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Saltburn
Saltburn
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Saltburn

Saltburn

2023
Comedy, Drama
2h 7m
A student at Oxford University finds himself drawn into the world of a charming and aristocratic classmate, who invites him to his eccentric family's sprawling estate for a summer never to be forgotten (imdb.com).

Directed by:

Emerald Fennell

Screenwriter:

Emerald Fennell

Starring:

Richard E. Grant, Rosamund Pike, Paul Rhys, Carey Mulligan, Barry Keoghan, Jacob Elordi, Archie Madekwe, Ewan Mitchell, Alison Oliver

Genres:

Comedy, Drama, Suspense/Thriller

Country:

USA

Language:

English
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Saltburn

2023
Comedy, Drama
2h 7m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 46.07% from 938 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

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jlfmJLFM
Rated 25 Nov 2023
73
63rd
I do wish this didn’t fizzle out in the last third, and that final reveal is both incredibly dumb and retroactively makes everything that happens beforehand less complex and less ambiguous. However, this was still a ton of fun! Once again, Emerald Fennell is up to her wildly delirious (and admittedly uneven) shenanigans, and the superb cast gleefully chews it all up. Y’all are complaining there aren’t enough sexy, stylish thrillers for adults, but then rejected this? Ingrates!
Rated 25 Nov 2023
deaddillydeaddilly
Rated 01 Jan 2024
20
3rd
2nd movie of hers I couldn't get through. Fennel showing up late to the party again with nothing to improve upon the blatant pastiche she is working with. Class commentary with no bite, literally none of the attempts at being provocative land because the enchantment of the scenario was non-existent to begin with. Embarrassing.
Rated 01 Jan 2024
jaiguyJaiGuy
Rated 29 Dec 2023
45
3rd
Not one character gave off a sense of personhood.
Rated 29 Dec 2023
moraesfelipemoraesfelipe
Rated 28 Dec 2023
40
13th
What if Parasite was just utterly boring and expository.
Rated 28 Dec 2023
paxtonPaxton
Rated 15 Mar 2024
77
72nd
I've only been witness to two or three more awkward memorial services.
Rated 15 Mar 2024
twincinematwincinema
Rated 09 Jan 2024
40
18th
This film sets up an interesting premise, and then spends its entire runtime dismantling that by going the least interesting routes. The characters all lack complexity, and its perversity feels more designed for shock value. Perhaps the most shocking thing is that a film in 2023 has so little to say about class and wealth. Not since Aerosmith's smash hit song has the term "Eat the Rich" been so aptly used.
Rated 09 Jan 2024
bownBown
Rated 08 Oct 2023
74
32nd
Extremely funny with excellent mockery of posh twats, a perfect cast, and several gorgeous and atmospheric shots and set-pieces. But the writing frequently falls short when it veers into the more dramatic elements and the characterisation of Ollie is extremely inconsistent, finally settling on perhaps the most disappointing and underwhelming final reveal it could have gone with (and half of it is like “was that even meant to be a twist?”). Jacob Elordi is incredible!!!
Rated 08 Oct 2023
auhasarderikauhasarderik
Rated 11 Feb 2024
6
40th
It unabashedly fails in all ways that really matter and mostly excels in those which really don't. "superficially smart and deeply stupid", somebody said. And it doesn't offer any sensible excuse to wallow in such nastiness.
Rated 11 Feb 2024
topaz024topaz024
Rated 14 Jan 2024
50
6th
it's like parasite made by a tiktoker who didn't understand parasite
Rated 14 Jan 2024
rhianarowerhianarowe
Rated 05 Jan 2024
9
92nd
Some people who reviewed this are intent on calling the film out for not being clever, that they have missed the point. It really wasn’t trying to be clever at all - at least, not in the ways they expect They are no real twists, nothing shocking or unexpected. This film isn’t about that; it’s an aesthetic feast, heavy with symbolism, beauty, and where there is social commentary, it’s less rich vs poor, more an observation over how differently we react to male gold-diggers than to female ones
Rated 05 Jan 2024
corbadCorbad
Rated 04 Jan 2024
80
79th
Sumptuously filmed - the colours, composition, costumes, and design are delicious - and compellingly performed, but it fails to achieve the same quality in its writing and structure. Everything is here for an opulent psychological thriller, but what it attempts in this vein is clumsy if not entirely undermined by its dabbling in commentary and romance. Its genres are spread thin and none wins the day. Almost great, but spreads itself into shallowness. Gorgeous, though.
Rated 04 Jan 2024
leonardisLeonardis
Rated 02 Jan 2024
85
47th
It isn’t the most clever movie I’ve seen, some of the shock value didn’t add up, there’s a logic leap or two, and aside from Pike’s scenes, I didn’t think it was all that funny. The ending actually elevated it a bit for me though, and I still think it’s a great movie. I loved the performances, the score was a great mood-setter, and the performances are all quite good. The journey to that ending is genuinely pretty unpredictable at times too. Another great character piece from Emerald Fennell.
Rated 02 Jan 2024
glifosfatoglifosfato
Rated 25 Dec 2023
34
22nd
forget the serial implausibility of the plot, the detaching flatness of all characters , and the predicability of the so-called twist, the most egregious thing about this film is the unforgivable queer-baiting. a soulless, meaningless piece.
Rated 25 Dec 2023
thatyoungmthatyoungm
Rated 24 Dec 2023
84
23rd
This is going to be a very divisive film, but I ultimately felt let down by the rushed ending and the lack of clarity on the movie's theme. Emerald Fennell clearly has an amazing visual eye, but I don't think she knows what she is trying to say in this film and so much of it came off like a really high budget student film that is trying to be provocative and artsy for the sake of being artsy, but without servicing a greater theme.
Rated 24 Dec 2023
juntakinte99juntakinte99
Rated 23 Nov 2023
66
30th
It isn't as strong as Fennell's first movie, Promising Young Woman. It's a basic Hitchockian story--equal parts the gothic class consciousness of Rebecca & the homoeroticism from Strangers on a Train. But the villains aren't as interesting. The script constantly loses focus. It both includes anachronisms and isn't era specific. And her odd technical choices (especially in the photography, editing, and music) kept me removed emotionally. A marginal recommendation only because of its uniqueness.
Rated 23 Nov 2023
kasperlKasperL
Rated 10 Sep 2024
60
50th
Solid, but a step down from 'Promising Young Woman' for Fennell. I did not buy Keoghan's character but for me the highlight was the scene between Oliver and Venetia towards the end of the film. I also found Pike and Grant's keeping up appearances routine pretty amusing.
Rated 10 Sep 2024
shazbotShazbot
Rated 25 Jan 2024
25
13th
Intrigued for the first half, but the plot slowly fell apart. The "shocking" reveals had me rolling my eyes with how obvious they were. Why montage events from the past 30 minutes that you could have just shown because anyone half paying attention could tell what was going on? Wasn't as clever as it thought it was. The privileged upper-class vs. the privileged ultra-rich left me caring even less about any of the characters (and writer) or their motivations. I did enjoy the aesthetic and score.
Rated 25 Jan 2024
bofbof
Rated 23 Jan 2024
56
33rd
"EAT THE BLOODY PIE!" Remind me again why there's no Church Of Richard E. Grant? You want to admire a movie that makes a wild swing and misses. It's considerably harder to admire when it happens in tetherball. Saltburn telegraphs absolutely everything, says absolutely nothing, leaving us on a long, admittedly luxurious, drag to an undeservedly smug end.
Rated 23 Jan 2024
rurusmasherRuruSmasher
Rated 21 Jan 2024
55
7th
This was 'Cringe: The Movie'. I guess it made me uncomfortable to watch it, and that's a good thing, but also it has no damn idea what it wants to say about class (nothing, really, not much adds up here). The cast is good and some of the shots are pretty, so that was a positive thing? Characterization, especially for Ollie, has some jarring turns. I would have picked Common People for the karaoke. Really weird to hear Have a Cheeky Christmas on the soundtrack.
Rated 21 Jan 2024
psimpsim
Rated 09 Jan 2024
79
69th
An enjoyable twisted satire with some great performances. Didn't love the overall resolution, but had a great time anyway.
Rated 09 Jan 2024
ytadelYtadel
Rated 02 Jan 2024
5
57th
Interesting, with a good ear for dialogue and a striking look and color scheme - but man oh man does it unravel into something in the end that is definitely not boring but is also quite bizarre and unconvincing!
Rated 02 Jan 2024
aaautinAAAutin
Rated 18 Dec 2023
80
90th
(BARRY'S TODGER & THE HALF-GAY ELVIS)
Rated 18 Dec 2023
neonmanNeonman
Rated 25 Jan 2024
79
61st
Maybe not the most original story, but done in an original way. It constantly feels like an earnest and sensual way of portraying this exact age, helped by an excellent soundtrack of '00s bangers, earthly cinematography, and a keen attention to the body and the many fluids it expels. Even the dumb twist at the end doesn't detract too much from this film of the woes of exploring hedonism in your early 20s.
Rated 25 Jan 2024
sadmanSadman
Rated 22 Jan 2024
65
19th
Is acidity in a film a virtue? Is provocation enough to make a film good? If the answer to these questions is yes, then Saltburn is a great movie. For me, the answer is no. Saltburn fails as a comedy (Not funny enough), provocation (Too empty), character piece (Not believable) and as a thriller (Too obvious). At times I just wanted it to end. That said, Fennel has so much skill that even though she stumbled here, I can’t wait to see what she does next. Keoghan gets points for being so game.
Rated 22 Jan 2024
steakncheesesteakncheese
Rated 13 Jan 2024
60
29th
Surprisingly entertaining and some funny moments. But ultimately terrible writing. The final part where they flashback to all the protagonists deceits is the stupidest thing ive seen on screen in a while --So heavy handed you know these hollywood people think their audience is DUMB. Also it kept feeling like the movie had ended and then the producers decided it wasn't scandalous enough, so they added another chapter, and then another chapter etc. etc. etc. but sure, the castle looked cool
Rated 13 Jan 2024
drewtodrewTO
Rated 12 Jan 2024
92
83rd
So great to get a film with a good old-fashioned happy ending!
Rated 12 Jan 2024
p_u_l_pP u l p
Rated 12 Jan 2024
58
50th
Sometimes we mourn in strange ways...
Rated 12 Jan 2024
iamianimaniamianiman
Rated 11 Jan 2024
83
96th
SLLUUURRRRRRPPPPPPPPP. Best scene ever.
Rated 11 Jan 2024
gnalkhereGnalkhere
Rated 01 Jan 2024
25
3rd
Ostensively made by someone who has at least 2 friends with trust funds, the Fake Polaroid of cinema herself is back with a toothless Teorema. You can make it as pretty as you want it's still not gonna sell me.
Rated 01 Jan 2024
redrhumRedRhum
Rated 31 Dec 2023
4
10th
DNF
Rated 31 Dec 2023
addsAdds
Rated 31 Dec 2023
70
64th
That bathtub has seen some things.
Rated 31 Dec 2023
schnofelschnofel
Rated 29 Dec 2023
19
4th
That Fennell, what an envelope pusher!
Rated 29 Dec 2023
christofchristof
Rated 27 Dec 2023
82
60th
The math genius is the obvious villain of this piece - why would anyone eat a Crunchie starting in the middle! (what an animal).
Rated 27 Dec 2023
janamarieJanaMarie
Rated 27 Dec 2023
8
62nd
I don't usually do meme reviews but.. this mf fucked the g r a v e
Rated 27 Dec 2023
sproostsproost
Rated 26 Dec 2023
50
27th
Running out of steam halfway when character development comes to a halt, and we go into ridiculousness territory. For this reason the twist had no impact on me, and neither did the embarrasingly meme-reaching gravefucking scene. The ending made me feel sorry for Keoghan. Why are there so many long impromptu dancing scenes in new movies made by young directors? It's such an infantile form of expression. What happened to actually getting drunk on screen to convey ideas, like Cassavettes did?
Rated 26 Dec 2023
brellbrell
Rated 24 Nov 2023
37
66th
striving middle class people be like: develop class consciousness? nah, imma do my serial killer shit
Rated 24 Nov 2023
adragon91ADragon91
Rated 17 Nov 2023
60
49th
Bizarre. Not really sure what to think of it.
Rated 17 Nov 2023
muttermutter
Rated 12 Nov 2024
60
44th
I'm so glad they explained everything at the end. It almost left something to the imagination.
Rated 12 Nov 2024
thedailynathanTheDailyNathan
Rated 29 Oct 2024
78
49th
okay, this was weird and compelling! the scene-setting and acting is really well done. I am not sure I came away with a compelling character arc or story out of it (unlike say, an obsessive character study like Whiplash)
Rated 29 Oct 2024
myfavchordsmyfavchords
Rated 13 Aug 2024
73
37th
This film has some weird moments. The script is mostly good, except for a few slow spots. The actors do a good job with their roles in this movie. Overall I would recommend this film.
Rated 13 Aug 2024
klaudiadklaudiad
Rated 12 Aug 2024
40
3rd
Niepokojący i czasami odrzucający
Rated 12 Aug 2024
kevin_ruffoKevin Ruffo
Rated 25 Jul 2024
60
34th
what a bunch of horny people
Rated 25 Jul 2024
ofterdingenOfterdingen
Rated 04 Jun 2024
81
94th
Tremendously entertaining. Only complaint is not knowing when to stop. Also gives a new meaning to “Pan’s Labyrinth”.
Rated 04 Jun 2024
elmakebabielmakebabi
Rated 09 May 2024
30
6th
Ewww
Rated 09 May 2024
owen1218owen1218
Rated 09 May 2024
60
28th
Not sure how I'm supposed to enjoy a film when I hate every character (except perhaps Venetia)
Rated 09 May 2024
adam_p_dAdam P-D
Rated 21 Apr 2024
60
71st
Middle-class kid cons his way into money with a bullshit story about his father being a toolmaker. God, I hate Keir Starmer. This film was alright though.
Rated 21 Apr 2024
angrypierreangrypierre
Rated 05 Apr 2024
60
31st
It's fun, but the plot is a bit of a mess, and is utterly undercut by the hamfisted ending. I'm not sure it's worth if, even for the glorious "Murder on the Dancefloor" scene. Barry Keoghan is absolutely fucking great, but all the other characters and performances fall quite flat. A directors cut which preserves much more of the ambiguity would be much improved I think.
Rated 05 Apr 2024
mike365365mike365365
Rated 05 Apr 2024
67
55th
The talented Mr. Ripley revisits Brideshead.
Rated 05 Apr 2024
schurrleSchurrle
Rated 27 Mar 2024
35
6th
A blatant rip off of better films - The Talented Mr Ripley, Kind Hearts and Coronets etc. Seems like the creators just mashed cleverer, more memorable films together and added some limp ‘shock value’ moments to grab the zeitgeist. The only redeeming feature was the cinematography. Everyone else should be ashamed of creating such derivative dross.
Rated 27 Mar 2024
pistolpetePistolPete
Rated 25 Mar 2024
73
67th
Cinematography, and sound design were fantastic. It's difficult to give a mini review without some level of spoiler. Disturbing and hilarious. Will be divisive for certain. 7.3.
Rated 25 Mar 2024
overratedoverrated
Rated 25 Mar 2024
27
18th
A really shitty version of Brideshead Revisited with a solidly nostalgic 2006 soundtrack. It's one of those "everyone is supposed to be horrible but everyone sounds also like a script device instead of actual characters" kind of things. Also the twist is just pathetic.
Rated 25 Mar 2024
jschlanskyJSchlansky
Rated 10 Mar 2024
78
72nd
Extremely reminiscent of The Talented Mr. Ripley except better and fully gay instead of mostly just beating around the bush
Rated 10 Mar 2024
matthagenmatthagen
Rated 07 Mar 2024
86
95th
Where is Keoghan's oscar nomination? Where is everyone's nomination? Saltburn is a splendid slow burn, full of debauchery and ambition. Every scene is handled with care and a wry smile. A couple of off notes give me a slight pause, including the extreme scenes that everyone is buzzing about and the final reveal, but I am gleefully rivetted. Between this and Promising Young Woman, Emerald Fennell is at the top of my watch list from here on.
Rated 07 Mar 2024
wongfooWongFoo
Rated 04 Mar 2024
26
26th
Cum-slurping, period-feeding and grave-humping to get the TikTok generation in a frenzy. What an embarrassing pile of shite.
Rated 04 Mar 2024
kavuKavu
Rated 03 Mar 2024
88
90th
Barry Keoghan is really beginning to master that one character he always plays. Could've done without the explanatory montage in the end.
Rated 03 Mar 2024
scholar69420Scholar69420
Rated 26 Feb 2024
60
54th
It was fun how he got the Mega-Mind ending
Rated 26 Feb 2024
isabels12IsabelS12
Rated 26 Feb 2024
75
3rd
It definitely makes you think. REALLY pulled the rug out from under me in a lot of ways.
Rated 26 Feb 2024
jalanbjalanb
Rated 24 Feb 2024
69
37th
Beautifully vapid, just like the class it fawns over. Rather a vile little motion picture actually darling. Invites us to glare at envy, as if it were gorgeous. Barry looking great on the dancefloors at the end, and dripping his dialogues all over the rich, but still he had nothing to say. This says nothing interesting, except: Eat The Rich
Rated 24 Feb 2024
amazedemonamazedemon
Rated 23 Feb 2024
63
39th
The cast do an excellent job, even if Keoghan was miscast (good performance but gives off Ezra Miller vibes), but Fennell misfires with Saltburn. If the point was to showcase the nastiness of excessiveness, greed & envy, the film does a alright job albeit a shallow goal. The commentary on class, race and character are all haphazard & atrocious with no resolution. Often slow, the film peaks with the reveal at the end of the 2nd and downward spirals from there. Silly, but not in a fun way.
Rated 23 Feb 2024
toddsaltertoddsalter
Rated 21 Feb 2024
88
49th
Enjoyable, but also kind of meaningless and pointless.
Rated 21 Feb 2024
quintonjaminQuintonjamin
Rated 17 Feb 2024
80
80th
Wow, this was a ride. Flawed script, but amazing acting, cinematography, score, sound, and directing.
Rated 17 Feb 2024
spookymaskSpookyMask
Rated 14 Feb 2024
65
46th
The perpetually uncomfortable Beefy McLoving fucks his way through an entire family - and the very earth itself - in this very awkward thriller.
Rated 14 Feb 2024
ericamblerericambler
Rated 14 Feb 2024
66
34th
Respect to Emerald Fennell for taking a big swing with what will probably go down as her “blank check” movie. It’s more of an attitude than a coherent statement on obsession or class warfare, and full of quasi-nostalgia for the extra-ness of youth in an era before smartphones. Richard E. Grant, you make me laugh and cry!
Rated 14 Feb 2024
gideonGideon
Rated 13 Feb 2024
1
16th
Another idiotic pretentious attempt at making a film, which yet again consists of style over substance. Edgelord drama, just hideous.
Rated 13 Feb 2024
daveypdaveyp
Rated 10 Feb 2024
80
65th
I'm not really sure what the message is, and some parts may come across as provocative for the sake of it, but I enjoyed the ride. Also the soundtrack is spot on, they recreate an era well. I found Promising Young Woman similar, the bold twisted style takes over. That did have a clearer point to make though.
Rated 10 Feb 2024
qubrickkqubrickk
Rated 08 Feb 2024
86
83rd
Prečudovit konec, hit murder on the dance floor, Barry je mal nasty.
Rated 08 Feb 2024
moribunnyMoribunny
Rated 08 Feb 2024
35
20th
Not as shit as Fennell's debut. Her sophmore work is still kind of grating, I think it's supposed to be grotesque or a farce to an extent, but with overtures towards Pasolini's "Teorema". The characters aren't terrible per se, and the cast is good, but the plot isn't too believable, and there just isn't anything much to like or be affected by other than occasional cringe. "Teorema" was a pretty meh movie, too.
Rated 08 Feb 2024
alanstrangalanstrang
Rated 08 Feb 2024
49
20th
Hard to find anything more pretentious than this. And by pretentious I don't mean the real pretentiousness of reality but the fake and pretentious pretentiousness of the pretend play.
Rated 08 Feb 2024
thegreyfoxthegreyfox
Rated 08 Feb 2024
60
32nd
Fennells film-making reminds me of individual cinematic pearls strung together without any sense of narrative sensibility. I feel sorry for the cast; they acted their hearts out and might have expected their efforts to be rewarded with a coherent ramp up of intrigue tension and climax. All we got was a completely unnecessary exposition of what was blindingly obvious. It brought an intriguing drama into the realms of Agatha Christie. Olivers bath scene with Keoghan was, however, a wonderful pearl
Rated 08 Feb 2024
goldblumingGoldbluming
Rated 05 Feb 2024
62
24th
https://www.filmfreakcentral.net/ffc/2023/11/saltburn.html
Rated 05 Feb 2024
enigmazweb24enigmazweb24
Rated 03 Feb 2024
93
70th
As disturbing as it is intriguing. Could be equally read as a "the villain wins in the end" story, but also a commentary on the excessive ignorance and pretentiousness of the rich. Incredible acting throughout, especially from Barry Keoghan in the lead role.
Rated 03 Feb 2024
buttercupbuttercup
Rated 29 Jan 2024
6
35th
fitzgerald's the diamond as big as the ritz went wrong
Rated 29 Jan 2024
vinegarbobVinegarBob
Rated 28 Jan 2024
75
68th
The premise and characters are interesting and it's played out in a watchable way. I could have done without the grave scene, but it was cancelled out by the audaciously amusing final scene. When I think back on this film overall it was pretty fun.
Rated 28 Jan 2024
foxinthesnowfoxinthesnow
Rated 27 Jan 2024
41
4th
utter waste. very desperate attempts to make the viewer uncomfortable. horrible payoff - the ending was so contrived. waste of talent.
Rated 27 Jan 2024
kerrylandkerryland
Rated 25 Jan 2024
50
3rd
The film making is lovely, but I hated every character and found the experience of watching this film to be thoroughly unpleasant.
Rated 25 Jan 2024
leemarvinsleemarvins
Rated 24 Jan 2024
55
31st
Like roger kumble's Cruel Intentions series from early 2000's but with a budget. Or 3rd rate Losey talking about class and power and sex intertwined. But I think this film hasn't any idea about what it wants to say about class. It's all stupid pretty people being snarky conceiling the fact that this movie doesn't really have anything to say about class society. Rosamund Pike is great though.
Rated 24 Jan 2024
glumpy99glumpy_99
Rated 20 Jan 2024
65
28th
Intriguing gross-out social satire is superbly performed (spotlighting Keoghan and Pike), but is marred by lack of rhythm and escalation - loading its grotesque moments in the first act is a brave gambit, but a lack of "toppers" in the later makes the anti-climactic; plausibility issues in character relationships, especially Pike's fascination with Keoghan, make it hard to connect (and Keoghan's effectiveness as a slimy rat makes it difficult to believe anyone would buy his "naff" act!)
Rated 20 Jan 2024
rapmastergrapmasterg
Rated 17 Jan 2024
70
68th
Much of the overall plot was predictable, but the atmosphere, sound, set design, and cinematography makes it never feel like it drags.
Rated 17 Jan 2024
anilscnanilscn
Rated 16 Jan 2024
30
17th
Emerald, call me by your name ile parasite'i kaç kere izledin. çok merak ediyorum. rezil orospu
Rated 16 Jan 2024
filliganFilligan
Rated 15 Jan 2024
85
59th
A significant portion of the reaction to this film makes me feel like so much has changed from the radical 90s, but also that nothing has changed. This doesn't really shock me -- maybe it has the odd gross scene, but if that's enough to make your monocle drop in your champagne, maybe re-examine your influences. This is slickly made; editing, acting, music great, cinematography fantastic. I wouldn't even call this trashy -- it's just fun.
Rated 15 Jan 2024
scorpusScorpus
Rated 14 Jan 2024
91
93rd
Knowing little about the premise, I went into this film thinking it would be a fairly standard romance, only to discover that's absolutely not the case. It ended up being the best way to experience Saltburn as it elevated the subversion significantly
Rated 14 Jan 2024
ashleylmashleylm
Rated 13 Jan 2024
75
83rd
Liked it, didn't love it, but it's stayed with me and I keep thinking about it, so gave it a 5 point bump.
Rated 13 Jan 2024
montycircusMontyCircus
Rated 12 Jan 2024
40
38th
Started out seeming a bit like "Call Me By Your Name", then turns into "Parasite" and "The Talented Mr. Ripley". The twist was fine. But it didn't work because the protagonist wasn't likeable.
Rated 12 Jan 2024
pratchett3Pratchett3
Rated 11 Jan 2024
7
50th
first half was excellent, last half got too campy and edgelordy though
Rated 11 Jan 2024
90scoffee90sCoffee
Rated 09 Jan 2024
50
6th
Not a fan of the A24'ication of film. It was subtle at first but they've all ultimately started to feel the same.
Rated 09 Jan 2024
screenzealotscreenzealot
Rated 08 Jan 2024
80
69th
This boundary-pushing, modern gothic thriller feels created to shock rather than to tell a fully realized story, and Fennell achieves a varying degree of success with her flawed (but memorable) sophomore effort.
Rated 08 Jan 2024
timmotimmo
Rated 07 Jan 2024
90
66th
I enjoyed it greatly, though I wonder if Fennell had to make some concessions for the last act to shake out the way it did. Still, it's simultaneously hard to look away and hard to watch, and that's a real achievement.
Rated 07 Jan 2024
darklingDarkling
Rated 07 Jan 2024
50
18th
I'm deducting five points so this could have the same rating as Schwarzenegger's Running Man, which seems fair. 🌝
Rated 07 Jan 2024
war_machineWar Machine
Rated 06 Jan 2024
70
54th
OmghedrinkshisJOtubwaterlmao+loolfeedsherperiod+fuckshisgravelmao+rosamund'ssobeautiful+nakeddancelool
Rated 06 Jan 2024
robbytrobbyt
Rated 05 Jan 2024
62
20th
Well-shot, but poorly written and directed. Characters are shallow, and the plot is predictable and single threaded. Xenophobic, and gross.
Rated 05 Jan 2024
hadleyreisHadleyreis
Rated 04 Jan 2024
78
72nd
Read JLFM review
Rated 04 Jan 2024
kabinicieglencekabinicieglence
Rated 03 Jan 2024
79
67th
güzel bir plot-twist. sonradan hafif klişeye bağlıyor ama genel olarak beğendim. ne demişler: götü yere yakın olandan korkacaksın, hele ki oliver gibi olanından. triangle of sadness'la birlikte zengin eleştirisi yapan filmlerin "satirik-x" olarak bile yaygınlaşması da hem östlund'un büyüklüğünü hem de dünyanın harbe doğru hızla gittiğini bize apaçık gösteriyor.
Rated 03 Jan 2024
emptythoughtemptythought
Rated 02 Jan 2024
40
23rd
a fancam of homosexuality. a major studio send up of a john waters film. a heterosexual, lost in the dark, pantomiming of queerness
Rated 02 Jan 2024
jessjess125Jessjess125
Rated 29 Dec 2023
87
66th
Yo what
Rated 29 Dec 2023
bzymusbzymus
Rated 28 Dec 2023
66
31st
audiovisual 76 acting 70 overall feeling 52 avg 66
Rated 28 Dec 2023
driscarpindriscarpin
Rated 28 Dec 2023
81
68th
Hoje estou full putaça com todos os suicidios de fim de ano oriundos da imprensa marrom e do judiciário, então não estava no clima pra ver esse, então eu deveria revê-lo logo mais. Espécie de mistura de Teorema com Mr. Ripley, é até bem interessante sob o ponto de vista da consciência de classe e do fato de ser esplendidamente filmado e atuado, mas senti que faltava algo mais. Plus: Mas fiquei tentada a dar 4 estrelas pelo Barry dançando pelado. YTS.
Rated 28 Dec 2023
ysincYSinc
Rated 27 Dec 2023
76
80th
+style +visuals -weird
Rated 27 Dec 2023
rihreyrihrey
Rated 27 Dec 2023
50
55th
It's fine. The script isn't particularly great. I don't know, it's fine. Whatever.
Rated 27 Dec 2023
kgbelliveaukgbelliveau
Rated 26 Dec 2023
75
37th
When you want the scenes in this movie to add up to something they faulter. It's due to the lack of mystery surrounding what you think is happening vs what you end up getting. The themes of obsession, lavish lifestyle vs mediocrity are very much alive and presented well. It's thrilling for 2/3s because that mystery is alive. Once the true nature is revealed the story loses that edge and it just becomes what we have become accustomed to in story telling. Simplicity masked with grandeur.
Rated 26 Dec 2023
medikolaynmedikolayn
Rated 25 Dec 2023
78
71st
gone fishing
Rated 25 Dec 2023

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