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Guy and Madeline on a Park Bench
Guy and Madeline on a Park Bench
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Guy and Madeline on a Park Bench

Guy and Madeline on a Park Bench

2010
Drama, Musical
1h 22m
First-time director Damien Chazelle infuses his black-and-white, 16mm verite-style relationship drama with all that jazzy romance of an old-Hollywood musical. Backed by a grand, alternately rollicking and melancholy score, Guy and Madeline tracks a pair of young lovers in Boston after they separate, search for new romance, and perhaps find their way back to each other. (Tribeca)

Guy and Madeline on a Park Bench

2010
Drama, Musical
1h 22m
Your probable score
Avg Percentile 37.82% from 75 total ratings

Ratings & Reviews

(75)
Compact view
Compact view
Rated 24 Oct 2018
69
25th
It is a little bit too elliptical and haphazard to fully connect with, but in its themes (and of course in the music) the roots of Chazelle's future work can be seen.
Rated 01 Oct 2018
78
58th
78.00
Rated 19 Aug 2018
45
1st
When you consider that Guy and Madeline only had a budget of $60,000 and featured a great score and some great dance sequences, a 45 seems a bit harsh. But the overuse of closeups and poor acting really annoyed me. Damn am I glad Chazelle has been given bigger projects though.
Rated 17 Mar 2018
21
63rd
I think what really impressed me was how much was left unspoken and instead was expressed by either the most minute physical gesture or simply just sung, no in-between.
Rated 26 Aug 2016
56
19th
I could see that this film absolutely tried to be something special. It draws inspiration from old Hollywood musicals and FNW. But it never really feels like a musical, rather it just feels awkward at points and painfully aimless. Yet there were some good things in here, and some genuine scenes - and some that had a great idea that we marvel at the idea rather than the execution of it. Still, it just doesn't feel like it was anything enjoyable mostly. There was one cool musical number though.
Rated 24 Jan 2016
70
68th
Mumblecore musical
Rated 24 Oct 2014
2
17th
my impression is that this wants to be something more than it wants to express something.
Rated 16 May 2012
42
38th
Imaginative (though i wouldn't exactly call it "original" per se) pastiche of French New Wave and Hollywood Musical affectations, with results about as haphazard and uneven as one could expect. Taken as a whole it doesn't quite work, and i for one would argue that the musical element should have been excised altogether, however there are some moments of impressionistic beauty in the verite style, and i have to give the filmmakers credit for their ambition and experimental spirit.
Rated 13 Nov 2010
20
41st
"The film's visual splendor is undercut by the nagging realization that it's in the service of a tepid snapshot of happy-go-ditzy ciphers." - Nick Schager

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