Rated 02 Jan 2020
colorbufcolorbuf
Rated 15 Nov 2019
80
92nd
Very intimate look at the urban poor in Japan. The acting and direction are superb. You really feel like you are sitting with these folks in their tiny messy crowded home. Complex morally ambiguous characters meshing together with the artistry and vividness of a Persian carpet.
Rated 15 Nov 2019
aflickeringAFlickering
Rated 12 Nov 2019
4
55th
double bill it with LEAVE NO TRACE, although the underlying themes and our allegiances in relation to them are more clearly signposted here even taking the third act sideswipe into account. the filmmaking is more graceful, however--the characters and spaces more shaded, their moments of connection more indelible. probably a mildly above-average palme winner for the decade, but they should've given it the best actress award instead; i'm in love with sakura ando's performance here.
Rated 12 Nov 2019
fuzzleshnopsfuzzleshnops
Rated 07 Oct 2019
50
24th
Why was this so highly recommended? It's a story about selfish people being selfish.
Rated 07 Oct 2019
paulofilmopaulofilmo
Rated 15 Aug 2019
71
69th
i'm getting stymied by expectations of Koreeda (i feel like i could watch Our Little Sister monthly for the rest of my life). (but) this'll do til mike leigh comes back to the social realism thing.
Rated 15 Aug 2019
cowmanCowman
Rated 23 Jun 2019
65
40th
Make realistic drama about poor people....win at Cannes. This formula is starting to bother me. Will avoid in future.
Rated 23 Jun 2019
agasdusAgasdus
Rated 14 Jun 2019
82
85th
S
Rated 14 Jun 2019
perrystroikaPerryStroika
Rated 03 Jun 2019
84
97th
A cunningly wrought narrative, what appears at first the warm, light hearted adventures of a family of oddball becomes retroactively by a series of revelations in the second half, something morally grayer, infinitely sadder and more tragic.
Rated 03 Jun 2019
nathan_sNathan S
Rated 17 May 2019
5
93rd
Challenging preconceptions of social responsibility, of traditional familial bonds, of right and wrong. This family's striving subverts moral codes, perhaps even tests the viewer's sympathy with a few late revelations, but a society's lack of cognizance for this unconventional existence is the true grievance. Kore-eda continues to make such overwhelmingly beautiful, deeply felt pictures with humble gestures. The frequent Ozu comparisons aren't unearned, but I also see glimpses of Ray and Renoir.
Rated 17 May 2019
damildamil
Rated 02 May 2019
65
54th
I heard a lot of buzz about this film around Oscar season, and after learning that it's from the director of Nobody Knows (2004), I film I really loved, I knew I had to check it out. It's quite similar to that film, too. I liked it. It's very understated and slow, but that all allows you to really live with these characters and experience their lives. I wouldn't say I got completely enraptured in it, but it was beautifully made and very human.
Rated 02 May 2019
ahmetgalipahmetgalip
Rated 30 Apr 2019
100
60th
Yönetmenin önceki filmleriyle kıyaslama yaptığımda -gittikçe kendini geliştirdi ve sonunda palmiye ödülünü aldı- diyemiyorum. Çünkü diğerlerinin çıtası bir puan bile bu filmin altında değilki. Her filmi bir roman gibi yada gerçekliğin bizzat kendisi. Hissettirdiği duygu yükü hiç bir sahnesinde yapay değil. Sanırım yönetmenin ağlatmadığı bir filmi yok.
Rated 30 Apr 2019
p_u_l_pP u l p
Rated 20 Mar 2019
76
84th
4 months after the premier at Cannes, Kirin Kiki died. (I want you to know that you are one of the coolest and cutest grandmas I've ever seen.)
Rated 20 Mar 2019
jpotiijpotII
Rated 18 Mar 2019
94
97th
Peixes
Rated 18 Mar 2019
marcellomarcello
Rated 17 Mar 2019
79
67th
fictive family :d
Rated 17 Mar 2019
gogolitgogolit
Rated 12 Mar 2019
51
16th
Great acting, lacking something on an emotional level that it appeared to be aiming for?felt cold, slow, not much happening for most of the film.
Rated 12 Mar 2019
war_machineWar Machine
Rated 01 Mar 2019
72
60th
Lilboytrynarejecther+newsreportshermissing-notherrentslol+changeherhairandname:P+onesastripper-chatswithregularthenhugshimcuzsadetcdisturbedlol+beenlivingoffgmapension-livinginherplaceillegallyithink-shedies-buryherinthefloorloolhesaysthey'veburiedanotheronebefore+boywonthelpstealfromcar+idontthinkhewastheirkideither-chased-jumpsoffbridge+copsgetfam-theykilledherexhusband+gmawasonlyonegirl's+girlbacktofam+ladydointhetime-boystillwithguy-shesayhowtofindhisrents+guysayweregonnaditchistrue-goesback
Rated 01 Mar 2019
icarusIcarus
Rated 28 Feb 2019
91
91st
Beautiful, heartbreaking film. I appreciate the way the film's story is not at all what it seems, but at the same time, is exactly what it seems. It displays well the tensions of familial relationships with the contemporary framework of broken down family structures that would have held fast in a previous era.
Rated 28 Feb 2019
drrobertdr_Robert
Rated 21 Feb 2019
5
96th
Rysligt stark film som börjar lite långsamt, men växer allt eftersom. Den lämnar spår, även nu morgonen efter så tänker jag på den och har jag svårt att släppa den. Mer än i Barnen som inte fanns är det den här gången de personliga relationerna inom "familjen" som drabbar i all sin styrka och komplexitet.
Rated 21 Feb 2019
judo_koalaJudo Koala
Rated 17 Feb 2019
71
41st
zzzzzzzzz
Rated 17 Feb 2019
neonmanNeonman
Rated 15 Feb 2019
79
61st
Uhhh, it's good.
Rated 15 Feb 2019
chengmingchengming
Rated 09 Feb 2019
90
97th
The most humane film I've seen in a while! All the actors are absolutely perfect in their roles, and with the sole exception of the way that Kore-eda ties up (or reveals) loose ends, directing was exquisite. Every scene is beautiful, quite a handful of them heart-wrenchingly so.
Rated 09 Feb 2019
doyler29doyler29
Rated 04 Feb 2019
90
87th
Hirokazu Koreeda's Palme d'Or winning film is a fairly brilliant meditation on what really constitutes a family. There's a few surprising revelations, and Koreeda has the confidence to let them unfold gradually and fairly indirectly.
Rated 04 Feb 2019
jetsetsoulJetSetSoul
Rated 02 Feb 2019
83
34th
Redefines family and right and wrong, a great story about found love.
Rated 02 Feb 2019
medinavimedinavi
Rated 27 Jan 2019
82
82nd
Çok uzun ve içinde neredeyse hiçbir çatışma olmayan bir giriş bölümünü moral gri alanlarda bu kadar rahatça dolaşarak çekebilecek ve seyirciyi sıkmayacak tek yönetmen Koreeda herhalde. Muhteşem bir cast ve harika bir anlatım tekniğiyle seyircinin ruh halini bir çatışma öğesi haline getiriyor. ''Strip Club'' benim için biraz zayıf kalsa da her karakterin kendi arkı filme kusursuz hizmet ediyor.
Rated 27 Jan 2019
rojatumerojatume
Rated 27 Jan 2019
96
99th
A modern classic
Rated 27 Jan 2019
seethruskinSeethruskin
Rated 24 Jan 2019
5
81st
Rip Kirin Kiki. Btw bumped this up a bit on second viewing. Loved living in this world a bit more this time around.
Rated 24 Jan 2019
kadikoykadikoy
Rated 23 Jan 2019
80
89th
Hirokazu Kore-eda nın Cannes'da en iyi film ödülünü kazanan film. Yönetmen bu filminde hızlı kurgu tekniğini kullanmış. Hikayesi ile seyirciyi ters köşeye yatıran film, oyuncuların harika performanslarıyla sıkılmadan izlettiriyor. Yer yer Türk Sinemasına benzerliğine yakın komedisi de cezbedici. Ailecek hırsızız. Hırsızlık bizim işimiz.
Rated 23 Jan 2019
leavesLEAVES
Rated 14 Jan 2019
69
87th
Koreeda loves thought experiments, and in this one he concocts his most complicated and most unlikely to diagram the most difficult question to get at: Does family have anything to do with blood relation? In doing so, he both answers a resounding, "No" and reaffirms why the social order must continue to pretend that the answer is, "Yes" in a fascinatingly nuanced fashion. Koreeda's feel for nuance here is incredible as always, but the oddity of the family makes me prefer other works for rewatch.
Rated 14 Jan 2019
nuotionuotio
Rated 11 Jan 2019
56
55th
First Koreeda film that I've seen and while I appreciated the realistic style and performances, I didn't really think it was that special and not among my favourite recent Asian films. Still, I will no doubt give the director another change down the road.
Rated 11 Jan 2019
mpythonMpython
Rated 10 Jan 2019
8
75th
7+
Rated 10 Jan 2019
sourheartsourheart
Rated 10 Jan 2019
3
36th
It's like all the softness of his later films has gone off and its all hard edges. Some of the best performances in any of his films, and the small moments all combine to work perfectly - the fragmented ending is especially good. Nobody gets away with anything for the amount of time they need. The boy is particularly devastating - the bridge scene is some of his most heartbreaking stuff. The not so great parts of the movie are all smoothed over by the small moments of beauty.
Rated 10 Jan 2019
natebarriosnatebarrios
Rated 02 Dec 2018
80
87th
Koreeda's strength of showing and not telling the dynamics of a 'family' in squalor and how it can be warm and pleasant is so good here.
Rated 02 Dec 2018
shalevshalev
Rated 23 Nov 2018
76
30th
A few nice scenes, but mostly just boring and unispiring.
Rated 23 Nov 2018
arasAras
Rated 17 Oct 2018
80
72nd
Beyoğlu Sineması
Rated 17 Oct 2018
ofterdingenOfterdingen
Rated 12 Oct 2018
77
90th
A very fine film indeed. The subject seems a perfect match for Koreeda's style.
Rated 12 Oct 2018
emmaluxemmalux
Rated 12 Oct 2018
82
56th
Filmekimi 2018
Rated 12 Oct 2018
guvolefouguvolefou
Rated 09 Oct 2018
75
54th
17. Filmekimi - Beyoğlu Sineması.
Rated 09 Oct 2018
ozdemibrozdemibr
Rated 09 Oct 2018
78
68th
09/10/2018 Filmekimi &Demet @Beyoğlu Sineması
Rated 09 Oct 2018

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