Full Frontal
Full Frontal
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Full Frontal

Full Frontal

2002
Romance, Comedy
1h 41m
A movie about movies for people who love movies. (Miramax)

Full Frontal

2002
Romance, Comedy
1h 41m
Your probable score
Avg Percentile 31.43% from 343 total ratings

Ratings & Reviews

(343)
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Compact view
Rated 19 Jan 2010
0
3rd
Filmed like the crew and director were paid to sabatoge the film.
Rated 03 Apr 2017
80
69th
I get the negative reaction, but I had a pretty good time with this. I think I just have a high tolerance for Soderbergh's shenanigans; I liked Bubble and The Girlfriend Experience after all. I thought the multiply-nested structure of films-with-films was compelling, and it's also pretty funny.
Rated 13 Jun 2013
85
59th
This one gets a lot of hate but I thought it was pretty good. Soderbergh's most underrated movie, for sure. Head-spinning, ironic and heavily experimental, with an occasionally sharp but always enjoyable takedown of Hollywood taking place. The guy who plays Hitler is fantastic.
Rated 02 Jun 2009
75
94th
The summary is spot on. Having watched a plethora of cinema, to see someone so selflessly and irreverently moon the modern industry--as well as the modern viewer--is very refreshing.
Rated 06 May 2021
60
32nd
Soderbergh dialogue is so weirdly hypnotic even when it doesn't make sense. Easy to zone out sometimes but when you're locked in it's pretty special. Some pretty wild cameos in this.
Rated 24 Jun 2017
25
8th
This movie is like a poodle looking at Picasso.
Rated 22 Sep 2016
52
31st
I appreciate what it's trying to do.
Rated 21 Dec 2014
24
6th
Unendingly and saddeningly boring, a real experimental binge/purge, but not as fun as Schizopolis, and just rather unendearing.
Rated 02 Oct 2013
44
6th
44.000
Rated 22 Nov 2012
51
11th
Interesting Soderbergh experiment has some great ideas, and generally solid performances, but is torpedoed by a generally dreary, pretentious mood, and some hideous digital photography for the 'real-life' scenes, which make much of the film look embarassingly amateurish (the Underwood/Roberts sequences are professionally and quite nicely filmed, which only further contrasts with the ugliness of the other sequences.)
Rated 08 Apr 2011
60
22nd
The feeling of experimentation rubs off on the film in both positive and negative ways - the genuine excitement and fun that must've gone into making it is irrepressible and makes it a lot more enjoyable than it should be, but there's a feeling of catching a devised student production halfway through a workshop, right down to the faux-Mamet speech patterns of one sequence between Keener and a man she's firing. Great performances and often funny, but patchy at best.
Rated 01 Jan 2011
37
5th
36.750
Rated 19 Oct 2010
15
21st
"An inscrutable experiment too fixated with its own self-reflexivity to ever be about anything in particular." - Ed Gonzalez
Rated 19 Feb 2010
31
3rd
This movie sounded better in concept than it felt in execution. Nicky Katt is easily the best thing in the film. Soderbergh's worst, IMO.
Rated 17 Sep 2007
50
22nd
weak experiment
Rated 14 Aug 2007
80
44th
Not Soderbergh's most successful experiment (that goes to K Street and Bubble), but pretty good anyway.
Rated 14 Aug 2007
84
43rd
lots of star power adding up to 'pretty good'
Rated 14 Aug 2007
75
21st
Has its moments but ultimately comes off like a student film - full of good ideas, way short on execution.

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