L'angelo bianco

It picks up where its predecessor left off, and piles on a whole new series of tragedies, including an almost hilariously cruel boating accident. Things get even weirder when Sanson appears as a doppelganger character. Where this film surpasses Matarazzo's previous works is the more heightened stylization and a deeper exploration of character psychology. There are actually some really good scenes here. It's still pretty soapy, and there are a few dull spots, but overall it's an improvement.