One Hour with You
One Hour with You
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One Hour with You

One Hour with You

1932
Romance, Comedy
1h 18m
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi's husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other. (imdb)

One Hour with You

1932
Romance, Comedy
1h 18m
Your probable score
Avg Percentile 63.74% from 161 total ratings

Ratings & Reviews

(162)
Compact view
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Rated 09 Oct 2008
90
94th
A really delightful musical comedy, dripping with pre-Code innuendo. The plot is at first predictable and a little annoying, as it revolves around some "Three's Company"-esque misunderstandings, but eventually takes some unexpected (and rather naughty) twists. MacDonald is far more impressive here than in Monte Carlo, in no small part due to playing off Chevalier, who explodes with irresistable charm. The film is witty and fun, especially when it comes to Chevalier's addresses to the camera.
Rated 20 Jul 2014
4
52nd
okay, so it was sort of entertaining and amusing, but come *on*. sometimes i want to beat hollywood with a metaphorical sledgehammer. or even a real one. and as for the 'sophisticated' sexual innuendo, i can only imagine a promenade of giant, hairy, shriveled-up cocks waltzing into the dancing room, and this facade of classiness shatters into a million scatological pieces.
Rated 10 Jan 2013
70
96th
I adore these Ernst Lubitsch/Maurice Chevalier collaborations. While I'm not a musical fan, Lubitsch makes it work with the sophisticated naughty touch and all out charm. And none can be as charming as Maurice Chevalier. He was fantastic in The Smiling Lieutenant (1931) the year before, and here he is again full of charisma and all irresistible. Jeanette MacDonald looked great and with Charles Ruggles and Roland Young on support we have ourselves a very enjoyable movie with lots of fun elements.
Rated 10 Sep 2012
82
67th
Finally I get the attraction of Chevalier. It's a charming performance in a fun little film full of innuendo. Jeanette MacDonald still seems out of place in these roles, though.
Rated 02 Sep 2024
55
44th
Most of the Chevalier-led Lubitsches didn't have the best writers. This one had Samson Raphaelson, who was highly capable, so I'm somewhat disappointed by the middling result. It does boast the pre-code subjects and the famous "Lubitsch Touch" - a certain perfect harmony of story and comedic beats and well-timed delivery. You just have to be downright mesmerized by hearing Chevalier and MacDonald sing their tacky little Waltz tune in duet to truly enjoy this, because that's the centerpiece.
Rated 12 May 2023
60
36th
Chevalier is always so flirty in his movies, but he meets his match here, which makes it even funnier. It's a little dated -- gasp, a man's tie is undone -- but you can still see the underlying seductiveness of the piece. The speaking-of-songs is a little strange; overall, though, it's a fun little diversion. (Favorite moment: Adolph, confused, about to dance with Andre. Next favorite is Andre's face while singing "Oh, that Mitzi.")
Rated 10 Feb 2022
79
69th
Enticing mood and enough Lubitsch to go around. The musical parts were unnecessary but didn't take too much away from the comedic elements that worked. Pretty pre-code, but left craving for more.
Rated 16 Jun 2020
80
37th
Viewed June 15, 2020.
Rated 22 Feb 2019
87
49th
86.50
Rated 30 Jan 2014
94
94th
My only real complaint about this is that maybe it's a little short. Also the dialogue is less relentlessly wonderful than Design For Living (but then again the same is true for almost all movies). But other than that it's basically a perfect movie. Incredibly cynical and truthful commentary about relationships + clever little musical numbers = come on how is this not amazing?
Rated 09 Nov 2010
60
41st
I still hate musicals.
Rated 13 Sep 2010
3
45th
The grand finale of a series of films with which Lubitsch practically invented the narrative musical and screwball comedy. By this film the songs and choreography have been polished. Chevalier is as charming as ever and, thankfully, MacDonald's high pitch is reigned in.
Rated 24 Jul 2010
65
41st
A dryly cynical venture for Lubitsch, which I think causes some of his charm to be lost (and he was going through a divorce at the time, which definitely rubs off, making his chauvinistic tendencies and flighty morality a hindrance rather than the usual boon). That said, it is enjoyably self-referential in how the story manipulates the audience and through Chevalier's addresses to the camera. Oh, "Monsieur, I so wanted to see you in tights!"
Rated 06 May 2010
65
40th
Wink-wink, nudge-nudge, know what I mean, know what I mean, say no more, say no more.
Rated 30 Mar 2010
92
89th
Jeanette MacDonald is very sexy here--sexy as only Lubitsch and Chevalier could make her. The screenplay is sophisticated and adult--the kind it would be impossible to film just a year later.

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