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La Haine

La Haine

1995
Drama, Crime
1h 38m
Abdel, a local hoodlum, is hospitalized after a riot, where a policeman lost his gun. His friend Vinz finds it and claims he will kill a cop if Abdel dies. (imdb)

Directed by:

Mathieu Kassovitz

Screenwriter:

Mathieu Kassovitz

Starring:

Saïd Taghmaoui, Vincent Cassel, Benoît Magimel, Philippe Nahon, Hubert Koundé, Abdel Ahmed Ghili, Solo, Joseph Momo

Genres:

Drama, Crime

AKA:

Hate

Country:

France

Language:

French
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La Haine

1995
Drama, Crime
1h 38m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 73.57% from 3842 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

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jet0425jet0425
Rated 25 Jun 2008
100
97th
Kassovitz has created what is now one of my all-time favourite films; a stark, shocking and realistic portrayal of life in the Paris slums seen through the eyes of three racially different young men who are changed by the decaying society and end up in a battle for their lives. It's brilliant and strangely intriguing, I highly recommend this to everyone. It's a film which we all should see whether politics is relevant to us or not for it's a lesson learned in terms of ethics and morality.
Rated 25 Jun 2008
chemtrailschemtrails
Rated 04 Oct 2009
85
95th
So much energy, outstanding movie
Rated 04 Oct 2009
martintellerMartinTeller
Rated 29 Jul 2007
75
54th
Kassovitz wears his influences quite plainly on his sleeve... this film is dripping with Spike Lee and Martin Scorsese references. As derivative as it is, however, it does have a certain freshness (or perhaps FRENCHness) that makes it more than a copycat picture. I found that I cared about the three main characters without actually liking them very much, which I guess is a neat trick. It's awfully funny listening to people try to sound all badass in French, though.
Rated 29 Jul 2007
thedenizenTheDenizen
Rated 19 Apr 2016
75
75th
A cop loses his gun during a riot in a Parisian ghetto, and it is found by a group of teens whose friend was put into a coma by a police officer. Vincent Cassel is ragetastic as a seething ball of directionless anger and attitude, and the sudden, unexpected ending leaves a powerful impression. However, one struggles to escape the feeling that French guys calling each other "homeboy" is deeply silly somehow.
Rated 19 Apr 2016
barthalenBarthalen
Rated 11 Oct 2012
89
96th
Intense. The raw anger is always júst hidden under the surface, ready to burst forth and make Bad Things happen. Some amazing shots, and it has a very naturalistic feel. The ending is like a sledgehammer to the temple.
Rated 11 Oct 2012
carbo_kenCarbo-Ken
Rated 21 May 2012
82
90th
It says a lot about french politics (and hip hop fashion) when this film looks like something being released last week.
Rated 21 May 2012
kavuKavu
Rated 02 Jul 2008
90
94th
The plot could be more coherent but that's about the only flaw. Gritty street feel and a phenomenal ending.
Rated 02 Jul 2008
paxtonPaxton
Rated 22 May 2023
88
87th
If it wasn't for baby Cassel you could've told me this movie was made last year and I would've believed it. It's the least subtle use of Chekhov's Gun principle I think I've ever witnessed, but it's no less impactful.
Rated 22 May 2023
juntakinte99juntakinte99
Rated 30 Dec 2020
100
97th
This picture is up there with Do the Right Thing, Boyz in the Hood, and Menace II Society in terms of "hood films"--narratives that merge hip-hop's urban stories with the auteur approach of indie film. Kassovitz deserves kudos as a writer and director, as he makes these characters not political caricatures, but young people learning to deal with a world they inherited. The message is still relevant as police brutality, anti-black racism, and Islamophobia run amok around the globe. A classic.
Rated 30 Dec 2020
mattorama12mattorama12
Rated 09 Jul 2016
78
85th
This movie has been on my list for a while, but I had no idea what it was about. I coincidentally picked an interesting day to watch it, just after the Dallas police shootings. The story is a little meandering at times, but there's an underlying current of tension that keeps it pushing forward. It took me just a little bit to get invested in the characters, but it's really fantastic once you do. Not to mention the direction is excellent.
Rated 09 Jul 2016
nepetaNepeta
Rated 14 Jan 2014
60
28th
A stylish and striking examination of the situation, and a commendable film. I just can't bring myself to care about these characters as they're so unlikeable, and I generally find the film too unpleasant for my tastes.
Rated 14 Jan 2014
bakcheiabakcheia
Rated 05 Oct 2013
96
94th
Shot in gorgeous B+W film, this movie presents us with three main characters who are raw, incredibly vibrant portrayals of humanity living in turbulent times. It reminds me a lot of Do The Right Thing, but I feel as though this film presents a much more complex viewpoint than Spike Lee's picture in terms of how hate is bred. In La Haine, hate seems to have no beginning and no end; it just cycles endlessly and serves as an all too easy crutch for these characters as they try to find themselves.
Rated 05 Oct 2013
uhrmacherUhrmacher
Rated 06 Jan 2013
78
17th
Maybe a lack of appreciation for the French societal context cost me in enjoyment but I didn't particularly connect with any of the characters.
Rated 06 Jan 2013
terrymacterrymac
Rated 03 Jun 2011
85
93rd
A raw glimpse of a part of Parisien life which doesn't make it onto the screen too often. The themes are fairly bleak, but it has a certain freshness driven by the promising young cast. The soundtrack was pretty good as well. Recommended.
Rated 03 Jun 2011
maM_A
Rated 07 Mar 2011
88
93rd
A raw and calamitous snapshot of a day in a few young men's lives, featuring a laudable performance by Vincent Cassel. Deserves as much acclaim as City of God got, if not more. A must-watch for any fan of French cinema, culture, or just good fucking movies.
Rated 07 Mar 2011
begoniabolbegoniabol
Rated 03 Jan 2011
90
95th
Well directed, shocking and it has some beautiful shots. The ending is absolutely incredible, it left me speechless
Rated 03 Jan 2011
okkervilOkkervil
Rated 03 Sep 2010
85
91st
Complex and intriguing as well as voraciously intelligent. I can't quite put my finger on what stopped this being truly great in my opinion, perhaps it was the slightly loose plot? But even so "La Haine" is brilliantly shot and has a great ending and with so much to analyse here it is well worth repeat viewings.
Rated 03 Sep 2010
citizenxCitizenX
Rated 20 Jul 2010
75
85th
vincent cassel is cool, and lots of details in the movie too, but overall i think its overrated, just like city of god, would have worked better as a documentary and with a better soundtrack
Rated 20 Jul 2010
spunkieSpunkie
Rated 07 Apr 2007
75
90th
The style may get old, French suburbian life may grow irrelevant. However the loop that La Haine constructs around how hate does breed hate will always stick.
Rated 07 Apr 2007
matthagenmatthagen
Rated 03 Aug 2024
44
26th
I can applaud its restless style, and there are standout scenes, but deep down La Haine is just piggybacking on Tarantino and Spike Lee. I can feel it in every ounce of its testosterone and talk. If the movie were better, I would look past it. There is no one to like or really even identify with, even though there are opportunities to humanize these characters and their conditions. Three hoodlums act like hoodlums, and that's about it for a plot. Don't play with guns, kids.
Rated 03 Aug 2024
brrrpbrrrp
Rated 19 Feb 2024
60
39th
Kassovitz might have created a more compelling story if the characters encouraged a sympathetic response from his audience. Perhaps this is part of the point, part of his commentary of the contemporaneous society, but as it stands I'm tempted to say "let it fall."
Rated 19 Feb 2024
sproostsproost
Rated 28 Aug 2021
50
27th
It's beyond me what should be enjoyable about seeing these 3 uninteresting hoodlums behave like annoying monkeys for 2 hours.. maybe a daring concept in 1995 but it's been done better many times since.
Rated 28 Aug 2021
glumpy99glumpy_99
Rated 25 May 2019
67
31st
Meandering tale of Parisian street life is almost distractedly dated in its film-making style 20 years on - one can feel the lo-fi, post-Tarantino 90s feel in every fibre of its being. Energetic performances from its three leads do their best to inject some energy into the aimless, wandering narrative which often overreaches in its at times surrealist digressions, leading to a somewhat cheap and unearned nihilistic finale. Cassel proves he is (and was) a talent to watch.
Rated 25 May 2019
lethiaslethias
Rated 12 Jul 2018
91
94th
Watched this movie 8-10 years ago, completely forgot about it. Wonderful cinematography with class acting. Suburbs of Paris, dangerous and fun. Not for outsiders. Odds are if you grew up there you will have it hard to go out. Poverty is a bitch. Raw, exciting, true. Also, Le Pen, lol.
Rated 12 Jul 2018
pratchett3Pratchett3
Rated 23 Jul 2017
7
50th
expertly shot, and there were some incredible moments, but the characters constant bickering got tiring
Rated 23 Jul 2017
kmilchev1Kmilchev1
Rated 02 Feb 2017
95
98th
A lot of memorable scenes, the long shots give you a tase of what french cinema is all about. Many elements from the films of Truffaut and Godard are used and the characters are unique and mesmerising. Trully one of the best films ever made thanks to the brilliant directing style of Kassovitz and Cassel.
Rated 02 Feb 2017
moribunnyMoribunny
Rated 14 Jun 2016
75
84th
Uneven, but generally very good. Occasional stylish camerawork aside, maintains a beautiful gritty realist tone throughout, which is just why the plot seems jarringly forced and almost didactic at points, such as in the final scene. Definitely peaks in the bathroom scene about halfway in, where a diminutive old Gulag survivor memorably tells the protagonists his shaggy dog tale about his friend Grunwalski. I recommend the film but it could have done with a little less social self-importance.
Rated 14 Jun 2016
barraocBarraoc
Rated 01 May 2016
80
85th
The three leads perfectly capture the aimlessness of disenfranchised youth. The black and white cinematography is by turns stark and beautiful. Definitely warrants repeat viewings...
Rated 01 May 2016
boxcarsBoxcars
Rated 30 Dec 2015
10
97th
One of the most powerful and stark pieces of cinematic social commentary you'll ever see, 'La Haine' is an absolute must-see, thanks to its gritty and grounded characters, and their all-too realistic inner demons and outer struggles.
Rated 30 Dec 2015
deaddillydeaddilly
Rated 14 Dec 2015
80
72nd
This film had so much firepower. It is an offbeat (yet excellent) study on friendship and humanity within a volatile sociopolitical landscape. The camera work is incredible and almost Lynch-esque at times. It creates a very unsettling atmosphere that is warmed up from the camaraderie of the 3 young men. The ending shook me more than anything I've seen in a long time.
Rated 14 Dec 2015
dorothyozDorothyOz
Rated 23 Aug 2015
80
81st
Good!
Rated 23 Aug 2015
fenixdownfenixdown
Rated 01 Jul 2015
89
97th
Exactly the type of movie that I like to watch. Like a French version of Do the Right Thing.
Rated 01 Jul 2015
catnipCatnip
Rated 28 Jun 2015
100
96th
Still one of my absolute favorites.
Rated 28 Jun 2015
natebarriosnatebarrios
Rated 04 Jun 2015
85
94th
So far, so good. So so good.
Rated 04 Jun 2015
radumsmnradumsmn
Rated 19 May 2015
92
99th
Best visceral experience of a movie. Rough and tough, but also sweet and sour, just like its characters. Pretty much a must see
Rated 19 May 2015
hellboy76hellboy76
Rated 11 Apr 2015
72
86th
A bit hard to buy into the tough guy French aspect but I will say despite its not being stylistically unique, it is well done and still manages to be a gut punch.
Rated 11 Apr 2015
maknelamaknela
Rated 21 Dec 2014
96
96th
"So far, so good ..." said the man who was falling from the skyscraper. "It's not important how you fall, it's important how you land."
Rated 21 Dec 2014
lonewolf2003Lonewolf2003
Rated 03 Dec 2014
95
98th
"It's about a society on its way down. And as it falls,it keeps telling itself: "So far so good... So far so good... So far so good." It's not how you fall that matters. It's how you land." Sad thing is France is still falling. (2nd viewing)
Rated 03 Dec 2014
revvadaulReV_VAdAUL
Rated 28 Jun 2014
90
82nd
An excellent exploration of the context of why the riot occurred.
Rated 28 Jun 2014
rufamRufam
Rated 22 Jun 2014
80
85th
Magnificently shot, powerfully acted and with some (occasionally oversold) social insights as well, "La haine" creates a relatable, realistic story out of some familiar settings and potentially unsympathetic characters. I actually enjoyed the quiet moments better (the old man's monologue at the john being the highlight) and I would have preferred if they had ignored Chekov there at the end, but that's not to say that the final 2' aren't memorable. Just a little obvious as point-making.
Rated 22 Jun 2014
hsncrspywlhsncrspywl
Rated 01 Feb 2014
89
87th
Apes a lot of Spike Lee and a lot of Martin Scorsese, but does it with a sort of youthful abandon which kinda reflects well on the film. Perhaps a little too reliant on stylistic flourish to help keep the audience interested, and the ending is a little bit too on-the-nose, but nonetheless a very powerful film with an excellent control of atmosphere and tone.
Rated 01 Feb 2014
vauthVauth
Rated 22 Nov 2013
85
74th
Very well shot and doesn't let up at all in its rawness and intensity. Some scenes were a little ridiculous but overall, the anger and angst filling every dialogue and every scene was more than enough to move the story forward and keep me engaged. Though it captures an important part of French history and the limitations of brotherhood, I think I would be able to connect with it more if I actually understood France societal context more.
Rated 22 Nov 2013
tarantinoleTarantinOle
Rated 12 May 2013
95
99th
La haine is a portrait of the inner city of Paris, a multiracial community, drawn together by boredom, anger, prejudice. Shot in black and white, in urban Paris, with pounding rap music to set the tome, La haine is a deeply provoking and violent crime drama that will both unsettle you, move you and piss you off.
Rated 12 May 2013
henrikHenrik
Rated 27 Dec 2012
85
90th
Raw, vital and captivating. Not only realistic gut-punching in gorgeous black&white, Kassovitz uses his camera, cuts, sets and actors to show his three character's fears, hatred and dreams. Style IS substance.
Rated 27 Dec 2012
sanderapSanderAP
Rated 28 Aug 2012
90
83rd
highly recomended!
Rated 28 Aug 2012
troothTrooth
Rated 07 Aug 2012
82
86th
Thematically, this movie reminded me of a documentary I saw recently called Dragonslayer. The big differences are that this movie isn't about skateboarding, is urban instead of suburban, and this movie isn't a miserable failure. I guess I can also see a lot of parallels with American History X, not the least of which being the absence of color.
Rated 07 Aug 2012
damildamil
Rated 21 Jul 2012
80
90th
Some of the shots in this film were absolutely amazing. I was seriously impressed. Apart from that, I wasn't sure what else was remarkable about it. At the beginning, I was confused as to the acclaim the film has. However, by the end, I felt it. I didn't necessarily understand what was so good about this film, but I felt it. It's extremely compelling in a way I can't quite pinpoint. I definitely appreciated it more in retrospect than when I was actually watching it. Recommended.
Rated 21 Jul 2012
susie_mauvesusie-mauve
Rated 15 Jul 2012
95
94th
what do you mean Paris isn`t all roses? *needs a rewatch*
Rated 15 Jul 2012
frankhowleyFrankHowley
Rated 05 Jul 2012
80
80th
Every aspect of the film is good, but its cinematography is amazing.
Rated 05 Jul 2012
bolivarbolivar
Rated 18 Mar 2012
85
96th
fantastic movie about the despair of the violence/hate cycle bred from depravity and racism. filled to the brink with gorgeous shots and wraps up oh so nicely in the end. could have lost 10-20 mins in the middle, as it in my opinion contained a few too many slightly unbelievable/unnecessary scenes (toilet man, art exhibition~).
Rated 18 Mar 2012
beebeedeedopbeebeedeedop
Rated 12 Feb 2012
100
91st
As well as creating a flawless depiction of the vicious circle of hate that can, and will never be broken, Kassowitz also leads each character through a journey, for better or worse, to the dramatic final scene.
Rated 12 Feb 2012
zayankZayanK
Rated 21 Sep 2011
89
81st
Fuck... fuck da police.
Rated 21 Sep 2011
hezarfenHezarfen
Rated 28 May 2011
75
80th
One comment, if you want to understand 'french' film, watch this one. It is intense, but it doesn't manipulate you in any stupid way, you are still free to watch with out stupid (b/h)ollywood pretend drama
Rated 28 May 2011
ocelotOcelot
Rated 18 Nov 2010
80
89th
Solid movie. Meanders a bit in the middle, but the ending is just great.
Rated 18 Nov 2010
perrystroikaPerryStroika
Rated 15 Oct 2010
65
67th
Some wonderful, energetic scenes and great camera work, but marred by annoying French pontificating about society and politics.
Rated 15 Oct 2010
jcphoenixjcphoenix
Rated 18 Aug 2010
95
99th
Kassovitz allows the tension to simmer like a master, letting it escalate just below the veneer of the laidback and aimless '90s (encapsulated in Richard Linklater, Larry Clark, and Kevin Smith films) until it has nowhere to go but up. Explosive, gritty, raw, stylized yet naturalistic - you've heard these descriptors again and again but rarely are they this accurate to the experience you will have.
Rated 18 Aug 2010
metabrainMetaBrain
Rated 22 Jul 2010
100
92nd
One of my favorite movies of all time. The style. The presentation. The colors. And the russian dude in the urinols.
Rated 22 Jul 2010
bownBown
Rated 20 Mar 2010
79
50th
Wonderfully stylised, particularly the Spike Lee influences. Brings up a lot of interesting questions. Great ending, too.
Rated 20 Mar 2010
cinematicespCinematicESP
Rated 29 Jan 2010
87
77th
An entertaining crime film that, unlike many of its American counterparts, is subtle in both its stylishness and social commentary, strung together by a rather brilliant metaphor. The three main actors really bring their characters to life.
Rated 29 Jan 2010
pewbengpewbeng
Rated 03 Dec 2009
97
99th
Jusqu'ici tout va bien. I don't see how I could forget that quote, ever. Captivating film with grounded, believable characters. If you haven't yet - watch it.
Rated 03 Dec 2009
frederikaFrederikA
Rated 13 Oct 2009
90
96th
Social commentary at it's most gritty and thrilling
Rated 13 Oct 2009
vandelay1Vandelay1
Rated 27 Jun 2008
93
98th
Great
Rated 27 Jun 2008
quickyQuicky
Rated 12 Jun 2008
90
95th
During this film I felt at times the urge to laugh, yet at the same time what I was seeing disturbed me. This portrayal of three friends in the Parisian border effectively showed the hatred and the tension in the 90's between the police and the youngsters, as well as between the youngsters themselves. As someone else said here, I identified with the characters, despite realizing how messed up they have become because of their lack of purpose. The ending was literally mind-blowing.
Rated 12 Jun 2008
kasperlKasperL
Rated 01 Jun 2008
85
94th
If you go into this superb realistic drama expecting a movie from the director of 'Gothika' and 'Babylon AD', you won't know what fucking hit you.
Rated 01 Jun 2008
boyd_crowderBoyd Crowder
Rated 25 Jan 2008
89
91st
Brilliant movie with an ending that is absolutely breathtaking. And we need more b/w features.
Rated 25 Jan 2008
pickpocketPickpocket
Rated 15 Nov 2007
9
93rd
The ending is great and I love Vincent Cassel.
Rated 15 Nov 2007
skenkereSkenkere
Rated 27 Feb 2007
83
89th
Jusqu'ici tout va bien...
Rated 27 Feb 2007
dsonlaDSonla
Rated 27 Sep 2024
74
69th
While it is painful to watch the three main characters and their shenanigans, the movie raises some good questions about french society.
Rated 27 Sep 2024
kicsikocsi5355Kicsikocsi5355
Rated 23 Aug 2024
100
98th
Az egyik legérdekesebb, legvicesebb, legjobban megírt film valaha. Nagyon közel áll a szívemhez.
Rated 23 Aug 2024
badfurdayBadFurDay
Rated 03 Aug 2024
7
76th
To foreigners, this movie might seem like silly social commentary. To french people who grew up around that time near or in the suburbs of Paris, this movie is a documentary. Hate breeds hate.
Rated 03 Aug 2024
eliesrbieliesrbi
Rated 24 Jun 2024
80
60th
j'suis pas fan du cinéma français mais ce film est excellent
Rated 24 Jun 2024
altkaltk.
Rated 20 Apr 2024
80
77th
Elli beşinci kattan kendini aşağıya atan adam her bir katı geçerken demişki buraya kadar her şey yolunda, buraya kadar her şey yolunda… Önemli olan düşüş değil yere çarpıştır.
Rated 20 Apr 2024
gargom04Gargom04
Rated 29 Mar 2024
81
93rd
Opinión personal: 8.5 Actores: 8.5 Guión: 7.5 Fotografía: 9.5 BSO: 5 Otros:9.5 Iluminación: FX:10 Director:9 Humor: Vestuario/caracterización: Ritmo: Total: 80
Rated 29 Mar 2024
trauttraut
Rated 07 Feb 2024
95
67th
As one scene featuring remarkably sharp dialogue seamlessly flows into the next with stupidly unique cinematography, it's difficult not to get that clever-film-snobby grin watching this knowing you’re witnessing a masterpiece.
Rated 07 Feb 2024
armilioArmilio
Rated 13 Nov 2023
73
73rd
It reminded me of Spike Lee's "Do the right thing", but less funky. Energetic movie about the lack of choices and about the hate building up in bad suburbs. But unlike Lee's movie there is no hate-love here, just hate.
Rated 13 Nov 2023
danny42Danny42
Rated 04 Nov 2023
65
50th
I'm sorry to say, but I think this film is a bit overrated. I guess people find it interesting because of its unexpected ending, but really, it's not that good... to its credit, it doesn't buy into the false dichotomy that all cops are evil monsters, so that's nice. Also, the constant swearing is really grating, i just found it annoying. Oh well, maybe it's just not for me...
Rated 04 Nov 2023
mkutaymkutay
Rated 25 Jan 2023
96
93rd
“Heard about the guy who fell off a skyscraper? On his way down past each floor, he kept saying to reassure himself: So far so good... so far so good... so far so good. How you fall doesn't matter. It's how you land!”
Rated 25 Jan 2023
rihreyrihrey
Rated 12 Jan 2023
76
97th
That one gunshot made me jump, I was like "DAMN".
Rated 12 Jan 2023
nathanbatesNathanBates
Rated 07 Jan 2023
80
78th
Quite powerful story about disaffected youth (somehow society always survives them) with breathtaking cinematography. Drops into the "artsy French movie" with the addition of the guy who talks about defecating in the woods. I didn't love it, but I can appreciate what it's saying.
Rated 07 Jan 2023
dawdlingpoetDawdlingPoet
Rated 06 Aug 2022
80
79th
This is a film decidedly about adolescents in the projects - angry at their lack of prospects and lack of respect by those in authority, following recent riots. I'm not sure if it really says a lot thats original but it does convey the sense of recklessness and anger the characters clearly feel about their circumstances and it shows the aimlessness of their time spent in the local area. Vincent Cassel undoubtedly gives a good, somewhat chilling performance as Vinz, one of the group of thugs. I g
Rated 06 Aug 2022
capodelnullacapodelnulla
Rated 05 Aug 2022
85
90th
this is nothing new to say about this film but the explosiveness this film has is just incredible. the camera work is brilliant throughout the film, but specifically, it features one of the best dolly zoom uses I've ever seen.
Rated 05 Aug 2022
shockularSHOCKULAR
Rated 18 Jul 2022
76
62nd
This is a very good film about the "bad" side of Paris. Beautifully done technically, strong performances inhabiting interesting, real characters. I thought it kind of lost focus starting midway through before gaining it back toward the end. The simmering tension of that part of the city just waiting to explode at the right provocation reminded me of Do The Right Thing, though I didn't think the payoff was terribly satisfying, or at least was smaller in scale than I expected. Mostly good stuff.
Rated 18 Jul 2022
heynicefilmHeyNiceFilm
Rated 09 May 2021
80
49th
Great job on the character development in this one. Really felt like I was just spending the day with some chavs on the streets of Paris. It's a drama set across a canvas of socio-political turmoil, specifically as it relates to police abuse. Very topical. Anyway, there were some good shots in this one, pacing could have been better, but the acting (and the ending!) make this one above average.
Rated 09 May 2021
isitfallacyisitfallacy
Rated 06 Mar 2021
85
91st
wow
Rated 06 Mar 2021
larsvontrierLarsVonTrier
Rated 02 Feb 2021
4
93rd
After 25 years of this movie, that fall is now over and everything has gone to shit.
Rated 02 Feb 2021
cairosmithcairosmith
Rated 04 Jan 2021
86
89th
Holds up at a time when other films from this era are starting to show their age. Pulls out every camerawork trick in the film history book, and somehow makes them all hit home. The characters are dynamite, the acting is fantastic, and every punch lands. What an accomplishment.
Rated 04 Jan 2021
ceekay19Ceekay19
Rated 28 Jan 2020
80
81st
Vinz: "It's about a society on its way down. And as it falls,it keeps telling itself: "So far so good... So far so good... So far so good." It's not how you fall that matters. It's how you land."
Rated 28 Jan 2020
hiresdesHiResDes
Rated 01 Jan 2020
85
91st
You know there's a reality where Spike Lee was spot on and the film is still outstanding.
Rated 01 Jan 2020
eraslaneraslan
Rated 21 Jun 2019
99
96th
ben böyle ilk düzgün film izlemeye başladığım zamanlar izlediğim filmlerden briydi. sinematografinin önemini bu filmle anladım. sonra tekrar izleyince de çok güzeldi
Rated 21 Jun 2019
ottott
Rated 01 Nov 2018
65
46th
could have been a great critique of police unjustice and segregation but ended up more like: "in a ghetto u die"
Rated 01 Nov 2018
feublofeublo
Rated 24 Jul 2018
80
58th
A fascinating view of the projects. Politically, it's well spoken and powerful with the screenplay. Camera techniques with a beautiful black and white environment make this quite the masterpiece.
Rated 24 Jul 2018
gnalkhereGnalkhere
Rated 25 Oct 2015
80
72nd
The best stylization in recent film history.
Rated 25 Oct 2015
dardandardan
Rated 23 May 2015
68
67th
For all the building it did the ending not only felt unjustifiable, but unsatisfying and unnecessary considering the power a simple Bressonian arrest would have had. It is with lack of empathy and imagination we talk about crimes in these demographics and areas, and this tale could have served as symbol for all those behind the stats. Rather than stressing and pursuing naturalism in the front and cyclicism in the back, it chose dramatization in the end, undercutting the whole thing.
Rated 23 May 2015
patmanpatman
Rated 02 May 2015
32
4th
Unpleasant, provocative and annoying. Sorry...
Rated 02 May 2015
suture_selfSuture Self
Rated 12 Apr 2015
5
42nd
It's as if Kassovitz wrote the end first and scrambled to create something that would lead him there.
Rated 12 Apr 2015
databoy78Databoy78
Rated 27 Mar 2015
100
68th
I love this movie so much.I wont spoil.Just some facts. A true masterpiece in acting ,camera, photography, music, script. This is a movie which describes the feelings of a whole generation.A timeless movie.
Rated 27 Mar 2015
le_mamile mami
Rated 28 Dec 2014
75
74th
Quite impressive but not as much as I excepted. Something I can not explain is missing in this movie. I may watch it again.
Rated 28 Dec 2014
xacviantxacviant
Rated 14 Jun 2014
83
61st
Mathieu Kassovitz's portrait of racial and class tensions in present-day France isn't really all that different from plenty of American films on the same subject, but Kassovitz's punchy direction (which won an award at Cannes), and powerful performances from Vincent Cassel, Hubert Koundé, and Saïd Taghmaoui make it worthwhile. Kassovitz's script also has its high points, especially a seemingly absurd monologue about the fate of poor Grunwalski. The title aptly translates to "Hate".
Rated 14 Jun 2014
wetwillieswetwillies
Rated 24 Mar 2014
50
4th
Three annoying jerks yell at each other in an ugly city. Yeah, I kinda hated it. Some nice visuals, though.
Rated 24 Mar 2014
wubafwezwubafwez
Rated 10 Dec 2013
7
32nd
fuck your mother
Rated 10 Dec 2013

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