Miss and the Doctors

Considerably less stylized and offbeat than Ropert's work with Serge Bozon (who has a small role here), this instead feels almost radical just in it's sheer good-naturedness, exuding a sense of warmth and just plain niceness that one could easily dismiss as hopelessly middle of the road or even bourgeois, but which in Ropert's hands seems weirdly brave (which is not to say that the film is completely light and fluffy, i would argue that there is a certain toughness, so to speak, in her intent).