Meteorlar

I tried so hard to like this docu-experimental piece but I have some contentions: is there a real 'poetic' connection btwn meteors and bombs beyond a forced emulation of Guzman? What's the function of Ebru Ojen? Isn't she the cliche modern artist woman in a brutal place -which disturbs the experimental rhythm of the movie btw-? Does GK say that the civil war is something like a natural selection w/o a definite purpose (Darwin, snakes and goats)? Too messy and politically nihilist at best.

Disappointingly bad, highly out of focus and generally incoherent.