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Karami-ai
Karami-ai
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Karami-ai

Karami-ai

1962
Drama
1h 47m
On his deathbed, a wealthy businessman announces that his fortune is to be split equally among his three illegitimate children, whose whereabouts are unknown to his family and colleagues. A bevy of lawyers and associates then begin machinations to procure the money for themselves, enlisting the aid of impostors and blackmail. (criterion.com)

Karami-ai

1962
Drama
1h 47m
Your probable score
Avg Percentile 67.48% from 59 total ratings

Ratings & Reviews

(60)
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Rated 14 Dec 2022
78
75th
A well-done "trust nobody when money is involved" film. You need to watch carefully as there are a number of snakes hiding in the grass when a wealthy businessman is alerted to the fact that he has terminal cancer and decides to make his will and disburse his fortune....but to who?
Rated 18 Oct 2022
70
78th
A woman gradually gets used to things. Jazzy, downbeat and relentless, this is a well-written ("the law is adorable and entertaining") and well-directed tale of scheming and greed.
Rated 17 Feb 2022
91
89th
Karami-ai estreava há 60 anos no Japão. A gente pode até dizer que esse é um Kobayashi menor executado entre as mais absolutas obras-primas Guerra e Humanidade e Harakiri, mas um Kobayashi menor ainda é uma obra-prima. Noir japonês não dá para ficar melhor do que isso. WEBRip SbR.
Rated 31 Jul 2020
70
56th
The convoluted web of dealings snuffs out what might have been a much more scathing anti-capitalist piece. But the widescreen noir-inspired shots and Toru Takemitsu's jazzy soundtrack are a satisfying experience in their own right.
Rated 01 Aug 2018
58
48th
A dense procession of only sometimes unexpected plot turns, drenched in dialogue, which I sort of gathered it would be when reading the synopsis. It's very well-directed, shot and acted, but the extent to which it will excite one depends on one's level of interest in convoluted court intrigue, as there's little else going for it storywise. Personally, as a Kobayashi fan, I'd rather a script like this went to Akira Kurosawa.
Rated 28 Oct 2015
3
45th
It is a densely plotted film, thick with exposition, scheming, double crossing, blackmail and murder. It's all a little convoluted and tough to follow, but in broad strokes this is one of its director's bleakest works. Usually Kobayashi anchors his anti-establishment rhetoric with sympathetic characters and moral perspectives, but here there are none. There is no love to be lost, only profit to be gained.

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