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The tale of God versus the Devil for a man's soul is transformed into a bizarre gem in Woo's filmography where slapstick is funnier when its legitimately insane and horror gives him complete disregard for realism, all the while showing glimpses at the technical skills he would push in his later work. That Woo is a Christian makes the madness on screen, at its zenith in the final act - including becoming a videogame (?!) - even more dumbfounding and amazing in how far its willing to push itself.

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