Resurrection
Resurrection
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Resurrection

Resurrection

1980
Drama, Fantasy
1h 43m
Ellen Burstyn experiences the after-life for a brief time after a car accident that kills her husband. As she begins her long process of physical healing she discovers that she has the ability to heal physical infirmaties. While most people simply accept her gift, her lover (Sam Shepard) becomes mentally unbalanced and dangerous because she does not place the healings within a religious context. (imdb)

Resurrection

1980
Drama, Fantasy
1h 43m
Your probable score
Avg Percentile 55.41% from 61 total ratings

Ratings & Reviews

(61)
Compact view
Compact view
Rated 29 Jun 2009
55
25th
This is one of those movies where the first half hour or so is boring because you know the premise and are forced to wait around while it's set up. All in all, it's really nothing you haven't seen before, and the production is TV-movie level at best. Just not my bag, I guess. Maurice Jarre's score is great, so I'll give a few points for that. I did like the epilogue a lot.
Rated 28 Aug 2023
68
54th
Pretty well done. In a mileu that much room to go "over the top", remains pretty grounded. Disagree with a lot of glumpy_99's review aside from the it's not bad part and Burstyn acts well. Curing by "laying on hands" is one of those memes that MAY have some factual basis and the religious interferance/inference is followed through by the switch to the son as a rabid beleiver. Sex scenes without vital bits being shown. Has some hokey parts but they're forgivable when set against overall quality.
Rated 01 Aug 2018
73
45th
Alternately fascinating and frustrating film is admirable in presenting its outlandish premise as literally, demonstrably true, and creating a vivid and grounded backdrop to play out against. Philosophically the movie falters badly, introducing an intriguing thread of religious fanaticism on which it is unable or unwilling to follow through, leading to a choppy and scattered second act. Burstyn and Shepard are both terrific, and Jarre's typically lush and haunting score is a definite asset.
Rated 21 May 2009
80
94th
First, this is a feast of Americana, located largely in Kansas, and at times reminiscent of John Ford, with Burstyn talking to a tombstone, Eva Le Gallienne supplying the ham, and Farnsworth, as a grizzled Last Chance Gas proprietor, softly singing "Come-a-ti-yi-yippie-yippie-yay" and showing off his two-headed snake for a dime. Beyond that, it's a remarkably serious and unhokey treatment of occult power.

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