Seizoku

This was pretty hit-and-miss for me, with every scene of interest followed up with a dull sex scene.

Have now watched three of these early Wakamatsu films, and all three began with footage of protest actions: clearly he wants to respond to the mood of the times. Exactly what that response consists of is hard to fathom, especially here, where the revolutionary movement depicted seems mainly interested in the right of men to access female bodies by force. Odd. The 15 minutes of pleasant low-key piano (and guitar) music that starts from about minute 46 gives that quarter of an hour a nice feeling.